KORE 2 – 76
To the far left you will find the
Midi a
CtiVity
led, displaying any incoming
MIDI data. Next comes the MIDI C
Hannel
S
eleCt
for choosing the MIDI
channel, on which the Sound Matrix channel will receive its data. You can
either specify a MIDI channel from 1 to 16 or choose a
ll
, to receive MIDI
in omni mode.
Every channel has its own MIDI filter that can be used to restrict the note
and velocity ranges for the channel. Click with your mouse and drag up or
down to change the values of the H
igH
and
l
ow
n
ote
and V
eloCity
F
ilter
.
Everything between the two note- or velocity values is passed into the
channel, everything outside those borders is discarded. These settings are
identical with those of the C
Hannel
M
aPPing
t
aB
of the S
ound
M
anager
(see
chapter 3.6.4) and are immediately reflected there.
You can use the P
itCH
t
ranSPoSe
Control to transpose incoming note
messages semitone wise. The range is four octaves up or down.
MIDI routing
In addition to the fact that MIDI signals run vertically through KORE 2’s
S
ound
M
atrix
, you can also route the data horizontally between channels
of the same S
ound
M
atrix
level. This is accomplished by the Midi o
utPutS
you see to the right of the MIDI Filter. By default you have six Midi o
utPutS
per channel that route the MIDI data into possible other channels. But it
doesn’t end there. If you have set up all available MIDI routings, KORE 2
automatically creates an additional Output for you, so you never run out
of routing paths.
The o
utPut
S
Croll
to the right of the MIDI Filter is for browsing through
the MIDI Outputs, when there are more than six in use.