Mesa Fillmore 50 Скачать руководство пользователя страница 5

Operating Instructions

  OVERVIEW  

From the other branch of the Boogie® Family Tree comes this new vintage-voiced and styled amplifier featuring–soft clip to saturated–
our most expressive cleans and transitional to medium gain ever presented.

To some this amplifier might seem a collection of contradictions: traditional looking and sounding cabinetry, yet loaded with a fully 
featured chassis sporting two identical Channels with 3 powerful Modes each.  Basic circuit architecture paying homage to the best 
of the 1950s designs, yet modified, updated and hyper-tuned for present day needs and reliability. Hyper-tuned to accentuate the best 
of those classic sounds while also delivering higher gain performance rich with that spirit and character. Simplicity of operation that 
makes finding your voice near instantaneous and intuitive, yet offering versatility only found in much more feature-laden platforms.  To 
us though, it’s just an obvious natural step in the evolution of “classic” amplification. 

The Fillmore™ is not just another Boogie…it’s a new strand of Boogie DNA. Yet the molecules that make up this soulful sounding 
model are really just a revisiting of the Company’s earliest roots.  Randall Smith’s very first Boogie’s were based on this architecture.  
It was only the success of another “MARK I Experiment” featuring a different branch of the tree used by Carlos Santana on his “Ab-
raxas” album that catapulted that sound and circuit and caused the shelving of circuitry the FILLMORE™ now resurrects with such 
beauty and authenticity. 

Humbly named in tribute to the renown bi-coastal venues that showcased the biggest names in Classic Rock over decades, this new 
instrument has been dubbed super-responsive, nuanced, organic… and vintage-inspired magic by those who’ve experienced it. Subtle 
saturation that serves, not smothers, your style. 

Don’t wait a moment longer to discover what the MARK Series success inadvertently postponed for so long… you’ve already missed 
too many days and nights without inspiration like this. You can come back to this later and get some tips, but we purposefully made 
this amplifier the easiest ever wearing our moniker to navigate.

The FILLMORE™ was long Boogie’s best-kept secret and has finally emerged and awaits your touch to ignite a new level of passion 
in your playing. We feel confident it’ll take you there.

PAGE 1

  FRONT VIEW: FILLMORE™ 50  

5/24/2018 11:00 AM

REV. 9  MD

WARNING:
Unplug power before 
servicing fuse or chassis

SEND

120 V

~

60 Hz

2.5 A

2.5 A

SLO
BLO

FUSE

POWER

RETURN

REV FTSW

8 OHM

4 OHM

4 OHM

TUBE GUIDE

5 x 12AX7

2 x 6L6 

FILLMORE    50

VACUUM TUBE

    AMPLIFIER

MADE IN PETALUMA, CA

WITH THE WORLD’S

FINEST MATERIALS

POWDER COAT: Solar Black SILKSCREEN: PANTONE COOL GREY 1 C

MESA P

ar

t #497781

Fillmore 50 - F

ront & Rear

SPEAKERS

EFFECTS

WARNING:

Replace fuse with same type/rating only.

Do not expose to rain or moisture.

CAUTION:

Risk of Electric Shock. Do Not Open.

No user serviceable parts inside.

TREBLE

GAIN

MID

BASS

PRESENCE

REVERB

POWER

STANDBY

ON

ON

MASTER

FT. SW.

DRIVE

DRIVE

CHANNEL

CLN

HI

CLN

HI

TREBLE

GAIN

MID

BASS

PRESENCE

REVERB

MASTER

INPUT

FT. SW.

50W

25W

Fillmore

G

AT

EW

AY TO TO

NE

M

ES

A/Boogie

®

 Ltd

.

  REAR VIEW: FILLMORE™ 50  

5/24/2018 11:00 AM

REV. 9  MD

WARNING:
Unplug power before 
servicing fuse or chassis

SEND

120 V

~

60 Hz

2.5 A

2.5 A

SLO
BLO

FUSE

POWER

RETURN

REV FTSW

8 OHM

4 OHM

4 OHM

TUBE GUIDE

5 x 12AX7

2 x 6L6 

FILLMORE    50

VACUUM TUBE

    AMPLIFIER

MADE IN PETALUMA, CA

WITH THE WORLD’S

FINEST MATERIALS

POWDER COAT: Solar Black SILKSCREEN: PANTONE COOL GREY 1 C

MESA P

ar

t #497781

Fillmore 50 - F

ront & Rear

SPEAKERS

EFFECTS

WARNING:

Replace fuse with same type/rating only.

Do not expose to rain or moisture.

CAUTION:

Risk of Electric Shock. Do Not Open.

No user serviceable parts inside.

TREBLE

GAIN

MID

BASS

PRESENCE

REVERB

POWER

STANDBY

ON

ON

MASTER

FT. SW.

DRIVE

DRIVE

CHANNEL

CLN

HI

CLN

HI

TREBLE

GAIN

MID

BASS

PRESENCE

REVERB

MASTER

INPUT

FT. SW.

50W

25W

Fillmore

G

AT

EW

AY TO TO

NE

M

ES

A/Boogie

®

 Ltd

.

Содержание Fillmore 50

Страница 1: ...Owner s Manual...

Страница 2: ...like you Our 45 year commitment to excellence along with our solemn promise to musicians to treat each of them as we ourselves would wish to be treated guarantees you an experience that will make you...

Страница 3: ...____________________ 10 POWER________________________________________________________________________________________ 10 STANDBY________________________________________________________________________...

