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Channels 1 and 2:

Channels 1 and 2 are each terminated by a potentiometer. These potentiom-

eters are screw driver adjustments on the back panel and should be used to reduce

signal input to these channels if in excess of . 1 volts. Correct adjustment occurs

when the sound level of channels 1 and 2 is equivalent to that of channels 4 or 5.
High impedance sources, such as crystal microphones and the detector output of

tuners, may be connected directly to these channels since they have an input

impedance of 660, 000 ohms.

Channel 3:

Channel 3 is a high gain microphone channel having an input impedance of

100, 000 ohms. The input to this channel should not exceed 60 MV. Low impedance

microphones in conjunction with an input transformer, such as the McIntosh M-107

(ATI-1), may be used on this channel.

Channels 1, 2 and 3 provide flat amplification from 20 cycles to 20, 000

cycles with the bass and treble controls in their central position, and the treble
compensation switches in the up position. These controls may be used to alter the

response of these channels as shown on page 9.

Channels 4 and 5:

Channels 4 and 5 are equalized for use with magnetic phonograph cartridges.

The degree of equalization may be varied with the bass and treble compensation

switches as shown on pages 8 and 9. The bass and treble tone controls may be
used to supplement these compensation switches.

The inputs of channels 4 and 5 have been terminated to give flat response from

the Pickering and Audax Polyphase cartridges respectively. If cartridges of other

manufacturers are used, the terminating resistors should be replaced by values

recommended by the manufacturer. For example, the 47, 000 ohm terminating
resistance of channel 5 should be replaced by 12, 000 ohms if the G.E. reluctance
cartridge is used. If it is desirable not to alter the C-108 an 18, 000 ohm resistor

may be connected across the G.E. cartridge in the line to the cartridge.

- 5 -

Содержание C108 -

Страница 1: ...INSTRUCTION MANUAL MclNTOSH MODEL C108 AUDIO COMPENSATOR...

Страница 2: ......

Страница 3: ...pensator requires an external power source A McIntosh 50W 2 20W 2 or A 116 Power Amplifier or D 101 power supply may be used for this purpose PHYSICAL SPECIFICATIONS UNIT C 108 C 108a C 108 in wooden...

Страница 4: ...then advance the volume control to full volume 10 Adjust the hum centering potentiometer on the power amplifier for minimum hum 11 Turn the volume control of the C 108 to a minimum and all other contr...

Страница 5: ...ner Wire Reproducer Tape Reproducer Crystal Pickup Crystal Microphone Low Impedance Microphone High Level Magnetic cartridges Ter minated for PickeringCartridge Low Level magnetic cartridges Terminate...

Страница 6: ...sis tance of this tube is 600 ohms but should not be loaded with a capacitive reactance of less than 10 000 ohms at 20 000 cycles This is the reactance presented by 750 micromicrofarads and is equal t...

Страница 7: ...0 000 cycles with the bass and treble controls in their central position and the treble compensation switches in the up position These controls may be used to alter the response of these channels as s...

Страница 8: ...ditional output jack has been provided at the rear of the C 108 This jack may be used for recording tape while the signal is being monitored by the power amplifier The selector switch rumble filter an...

Страница 9: ...J 110 Same as J 109 but connected for 8 ohms J 111 Same as J 109 but connected for 16 ohms J 106 Same as J 102 but connected for 600 ohms for use with 50W 2 20W 2 or A 116 J 107 J 101 input plug fitt...

Страница 10: ...8...

Страница 11: ...ONTROL CURVES FOR MODEL C 108 AUDIO COMPENSATOR CONTROL POSITION MCINTOSH LABORATORY INC 10 21 53 EQUALIZATION CONTROLS TONE CONTROLS ALL CHANNELS AURAL COMPENSATOR ALL CHANNELS RUMBLE FILTER ALL CHAN...

Страница 12: ...10 10 13 53 MCINTOSH LABORATORY INC C 108 AUDIO COMPENSATOR...

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