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Gain
This control establishes the nominal operating level for the channel. The input
gain can be adjusted over a wide range (0 dB – 60 dB) to compensate for soft
voices or very loud drums. To maximize the signal-to-noise ratio, the gain
should be set to the proper level, with the Channel Fader (13) set to 0. It can be
set by pressing the PFL Switch (12) and adjusting for 0 dB on the output meter.
If the clip LED comes on and remains lit, reduce the gain.
Lo Cut
The low-cut filter is variable from off to 300Hz. When engaged‚ it can improve
clarity by removing low frequencies that make a mix sound muddy. This filter
reduces handling and stage noise, breathing noise, and unwanted low frequen-
cy energy that can rob your sound system of power. Turning this control up will
remove those frequencies from the system and restore power where needed.
Hi EQ
This shelving type tone control adjusts treble frequency levels (±15 dB at 10
KHz), resulting in less noise or more brilliance.
Mid EQ
This active tone control is a bandpass (peak/notch) type that varies mid-fre-
quency response by ±15 dB in a range from 100 Hz to 5 kHz. The center frequen-
cy is controlled by the Mid Freq (5) control.
Mid Freq
This control determines the center frequency of the Mid EQ (4) control. Center
frequency for the bandpass filter can be set from 100 Hz to 5 kHz.
Low EQ
This shelving-type tone control adjusts bass frequency levels (±15 dB at 70 Hz),
adding depth to thin signals or clarity to overly thick signals.
Caution: Excessive low frequency boost causes increased power consumption
and increases the possibility of speaker damage.
AUX 1-4 Sends
These controls send the channel’s pre-fader, post-EQ signal to each of four aux
buses. These buses are normally used for monitor sends or for feeding a sepa-
rate mix to external equipment. There are internal jumpers that can be switched
to change the send point to pre-EQ. Unity gain is at the center detent position
with up to 6 dB of gain in the fully clockwise position.
AUX 5-6/EFX 1-2 Sends
These controls send the channel’s post-fader signal to each of two aux (ef-
fects) buses. These buses are normally used for effects sends or for feeding the
internal effects processors. Unity gain is at the center detent position with up
to 6dB of gain in the fully clockwise position.
Front Panel
1
2
3
4
7
5
6
8
MONO INPUT CHANNELS
2
3
4
6
5
1
8
7
9
10
11
12
13
Содержание FX 2 16
Страница 4: ...KOREAN ARABIC CHINESE JAPANESE...
Страница 181: ...LCD 47 LCD 47 LCD FX 2 Peavey FX Effects FX 2 2 EFX1 Aux5 EFX1 EFX 2 Aux6 EFX2 EFX2 1 0 49 50 99 EFX 50 99 DSP 45 46 47...
Страница 182: ...2 45 46 2 EFX 2 56 48 54 EFX 2 56 EFX 2 33 Peavey FX FX 3 1 L R L OUTPUT PROCESSING EDIT TYPE MODE FB EQ DLY LIM...
Страница 183: ...R L R 1 1 EQ 1 1 L R 1 1 HF 2 4 24 dB oct Butterworth Linkwitz Riley CD 1 1 PEQ 2 1 5 0 3 2 0 12 dB 12dB GEQ 2 EQ...
Страница 198: ...LCD 47 LCD 47 LCD FX 2 Peavey FX2 Effects FX 2 EFX1 Aux5 EFX1 EFX2 Aux6 EFX2 EFX2 0 49 50 99 EFX 50 99 DSP 45 46 47...
Страница 199: ...45 46 2 EFX 2 56 48 54 EFX 2 56 EFX 2 33 Peavey FX FX 3 Feedback Ferret OUTPUT PROCESSING EDIT TYPE MODE FB EQ DLY LIM...
Страница 200: ...4 24 CD PEQ 1 5 0 3 2 0 12 12 GEQ 12 GEQ...
Страница 201: ...20 100 120 12 12 10 30 22 42 FX 10 50 500 I O FX USB I O USB FX2 USB A MP3 USB B USB USB A USB B...
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Страница 212: ...Peavey Electronics Corporation Attn Warranty Department P O Box 5108 Meridian Ms 39302 5108 FROM Place Postage Here...