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DIAGNOSING PRE-AMP TUBE PROBLEMS:

   Because your amplifier is an all tube design, it is quite possible that you will at some 

point experience minor pre-amp tube noise.  Rest assured - this is no cause for alarm and you can take care of the problem yourself 
in a matter of minutes by simply swapping tubes.

Let us begin by saying;  It is a “very good” idea to keep at least a couple of spare pre-amp tubes on hand at all times to insure unin-
terrupted performance.  These minor pre-amp tube problems can take many forms but can generally be described in two categories: 
Noise and Microphonics. Noise can be in the form of crackling, sputtering, white noise/hiss and/or hum.  Microphonic problems usually 
appear in the form of a ringing or high pitched squealing that gets worse as the gain or volume is increased thus are more noticeable 
in the higher gain “HI” modes. Microphonic problems are easily identified because the problem is still present even with the instru-
ments’ volume off or unplugged altogether - unlike pick-up feedback which ceases as the instrument is turned down. Microphonic 
noise is caused by mechanical vibration and shock: think of banging a microphone around and you’ll understand where the word 
came from.

The best way to approach a pre-amp tube problem is to see if it occurs only in one specific mode or channel. This should lead you to 
the tube needing replacement. Then all that remains is to swap the suspect tube for a known good performer. If you cannot narrow 
down the trouble to a specific mode or channel, the problem may be the small tube that drives the power tubes which is operational 
in all modes and channels. Though rare, a problem with the driver tube would show up in all aspects of performance - so if you can’t 
narrow the problem down to being mode or channel specific, you may want to try replacing the driver tube. Driver problems generally 
show themselves in the form of crackling or hum in all modes of performance and/or weak overall output from the amplifier. Occasion-
ally an anemic driver tube will cause the amplifier to sound flat and lifeless, but this is somewhat uncommon, as worn power tubes 
are a more likely suspect for this type of problem.

Sometimes making the diagnosis is more trouble than it’s worth and it’s faster and easier to merely replace the small pre-amp tubes 
ONE AT A TIME with a replacement known to be good.  But MAKE SURE you keep returning the tubes to their original socket until you 
hit the one that cures the problem. You’ll notice that tubes located nearer to the INPUT jack always sound noisier...but this is because 
they are at the start of the chain and their noise gets amplified over and over by the tubes that follow.  The tube that goes into this 
“input socket” (usually labeled V1) needs to be the least noisy of the bunch. The tube that goes at the end of the preamp chain - just 
ahead of the power tubes - can be quite noisy without causing any problem at all. The tubes in your amp have already been located 
in the most appropriate sockets and this is why you should NEVER pull them all out at once and ALWAYS swap them one at a time. 
ALWAYS return a perfectly good tube to its original socket. Also it’s a good idea to put the amp on STANDBY when swapping tubes 
to reduce the heat build up in the tubes themselves and to prevent explosive noises (which can still occur even if you are pulling the 
tubes away from their sockets gently) from coming through the speaker.  

Remember, take your time, be patient and chances are real good that you can fix your amp yourself by finding and replacing the bad 
tube. It kills us to see someone who has shipped their amp back to us...and all it needed was a simple tube replacement! If you must 
send back your amp, remove the chassis from the cabinet by unscrewing the four mounting bolts on the bottom top. The chassis then 
slides back like a drawer and comes out from the back. Remove the big power tubes and mark them according to their location from 
left to right 1, 2 etc. They need to be wrapped separately with plenty of wadded up newspaper around them and put in a smaller box 
within the larger carton. Remove the Rectifier tubes and wrap them also. You can leave the preamp tubes in or remove them and wrap 
them separately being sure to label their location. (See Tube Task Chart.) 

To wrap the chassis, use plenty of tightly wadded up newspaper so there is at least six inches of “crush space” between the chassis 
and the cardboard box. Bubble wrap also works well, but please DON’T use styrene peanuts - they will shift during transit and get 
lodged inside your electronics as well as allowing your amp to end up at the bottom of the box unprotected and possibly damaged. 

Pre-amp tubes don’t normally wear out as a rule. Therefore, it is not a good idea to change them just for the sake of changing them. 
If there isn’t a problem - don’t fix it. If there is no result from your substitutions, it may be possible that you have more than one 
problematic tube. Though rare, this does happen and though it makes the troubleshooting process a little more intimidating, it is still 
possible to cure the problem yourself.

NOTE:  It is normal to hear a slight metallic ringing sound when tapping on the preamp tubes. As long as the tube does not break into 
oscillation or start crackling or any other form of bizarre noise, it is considered normal and functional.

PAGE 17

Содержание Fillmore 50

Страница 1: ...Owner s Manual...

Страница 2: ...like you Our 45 year commitment to excellence along with our solemn promise to musicians to treat each of them as we ourselves would wish to be treated guarantees you an experience that will make you...

Страница 3: ...____________________ 10 POWER________________________________________________________________________________________ 10 STANDBY________________________________________________________________________...

Страница 4: ...openings with items such as newspapers tablecloths curtains etc Do not impede ventilation by placing objects on top of the apparatus which extend past the rear edge of its cabinet No naked flame sour...

Страница 5: ...over what the MARK Series success inadvertently postponed for so long you ve already missed too many days and nights without inspiration like this You can come back to this later and get some tips but...

