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Revival

DRIVE

Owner’s Manual

UNABRIDGED AMPLIFIER OVERDRIVE

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Содержание RevivalDRIVE

Страница 1: ...RevivalDRIVE Owner s Manual UNABRIDGED AMPLIFIER OVERDRIVE...

Страница 2: ...e parts inside When using an external power supply use only attachments accessories specified by Origin Effects Protect the power cord from being walked on or pinched particularly at plugs convenience...

Страница 3: ...r and its mains power supply the RevivalDRIVE puts incredible tone shaping power at your disposal At the same time the RevivalDRIVE incorporates a range of controls that will tailor its response to su...

Страница 4: ...ound that s too harsh or too muddy or you end up sacrificing the amp settings you d really like to use for your clean tone to accommodate the overdrive pedal We ve built a range of EQ adjustment featu...

Страница 5: ...haracteristics Variable negative feedback in the output stage lets you boost presence or fine tune dynamic response and clean to overdrive transitional characteristics Reactive load models the interac...

Страница 6: ...ngs GB and US via the BRIGHT CAP switch on each channel The capacitor values of the US setting are based on a Fender Twin Reverb for that bright glassy top end heard on many classic studio cuts from t...

Страница 7: ...evivalDRIVE s output so you can adapt it to perfectly fit the frequency response of your chosen amp LOW FREQUENCY DISTORTION Another crucial aspect of amplifier design is the treatment of low frequenc...

Страница 8: ...adroom but once you pass a certain threshold it will suddenly distort a lot With no negative feedback gain is increased and the amp will distort much sooner but the transition will be smooth and gradu...

Страница 9: ...wise reduces capacitance in the pedal s simulated power supply creating more of the ghosting effect We ve designed this control to offer a broad range of adjustment while never reaching the extremes w...

Страница 10: ...VE RECTIFIER channel to behave like a second SILICON RECTIFIER channel using the MODE DIP switch on the rear of the pedal RECTIFIERS SAG AND GHOST TONES Because both sag and ghosting are generated in...

Страница 11: ...arly old vintage amp with technically inferior capacitors to a modern amp boasting better quality components that offer a larger charge capacity Remember that regardless of which rectifier you use or...

Страница 12: ...DE DIP switch to the downward position No EQ is applied to the DRY signal or when the RevivalDRIVE is in bypass RE AMP EQ Select EQ1 for brighter sounding amps or EQ2 for darker sounding amps on the R...

Страница 13: ...filters Please note that a cabinet simulator will be required for DI applications where the signal is to be reproduced via a full range speaker system OPERATING THE PEDAL ON footswitch Toggles betwee...

Страница 14: ...eedback as you turn it clockwise from the centre position This has the effect of progressively boosting higher frequencies in vintage Marshall and Brownface Fender fashion MORE turn counter clockwise...

Страница 15: ...Turned fully clockwise lower capacitance the transition in and out of sag is almost immediate Turned fully counter clockwise higher capacitance the onset and recovery times are at their slowest In ge...

Страница 16: ...evel and centre frequency the MID BOOST can be applied to either channel or remotely activated using the optional footswitch MID ASSIGN This three way switch applies the MID BOOST to either the VALVE...

Страница 17: ...rvatively voiced treble boost cut control for making small adjustments to the high frequency component of your tone In particular it s designed to counteract Fender style treble tone controls This she...

Страница 18: ...Fender Marshall and Vox amps To make use of these additional controls set the RE AMP EQ switch on top of the pedal to the central EQ2 position EQ 2 This carefully voiced EQ combines shelving boost and...

Страница 19: ...MP switch on the currently active channel This means you can still take advantage of the RevivalDRIVE s classic amp style tone shaping even when not using the main overdrive circuit The pedal s two ch...

Страница 20: ...carefully adjusting the DRY GAIN trimmer you can control the change in volume up down or unity gain that occurs when engaging BLEND OVERRIDE For example as a contrast to the above you could set up you...

Страница 21: ...b on this sizzling track Note how the Blackface Twin employs a silicon rectifier more efficient power caps tighter bass LH channel We Are The Champions AC30 style brilliantly bright harmonically rich...

Страница 22: ...eminiscent of Black Sabbath Kick in the RevivalDRIVE s mid boost during solos to replicate Toni Iommi s Dallas Rangemaster LH channel Blue Sky My favourite Duane Allman tone replicated using a 61 Brow...

Страница 23: ...etween the equipment and receiver Connect the equipment into an outlet on a circuit different from that to which the receiver is connected Consult the dealer or an experienced radio TV technician for...

Страница 24: ...ained compressor were soon followed by the Compact Series for guitar and bass Widely recognised as the best pedal compressors ever made they have found favour with guitarists and bass players like Dav...

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