10
11. LINE RIGHT Input
This is a JACK connector, which accepts a balanced or unbalanced line level input signal from almost any source. This is
used only in presence of LEFT jack input to use the channel as STEREO.
12. FX control (send to FX post)
This control sends the signal to the internal Digital E
ff
ect Processor. This signal is post-fader, or in other words it depends
on the posi on of the channel's FADER.
13. BAL control
It adjusts the amount of channel signal sent to the le versus the right outputs if the channel is used as MONO, or it
fades the LEFT or RIGHT signal amount if the channel is used as STEREO.
14. FADER LEVEL control
It adjusts the level of the channel signal and send it to the MAIN MIX outputs.
15. PRESETS selector
The internal Digital E
ff
ect Processor is built around a powerful 20bit DSP and 16bit AD/DA converters. It includes 16
di
ff
erent presets of studio-grade e
ff
ect algorithm.
HOW TO USE THE FX:
- rotate the SELECTOR knob to choose the type of e
ff
ect (preset) you want to use;
- send the signal to the e
ff
ect with the FX control (6)(12) of the channel you want to add the e
ff
ect to;
- rotate the FX LEVEL (18) knob un l you hear the e
ff
ect added to the original signal;
- adjust the FX controls (6)(12) just before the signal input clipping indicated by the peak led (16);
- re-adjust the FX LEVEL (18) knob to combine the wet e
ff
ected signal with the natural dry signal.
PRESET DESCRIPTION:
p 1. LARGE HALL
- This type of reverb simulates the ambience of a grand concert hall. Dense, smooth reverb with long
pre delay and a lot of high frequency re
fl
ec ons. Works well with vocals, electric and acous c guitars, strings.
p 2. SMALL HALL
- This type of reverb simulates the ambience of a grand concert hall. Dense, smooth reverb with long
pre delay and a few of high frequency re
fl
ec ons. Works well with vocals, guitars, woodwinds.
p 3. LARGE ROOM
- This type of reverb reproduces the more in mate ambience of natural room acous cs. Feature a
lot of early re
fl
ec ons with a lot of high frequency. Works well with vocals, woodwinds, strings, drums.
p 4. SMALL ROOM
- This type of reverb reproduces the more in mate ambience of natural room acous cs. Feature a
lot lot of early re
fl
ec ons with a few of high frequency. Works well with vocals,
fi
ngered guitars, drums.
p 5. VOCAL 1
- Amazing reverb designed for vocals with a long tail.
p 6. VOCAL 2
- Amazing reverb designed for vocals with a dense tail.
p 7. VOCAL 3
- Amazing reverb designed for vocals with a short tail.
p 8. PLATE 1
- This is a simula on of classic '70s and '80s metal plate reverb with a long tail.
p 9. PLATE 2
- This is a simula on of classic '70s and '80s metal plate reverb with a short tail.
p 10. STEREO DELAY 1
- Echo e
ff
ect with ping-pong of le and right channels with long delay mes.
p 11. STEREO DELAY 2
- Echo e
ff
ect with ping-pong of le and right channels with short delay mes.
p 12. HALL + DELAY
- Preset 1 and 10 combined toghether.
p 13. ROOM + DELAY
- Preset 3 and 11 combined toghether.
p 14. VOCAL + DELAY 1
- Preset 5 and 10 combined toghether.
p 15. VOCAL + DELAY 2
- Preset 5 and 11 combined toghether.
p 16. CHORUS
- Typical reverb and modula on e
ff
ect combined toghether, the chorus e
ff
ect provides a
so , ethereal sweeping e
ff
ect. Perfect for enhancement of electric and acous c guitar and bass. Also adds a drama c
e
ff
ect to vocals, par cularly group harmonies and choirs.
16. FX PEAK detector
The PEAK LED
fl
ashes when the e
ff
ect input signal is near to the A/D satura on point of the FX processor.
IMPORTANT: if the LED PEAK
fl
ashes reduce the e
ff
ect input level turning down the FX channel controls.
17. FX MUTE bu on
Engage this switch if you want to mute the signal outgoing from the internal e
ff
ect to the MAIN MIX.
18. FX LEVEL control
It adjusts the level of the internal e
ff
ect signal sent to the MAIN MIX outputs.
19. 2TRK Inputs
Use these unbalanced RCA connectors to patch the output of a player, such as an analog tape deck, MP3 player, CD/DVD
player or a Personal Computer.