Страница 4: ...openings with items such as newspapers tablecloths curtains etc Do not impede ventilation by placing objects on top of the apparatus which extend past the rear edge of its cabinet No naked flame sour...

Страница 5: ...over what the MARK Series success inadvertently postponed for so long you ve already missed too many days and nights without inspiration like this You can come back to this later and get some tips but...

Страница 6: ...op end that doesn t sound buzzy or thin when it s clipped and saturated It s about as close as one can imagine to sustain without distortion something we all dream about or at least those of us who re...

Страница 7: ...voice like character This voicing excels at single note soloing and allows a more vocal pleasing tone for melody work It can grind and growl as well but you may find the TREBLE MID and PRESENCE set a...

Страница 8: ...rocessing for the first time just to hear the pure sounds and get to know the amp by itself before adding processing This also helps tell you if your processing might be robbing anything sonically fro...

Страница 9: ...NDBY switch every time you power up from cold or hot during set breaks cable hook ups and anytime you are not playing for a few minutes Doing so will increase the toneful life of your tubes Circuits e...

Страница 10: ...ts to this level of gain May we humbly suggest using the GAIN control no higher than you need it to achieve the style you want whenever possible in order reach the best balance of overdrive and still...

Страница 11: ...ated by the gain and controlled largely with the TREBLE will put a patina of three dimensional harmonic enriched haze on things that smears nicely As the MID is increased past the 10 00 range cut and...

Страница 12: ...the harmonic region far above that the TREBLE affects the BASS is a one stop shop in terms of dialing in rich low end PRESENCE This control adjusts high frequencies above those of the TREBLE and is f...

Страница 13: ...s parameters can be achieved at any playing volume Once you have dedicated the Channels to their respective sounds with the Mode Switch you can then balance the volume levels of the Channels using th...

Страница 14: ...state even after a short time with the power off This procedure when followed religiously will help prevent tube problems and extend their useful life substantially COLD START PROCEDURE Use every tim...

Страница 15: ...place you get what you pay for most times and there is a wide range of quality in regards to both build and sonic performance While technology has raced ahead and features are at an all time pinnacle...

Страница 16: ...d to the Output transformer and put undue strain on it as it was not designed for this application Below for your reference are some common and correct SPEAKER Output Connection Examples One 8 Ohm Cab...

Страница 17: ...BASS PRESENCE REVERB MASTER FT SW DRIVE DRIVE CHANNEL CLN HI CLN HI INPUT FT SW 50W 25W DRIVE POWER STANDBY ON ON FT SW DRIVE DRIVE CHANNEL LN HI CLN HI TREBLE GAIN MID BASS PRESENCE REVERB MASTER Fil...

Страница 18: ...SS PRESENCE REVERB MASTER FT SW DRIVE DRIVE CHANNEL CLN HI CLN HI INPUT FT SW 50W 25W DRIVE SOLO POWER STANDBY ON ON FT SW DRIVE DRIVE CHANNEL LN HI CLN HI TREBLE GAIN MID BASS PRESENCE REVERB MASTER...

Страница 19: ...SW DRIVE DRIVE CHANNEL CLN HI CLN HI TREBLE GAIN MID BASS PRESENCE REVERB MASTER INPUT FT SW 50W 25W Fillmore TREBLE GAIN MID BASS PRESENCE REVERB POWER STANDBY ON ON MASTER FT SW DRIVE DRIVE CHANNEL...

Страница 20: ...over heat before the others and thus it can be identified It should be replaced with one from the same color batch shown on its label Call us and we will send one out to you The severe short is not n...

Страница 21: ...se they are at the start of the chain and their noise gets amplified over and over by the tubes that follow The tube that goes into this input socket usually labeled V1 needs to be the least noisy of...

Страница 22: ...esistance for example 8 ohm output into 16 ohm cabinet a slightly different feel and response will be eminent A slight mismatch can provide a darker smoother tone with a little less output and attack...

Страница 23: ...Connect the Negative side of Speaker A to the Negative side of Speaker B COMBINATION OF SERIES PARALLEL This is really just two sets of Series wired speakers connected in Parallel This is how you main...

Страница 24: ...8 OHM 4 OHM 4 OHM SPEAKERS 8 OHM 4 OHM 4 OHM SPEAKERS 8 OHM 4 OHM 4 OHM SPEAKERS WIRING SCHEMES Amplifier to Speaker Cabinets 8 Ohm Cabinet 8 Ohm Cabinet SAFE MISMATCH 16 Ohm Cabinet SAFE MISMATCH 4 O...

Страница 25: ...WIRING SCHEMES Amplifier to Speaker Cabinets 8 Ohm Cabinet 8 Ohm Cabinet 5 8 OHM 4 OHM 4 OHM SPEAKERS PAGE 21...

Страница 26: ...PHASE INVERTER V4A LOOP RETURN V4B REVERB MIXER 50 Watts V6 V7 PENTODE 25 Watts V6 V7 TRIODE BEFORE CHANGING TUBES FLIP POWER STANDBY SWITCH TO OFF INPUT JACK TO MAINTAIN WARRANTY USE MESA BOOGIE TUBE...

Страница 27: ...2 5 A SLO BLO FUSE POWER RETURN REV FTSW 8 OHM 4 OHM 4 OHM TUBE GUIDE 5 x 12AX7 2 x 6L6 FILLMORE 50 VACUUM TUBE AMPLIFIER MADE IN PETALUMA CA WITH THE WORLD S FINEST MATERIALS SPEAKERS EFFECTS WARNIN...

Страница 28: ......

Страница 29: ......

Страница 30: ...18 07 24...

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