PROEL MI16, Руководство пользователя

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11. AUX 3 / FX level control (send to FX post)
This control sends the signal to the AUX 3 output and to the internal PROFEX digital e ff ect processor. This signal is post-
fader, or in other words it depends on the posi on of the channel's FADER.
12. PAN control
It adjusts the amount of channel signal sent to the le versus the right outputs. Use it to posi on the signal in a
panoramic stereo scene.
13. PEAK detector
The PEAK LED fl ashes when the input signal is near to the CLIPPING point. IMPORTANT: if the LED PEAK fl ashes reduce
the level of the input signal using the GAIN control.
14. PFL switch
This switch allows you to hear signals through your headphones or control room outputs and to display the level on LED
meters. Use the PFL in live sets to pre-listen channels before they are fed into the mix or just to check out a par cular
channel any me during a session. You can solo as many channels at a me as you like.
IMPORTANT: The PFL is the abbrevia on of Pre Fader Listening, so what you check is the signal entering the channel
before the fader level control.
15. FADER LEVEL control
It adjusts the level of the channel signal and send it to the MAIN MIX outputs.
16. LINE LEFT/MONO Input
This is a female JACK connector, which accepts a balanced or unbalanced line level input signal from almost any source.
If the RIGHT jack is not inserted, this channel operate like a MONO channel with this input as a single signal source.
Wiring is the same of point 2.
17. LINE RIGHT Input
This is a JACK connector, which accepts a balanced or unbalanced line level input signal from almost any source. This is
used only in presence of LEFT jack input to use the channel as STEREO.
18. +4/-10 GAIN Switch
The gain switch adjusts the input sensi vity of the line inputs. This allows the signal from instruments to be adjusted
to op mal internal levels. If the switch is up (+4 dBu) the input stage is set to accept high level line signals, if the switch
is down the input stage is set to accept low level line signals.
19. EQ sec on HIGH control
This control gives you up to 15dB boost or cut at 12KHz with a "SHELVING" curve shape. Use it to increase or reduce
the sound "clarity" or "brightness".
20. EQ sec on LOW control
This control gives you up to 15dB boost or cut at 80Hz with a "SHELVING" curve shape. Use it to increase or reduce the
sound "punch".
21. AUX 1 level control pre-fader
This control sends the signal to the AUX 1 output. This signal is pre-fader, meaning that it doesn't depend on the posi on
of the channel's FADER.
22. AUX 2 level control pre-fader
This control sends the signal to the AUX 2 output. This signal is pre-fader, meaning that it doesn't depend on the posi on
of the channel's FADER.
23. AUX 3 / FX level control (send to FX post)
This control sends the signal to the AUX 3 output and to the internal PROFEX digital e ff ect processor. This signal is post-
fader, or in other words it depends on the posi on of the channel's FADER.
24. BAL control
It adjusts the amount of channel signal sent to the le versus the right outputs if the channel is used as MONO, or it
fades the LEFT or RIGHT signal amount if the channel is used as STEREO.
25. PEAK detector
The PEAK LED fl ashes when the input signal is near to the CLIPPING point. IMPORTANT: if the LED PEAK fl ashes reduce
the level li ing up the GAIN switch.
26. PFL switch
This switch allows you to hear signals through your headphones or control room outputs and to display the level on LED
meters. Use the PFL in live sets to pre-listen channels before they are fed into the mix or just to check out a par cular
channel any me during a session. You can solo as many channels at a me as you like.