Oberheim Two Voice Скачать руководство пользователя страница 8

 

7

mini-sequencer. The knob is a "reversible attenuator" for the 
control signal selected; in the photographed position, no sig-
nal will pass through to have any effect on the VCF CUTOFF FRE-
QUENCY. As the knob is rotated to the right, the selected 
control signal affects the VCF directly; as the knob is rotated 
to the left, the signal affects the VCF 

 

inversely

 

, i.e. a posi-

tive voltage drives the VCF frequency 

 

down 

 

rather than up.

6. These are the AUDIO INPUT SELECTOR/ATTENUATORS for the VCF. 
In the photographed position, they are all OFF. 

 

Unless at least 

one of these is "open", i.e. rotated either to left or to 
right, the module will produce no sound regardless of any of 
the other settings anywhere on the module panel.

 

The first knob on the left, labelled "VCO 1", selects either 
the sawtooth (leftwards) or pulse (rightwards) signal from VCO 
1 as an audio input to the VCF. The second one does the same 
for signals from VCO 2. The left side of the third knob is not 
connected to any signal (

 

except that for the first VOICE MODULE 

there is a Jack at the back of the synthesizer for an external 
audio signal input, and this jack is wired to the left position 
of the knob on module one

 

); the right side is wired directly to 

the output of the NOISE GENERATOR that is part of the sample/
hold in the minisequencer. Noise, filtered in various ways, is 
used in the production of wind, thunder, and motor sounds, as 
well as many percussion effects.

Signals from the two oscillators and the noise generator may be 

 

mixed 

 

in various proportions by opening all three of the input 

attenuators at the same time.

7. These three rotary pots determine the behavior of ENVELOPE 
GENERATOR ONE. The first two knobs set two 

 

time constants

 

: the 

 

attack time constant 

 

is the amount of time required for the ENV 

1 OUTPUT VOLTAGE to rise from 0 to maximum, and the 

 

decay time 

constant 

 

is the amount of time required for the ENV 1 OUTPUT 

VOLTAGE to fall...

...from maximum to the level set by the third knob, and
...from this sustain level back to 0.

The third knob determines, not a 

 

time constant

 

, but a 

 

voltage 

constant

 

. This constant is the level at which the ENV I output 

will be 

 

sustained 

 

(hence the label) for as long as a GATE sig-

nal is present at the gate input of the envelope generator.

 

GATE signals may originate either from the keyboard or from the 
MASTER CLOCK in the minisequencer. They act as "begin-end" 
instructions to the envelope generators; on the appearance of a 
gate signal at its input, an envelope generator commences an 
ATTACK-DECAY-SUSTAIN---cycle, and when the gate signal ends, 
the envelope generator executes a final DECAY as described 

Содержание Two Voice

Страница 1: ...A BRIEF INSTRUCTION MANUAL for the OBERHEIM TWO VOICE SYNTHESIZER prepared by james michmerhuizen director the boston school of electronic music...

Страница 2: ...is on voice module two will not be gated until a second key is depressed 3 The PORTAMENTO control normally left fully counterclock wise introduces a lengthening pitch slide between different notes on...

Страница 3: ...king the external connection to headphones or ampli fier you may turn the synthesizer on Locate the ASSIGNMENTS switches in the minisequencer section and be sure that they are all down In each voice m...

Страница 4: ...scription following applies to the three switch version The first switch on the left selects the source of control voltages and gates for VOICE MODULE ONE In its lowest posi tion voice module one will...

Страница 5: ...nt of LAG low frequency filtering applied to the sample hold voltage Turning the lag control to the right produces in other words the same effect on pitches being governed by the sample hold that the...

Страница 6: ...he three position switch selects one of three control signals indicated on the panel to be routed through the rotary pot just above the switch If this knob is rotated to the right the selected control...

Страница 7: ...ter begins to have some effect on a signal passing through it is called the cutoff frequency of the filter The large single knob labelled RESONANCE determines the filter resonance at its cutoff freque...

Страница 8: ...ctly to the output of the NOISE GENERATOR that is part of the sample hold in the minisequencer Noise filtered in various ways is used in the production of wind thunder and motor sounds as well as many...

Страница 9: ...e NOTE above In order to simplify the operation of the voice module while learning or whenever it is necessary to hear continuous sound this VCA BYPASS SWITCH can be moved to the on right position Thi...

Страница 10: ...nual pulse width controls of each oscillator note that these have no effect on the sawtooth oscillator outputs and finally with the VCF manual controls for frequency resonance and pass mode Do not at...

Страница 11: ...by voltage control you are changing the range or area of particular frequencies that are emphasized Try using maximum resonance with a lowpitched sawtooth input open only a little about 10 o clock an...

Страница 12: ...s the filter frequency down as it is rotated to the right the ENV 2 signal drives the filter frequency up d as the filter resonance is increased its output level will generally increase Compensate by...

Страница 13: ...nd sustain and fairly short decay Now slight changes in the filter frequency control in the range 12 o clock to 3 O clock will produce a wide range of percussive noises In a later section you will lea...

Страница 14: ...dinary and conservative results however will come from playing con tinuous legato on the lower voice and a slight nonlegato on the upper voice E TROUBLESHOOTING I Using only the controls we have intro...

Страница 15: ...t s how we started you off the VCA BYPASS switch on and the filter open If either of these conditions does not hold then no continuous sound is possible except that with certain envelope settings unde...

Страница 16: ...o change the pitch of the oscillator The on off switch for the minisequencer CLOCK has also a lower position labelled step This position is spring loaded and the svitcb will not stay there but every t...

Страница 17: ...nspositions will occur with the depression of only a single key if one key is held down while another is depressed to the right of it the sequence will transpose to the higher key only for as long as...

Страница 18: ...trol of the s h begin with the two knobs in the s h section rotated maximum counterclockvise and slowly increase the range setting The first voice produces a series of random pitches over a wider and...

Страница 19: ...all four to check 4 The beat frequency will always double as you go up by octaves So after you have tuned at 8 go up to 4 and then 2 to check on the tuning of each oscillator read just if necessary If...

Страница 20: ...fective range 3 As you increase the filter resonance beyond about the eleven o clock position begin to decrease the audio input levels to the filter until at maximum resonance the audio input level s...

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