Страница 6: ...op end that doesn t sound buzzy or thin when it s clipped and saturated It s about as close as one can imagine to sustain without distortion something we all dream about or at least those of us who re...

Страница 7: ...voice like character This voicing excels at single note soloing and allows a more vocal pleasing tone for melody work It can grind and growl as well but you may find the TREBLE MID and PRESENCE set a...

Страница 8: ...rocessing for the first time just to hear the pure sounds and get to know the amp by itself before adding processing This also helps tell you if your processing might be robbing anything sonically fro...

Страница 9: ...NDBY switch every time you power up from cold or hot during set breaks cable hook ups and anytime you are not playing for a few minutes Doing so will increase the toneful life of your tubes Circuits e...

Страница 10: ...ts to this level of gain May we humbly suggest using the GAIN control no higher than you need it to achieve the style you want whenever possible in order reach the best balance of overdrive and still...

Страница 11: ...ated by the gain and controlled largely with the TREBLE will put a patina of three dimensional harmonic enriched haze on things that smears nicely As the MID is increased past the 10 00 range cut and...

Страница 12: ...the harmonic region far above that the TREBLE affects the BASS is a one stop shop in terms of dialing in rich low end PRESENCE This control adjusts high frequencies above those of the TREBLE and is f...

Страница 13: ...s parameters can be achieved at any playing volume Once you have dedicated the Channels to their respective sounds with the Mode Switch you can then balance the volume levels of the Channels using th...

Страница 14: ...state even after a short time with the power off This procedure when followed religiously will help prevent tube problems and extend their useful life substantially COLD START PROCEDURE Use every tim...

Страница 15: ...place you get what you pay for most times and there is a wide range of quality in regards to both build and sonic performance While technology has raced ahead and features are at an all time pinnacle...

Страница 16: ...d to the Output transformer and put undue strain on it as it was not designed for this application Below for your reference are some common and correct SPEAKER Output Connection Examples One 8 Ohm Cab...

Страница 17: ...BASS PRESENCE REVERB MASTER FT SW DRIVE DRIVE CHANNEL CLN HI CLN HI INPUT FT SW 50W 25W DRIVE POWER STANDBY ON ON FT SW DRIVE DRIVE CHANNEL LN HI CLN HI TREBLE GAIN MID BASS PRESENCE REVERB MASTER Fil...

Страница 18: ...SS PRESENCE REVERB MASTER FT SW DRIVE DRIVE CHANNEL CLN HI CLN HI INPUT FT SW 50W 25W DRIVE SOLO POWER STANDBY ON ON FT SW DRIVE DRIVE CHANNEL LN HI CLN HI TREBLE GAIN MID BASS PRESENCE REVERB MASTER...

Страница 19: ...SW DRIVE DRIVE CHANNEL CLN HI CLN HI TREBLE GAIN MID BASS PRESENCE REVERB MASTER INPUT FT SW 50W 25W Fillmore TREBLE GAIN MID BASS PRESENCE REVERB POWER STANDBY ON ON MASTER FT SW DRIVE DRIVE CHANNEL...

Страница 20: ...over heat before the others and thus it can be identified It should be replaced with one from the same color batch shown on its label Call us and we will send one out to you The severe short is not n...

Страница 21: ...se they are at the start of the chain and their noise gets amplified over and over by the tubes that follow The tube that goes into this input socket usually labeled V1 needs to be the least noisy of...

Страница 22: ...esistance for example 8 ohm output into 16 ohm cabinet a slightly different feel and response will be eminent A slight mismatch can provide a darker smoother tone with a little less output and attack...

Страница 23: ...Connect the Negative side of Speaker A to the Negative side of Speaker B COMBINATION OF SERIES PARALLEL This is really just two sets of Series wired speakers connected in Parallel This is how you main...

Страница 24: ...8 OHM 4 OHM 4 OHM SPEAKERS 8 OHM 4 OHM 4 OHM SPEAKERS 8 OHM 4 OHM 4 OHM SPEAKERS WIRING SCHEMES Amplifier to Speaker Cabinets 8 Ohm Cabinet 8 Ohm Cabinet SAFE MISMATCH 16 Ohm Cabinet SAFE MISMATCH 4 O...

Страница 25: ...WIRING SCHEMES Amplifier to Speaker Cabinets 8 Ohm Cabinet 8 Ohm Cabinet 5 8 OHM 4 OHM 4 OHM SPEAKERS PAGE 21...

Страница 26: ...PHASE INVERTER V4A LOOP RETURN V4B REVERB MIXER 50 Watts V6 V7 PENTODE 25 Watts V6 V7 TRIODE BEFORE CHANGING TUBES FLIP POWER STANDBY SWITCH TO OFF INPUT JACK TO MAINTAIN WARRANTY USE MESA BOOGIE TUBE...

Страница 27: ...2 5 A SLO BLO FUSE POWER RETURN REV FTSW 8 OHM 4 OHM 4 OHM TUBE GUIDE 5 x 12AX7 2 x 6L6 FILLMORE 50 VACUUM TUBE AMPLIFIER MADE IN PETALUMA CA WITH THE WORLD S FINEST MATERIALS SPEAKERS EFFECTS WARNIN...

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Страница 30: ...18 07 24...

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