2. LINE Inputs:
These ¼-inch inputs may be used to connect high-impedance microphones or
keyboards, drum machines and other audio devices.
3. AUX IN:
Use this stereo input to connect an external audio device such as an MP3, CD player or
computer for playback. Note: Right and Left channels are summed to mono on this input.
1. MIC Inputs:
These XLR inputs are designed for low-impedance microphones or equipment that
has a Mic-level, balanced output (often called a Direct Out). Note: These inputs receive 15-volt
phantom power. This is used to provide power to condenser microphones. Phantom power will not
damage any dynamic or non-condenser microphone.
CONTROLS & FEATURES OVERVIEW
INPUT SECTION:
This is where you may plug in microphones, instruments, keyboards, drum machines or other audio
devices and adjust the volume, bass and treble.
4. Volume:
Use these controls to adjust the volume level of each channel and the relative balance
between them.
5.Low:
Determines the emphasis of Low frequencies. Turning this knob clockwise creates a deeper,
warmer tone. If you need a brighter sound, reduce the Low by turning counterclockwise.
6. High:
Turned clockwise, this control accents High frequencies to produce clearer, crisper sound.
Turn counterclockwise to make the sound softer and less bright.
11. Power:
This switch activates AC power to the powered PA.
12. AC Power Cord Receptacle:
Insert the PW100T’s AC cord firmly into the AC receptacle. Be
sure to use the cable provided with your PW100T. The power cord can be removed for storage or
replacement if damaged. Note: Replace the AC cord if its protective jacket is damaged or ground pin
is damaged or removed.
7. Master Volume:
Controls the overall volume of all channels and input on POWERLINK Note: Does
not affect POWERLINK Output level.
8. POWERLINK IN:
This balanced XLR Jack accepts the POWERLINK output from another PW100T
using a standard Mic cable. Channels from both PW100T’s are summed together. Use the channel
volume controls to get the mix of the 6 channels (If a channel is not used turn the volume all the way
down). MASTER volume controls the loudness of the mix through its PW100T. It does not affect
volume of linked PW100T. Note: The shield connection (pin 1) on this jack is connected to chassis
ground. It is not lifted.
9. POWERLINK OUT:
This balanced XLR Jack accepts the POWERLINK input from another PW100T
using a standard Mic cable. Channels from both PW100T’s are summed together. Use the channel
volume controls to get the mix of the 6 channels (If a channel is not used turn the volume all the way
down). MASTER volume controls the loudness of the mix through its PW100T. It does not affect
volume of linked PW100T. This jack may also be used to connect the PW100T to a power amp with
a balanced line input. Note: The shield connection (pin 1) on this jack does not connect to chassis
ground. It is lifted.
10. Subwoofer Out:
This line level un-balanced output is optimized to send low frequency signal
to PW112S powered subwoofer but will work with any powered subwoofer that accepts a line level
input. A crossover is activated when plugging a standard ¼” mono (tip/Sleeve) plug into this jack.
The crossover point is 150Hz. Frequencies 150 and below go to subwoofer output jack at all times
Frequencies 150Hz and above go to PW100T speakers. PW100T speakers are full range when jack
is not used. Note: It is recommended to connect use a standard ¼” mono (tip/sleeve) SHIELDED
instrument cable because the sleeve connection to ground is what activates crossover on PW100T
speakers.
12. AC Power Cord Receptacle
11. Power
