Oberheim Two Voice Скачать руководство пользователя страница 9

 

8

 

above. Gates are thus members of the general class of TIMING 
signals; other timing signals are TRIGGERS. The Oberheim 
2-voice synthesizer does not use trigger signals.

 

8. These three knobs set the constants 

 

attack time

 

 

decay time

 

and 

 

sustain voltage level 

 

for ENV 2.

 

NOTE: as you can determine by examining the control voltage 
select switches for the two VCO's and the VCF, ENV I can be 
used to control VC0 1, and ENV 2 can be used to control VCO 2 
andlor the VCF. in ordinary keyboard use, i.e. without special 
effects, ENV I will be used only to control the VCA, and ENV 2 
will be used only to control the VCF.

 

9. Each voice module contains a LOW-FREQUENCY OSCILLATOR. The 
output of this oscillator is a sine wave and is available to 
control the VCO's and/or the VCF through the voltage select 
switches described under #lb, 2b, and 5. The actual frequency 
of the LFO is set by the knob indicated here.

10. Normally the VCA is controlled by ENV 1 (see 

 

NOTE

 

 above). 

In order to simplify the operation of the voice module while 
learning, or whenever it is necessary to hear continuous sound, 
this VCA BYPASS SWITCH can be moved to the 

 

on 

 

(right) position. 

This disconnects ENV 1 from the VCA control input and leaves 
the VCA permanently wide open so that signals pass through it 
completely unaffected; in effect, the VCA is "bypassed." Moving 
the switch to the left closes the VCA again and reinstates the 
control voltage from ENV 1.

11. This light indicates the presence of a GATE signal (see #7 
above) at the input to the two ENVELOPE GENERATORS. Press a 
key; depending on the position of the 2ND-VOICE switch at the 
left of the keyboard, one or both of the indicator lights will 
go on.

 

NOTE: Even before hearing any sound from the synthesizer, you 
can use these indicator lights to understand the function of 
the VOLTAGE ASSIGNMENT SWITCHES (minisequencer #2). Move the 
two left switches up to the SIH position, and press a key or 
two; note that the lights do not now go on. Start the CLOCK 
(minisequencer #5) and note that they go on and off regularly 
at a rate that increases as the clock frequency increases.

Содержание Two Voice

Страница 1: ...A BRIEF INSTRUCTION MANUAL for the OBERHEIM TWO VOICE SYNTHESIZER prepared by james michmerhuizen director the boston school of electronic music...

Страница 2: ...is on voice module two will not be gated until a second key is depressed 3 The PORTAMENTO control normally left fully counterclock wise introduces a lengthening pitch slide between different notes on...

Страница 3: ...king the external connection to headphones or ampli fier you may turn the synthesizer on Locate the ASSIGNMENTS switches in the minisequencer section and be sure that they are all down In each voice m...

Страница 4: ...scription following applies to the three switch version The first switch on the left selects the source of control voltages and gates for VOICE MODULE ONE In its lowest posi tion voice module one will...

Страница 5: ...nt of LAG low frequency filtering applied to the sample hold voltage Turning the lag control to the right produces in other words the same effect on pitches being governed by the sample hold that the...

Страница 6: ...he three position switch selects one of three control signals indicated on the panel to be routed through the rotary pot just above the switch If this knob is rotated to the right the selected control...

Страница 7: ...ter begins to have some effect on a signal passing through it is called the cutoff frequency of the filter The large single knob labelled RESONANCE determines the filter resonance at its cutoff freque...

Страница 8: ...ctly to the output of the NOISE GENERATOR that is part of the sample hold in the minisequencer Noise filtered in various ways is used in the production of wind thunder and motor sounds as well as many...

Страница 9: ...e NOTE above In order to simplify the operation of the voice module while learning or whenever it is necessary to hear continuous sound this VCA BYPASS SWITCH can be moved to the on right position Thi...

Страница 10: ...nual pulse width controls of each oscillator note that these have no effect on the sawtooth oscillator outputs and finally with the VCF manual controls for frequency resonance and pass mode Do not at...

Страница 11: ...by voltage control you are changing the range or area of particular frequencies that are emphasized Try using maximum resonance with a lowpitched sawtooth input open only a little about 10 o clock an...

Страница 12: ...s the filter frequency down as it is rotated to the right the ENV 2 signal drives the filter frequency up d as the filter resonance is increased its output level will generally increase Compensate by...

Страница 13: ...nd sustain and fairly short decay Now slight changes in the filter frequency control in the range 12 o clock to 3 O clock will produce a wide range of percussive noises In a later section you will lea...

Страница 14: ...dinary and conservative results however will come from playing con tinuous legato on the lower voice and a slight nonlegato on the upper voice E TROUBLESHOOTING I Using only the controls we have intro...

Страница 15: ...t s how we started you off the VCA BYPASS switch on and the filter open If either of these conditions does not hold then no continuous sound is possible except that with certain envelope settings unde...

Страница 16: ...o change the pitch of the oscillator The on off switch for the minisequencer CLOCK has also a lower position labelled step This position is spring loaded and the svitcb will not stay there but every t...

Страница 17: ...nspositions will occur with the depression of only a single key if one key is held down while another is depressed to the right of it the sequence will transpose to the higher key only for as long as...

Страница 18: ...trol of the s h begin with the two knobs in the s h section rotated maximum counterclockvise and slowly increase the range setting The first voice produces a series of random pitches over a wider and...

Страница 19: ...all four to check 4 The beat frequency will always double as you go up by octaves So after you have tuned at 8 go up to 4 and then 2 to check on the tuning of each oscillator read just if necessary If...

Страница 20: ...fective range 3 As you increase the filter resonance beyond about the eleven o clock position begin to decrease the audio input levels to the filter until at maximum resonance the audio input level s...

Отзывы: