channels 3 and 4 unless a jack is connected in one of their gate inputs.
B1 .. B4. V/OCT
: Channel frequency input. Just like the
GATE
inputs, these are also normalled across all
channels. This can be used, for example, to transpose a chord or polyphonic sequence from a single note
CV.
C1 .. C4. MOD
: Channel frequency modulation input. This input serves the same purpose as the V/OCT
input (and is summed to it); but is not normalled from one channel to the other.
D1 .. D4. FREQ
: Channel frequency control, spanning 6 octaves.
E1 .. E3. XMOD
: This switch enables a special digital cross-modulation effect. From top to bottom:
Channel 1 to Channel 2 hard sync.
1.
Channel 1 x Channel 2 ring modulation.
2.
Channel 1 x Channel 3 ring modulation.
3.
F1 .. F4. OUT
: Channel individual output. When a jack is plugged in this output, the corresponding
channel is removed from the global mix.
G1 .. G4
: Channel volume control, for the mixer. Not that this potentiometer does not affect the individual
outputs’ levels (they are always at full level).
H. MIX
: Mixer output.
I. WAVEFORM SELECT
: Press these switches to cycle through the various waveshapes available on
each channel. Hold a switch to modify the quantization/sequencing/calibration options of the
corresponding channel (see the “Channel options” section).
LED 1..4
: They indicate the status of each channel’s gate input.
For channel 1, 2, and 3, the waveshapes are all square waves with 50%, 66%, 75%, 87%, 95% pulse or
CV controlled pulse width. With this last option, channel 4’s frequency input doubles as a PWM control.
For channel 4, the waveshapes are sine, triangle, NES triangle (with 16 loudness levels), sample-and-hold
noise, NES LSFR 1 (long cycle) and NES LSFR 2 (short cycle). LSFRs are linear feedback shift registers -
a digital technique for creating cyclic noise patterns.
Mutable Instruments | Edges
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