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410HJS

Joe Satriani Edition

100W Valve Amplifier

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OD1

CLEAN

VOLUME

BASS

MIDDLE

TREBLE

GAIN

VOLUME

Orange & Red

BASS

MIDDLE

TREBLE

GAIN

GAIN

TREBLE

MIDDLE

BASS

VOLUME

GAIN

TREBLE

MIDDLE

BASS

VOLUME

CRUNCH

OD2

PRESENCE

RESONANCE

OFF

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POWER

ON

STANDBY

FOOTSWITCH/

MIDI PROGRAM

FX LOOP

MASTER 2

ENABLE

OD1

MODE

OD2

MODE

CLEAN

MODE

CRUNCH

MODE

INPUT

MASTER

GATE THRESHOLD

OD1

CLEAN

CRUNCH

OD2

MID-SHIFT

9. OD2 CHANNEL

See page 6 and 7 for full explanation.

10. MID-SHIFT SWITCH

This activates the Mid-Shift which only works on the OD1 

and OD2 channel modes. This switch shifts the mids lower 

and produces a slight “scoop.” The mid shift is indicated 

by a blinking light in the footcontroller display.

11. CLEAN CHANNEL

See page 6 and 7 for full explanation.

12. CRUNCH CHANNEL

See page 6 and 7 for full explanation.

13. MODE SWITCHES

Pressing a MODE button has two functions:

When  a  mode  button  is  used  to  change  the  amplifi er 

channel,  the  last  used  mode  of  the  selected  channel  is 

selected.

When pressing the same mode button it cycles the modes: 

GREEN > ORANGE > RED > GREEN...

Each mode remembers the FX, Gate and Master settings 

- plus, in the case of the OD1 and OD2 channel modes, it 

also remembers if the Mid-Shift is activated or not.

Example: You are in OD1 ORANGE with FX + GATE and 

you  press  CLEAN.  The  amp  switches  to  the  last  Clean 

mode  you  had  (let’s  assume  it  was  CLEAN  GREEN  with 

MASTER  2).  If  you  press  the  OD1  switch  you  go  back 

to OD1 ORANGE with FX + GATE. This allows bouncing 

between channels without losing the settings. If you now 

press OD1 again, you go to OD1 RED with whatever FX, 

MASTER, GATE and MID-SHIFT settings you had last time 

you were in this mode. 

1.  MAINS (POWER) SWITCH)

This is the On/Off switch for the mains electric power to 

the amplifi er.

2. STANDBY SWITCH & SILENT RECORDING

The  STANDBY  Switch  is  used  in  conjunction  with  the 

POWER Switch to ‘warm up’ the amplifi er before use and 

to prolong the life of the output valves. 

When the amplifi er is in standby mode the whole preamplifi er 

section continues running at its nominal voltages whilst the 

power amplifi er remains in a standby status. This allows the 

amplifi er to be used for silent recording or preamplifi cation 

purposes. 

Only when the STANDBY is off can the amplifi er be used 

without a lo  ad. Always ensure a load is connected when 

leaving the silent recording mode, i.e. when switching the 

STANDBY switch ON.

3. FX LOOP

Pressing FX LOOP switches the FX loop ON and OFF in 

the current channel. This is a programmable FX loop which 

features a Return Level control on the rear panel and it is 

located  after  the  pre-amp  and  the  Noise  Gate.  Pressing 

the FX Loop switch engages this FX loop. Please refer to 

the Serial Loop description later on in the handbook for its 

operation.

MASTER SECTION 

4. PRESENCE, RESONANCE

These  controls  are  power  amplifi er  controls  and  only 

have effect when playing through a speaker (not in silent 

recording).  They  affect  how  the  power  amplifi er  reacts 

to  the  connected  speakers  and  how  much  control  the 

amplifi er has over them. 

Increasing the RESONANCE control emphasises the natural 

speaker resonance for an improved bass response. In the 

same way, increasing the PRESENCE control emphasises 

the speaker’s high frequencies which will be heard as an 

improved high frequency response which adds presence 

to the sound.

Presence  and  Resonance  constitute  a  powerful  power 

amplifi er  equaliser,  allowing  responses  from  a  ‘^’  shape 

when they are fully off, which is felt as a mid boost, to a ‘v’ 

shape when they are turned clockwise, which is felt as a 

scooped sound. Again, the effectiveness of these controls 

is  highly  dependant  on  the  kind  of  connected  speakers. 

Care has to be taken to avoid over excursion of the speaker 

cones in high resonance settings.

5. FOOTCONTROLLER / MIDI PROGRAM

This switch has a dual function:

Pressing  it  once  we  enter  the  FOOTCONTROLLER 

PROGRAM mode. It is indicated by a continuous red light.

Pressing it twice we enter the MIDI PROGRAM mode. It is 

indicated by a blinking red light.

6. MASTER 1 / MASTER 2

These are the master volume controls of the amplifi er. They 

can be assigned individually to each of the modes as you 

wish and their setting will be remembered in each of the 

modes. They are switched using the MASTER 2 button to 

switch between MASTER 1 and MASTER 2.

7. GATE THRESHOLD CONTROL

Pressing  ENABLE  switches  the  noise-gate  ON  and  OFF 

in  the  current  channel.  Alongside  the  GATE  switch  each 

channel has its own Gate control allowing individual level 

settings of the effect.

8. OD1 CHANNEL

See page 6 and 7 for full explanation.

FRONT PANEL OPERATION

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14. INPUT JACK SOCKET

You  must  always  use  a  screened  (shielded)  guitar  cable 

and never use an unscreened (unshielded) speaker cable. 

Also, this cable should be one of good quality. If you are in 

any doubt regarding this, your Marshall dealer will be more 

than happy to help and advise you.

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ENGLISH

Содержание JVM410HJS Joe Satriani

Страница 1: ......

Страница 2: ...id 80s I m delighted that he recorded many of his classic instrumentals using Marshall amps In fact some of the sounds the JVM410HJS s modes are capable of pay homage to many of those great old amps h...

Страница 3: ...bs Sammy Hagar was playing through his old rig and I was playing through mine and we both realized that our amps weren t up to it So we contacted Marshall about helping us out for the subsequent real...

Страница 4: ...atures switchable via the front panel and the supplied 6 way footcontroller are Noise Gate Master Volume selection 1 or 2 and Series effects loop on off All 3 of these options are also remembered by e...

Страница 5: ...g into it So the guy who s got the vintage Tele will be pulling something different out of those channels that someone who s got a hot rodded Les Paul or someone with a 25 5 scale guitar with coil tap...

Страница 6: ...a load is connected when leaving the silent recording mode i e when switching the STANDBY switch ON 3 FX LOOP Pressing FX LOOP switches the FX loop ON and OFF in the current channel This is a program...

Страница 7: ...allows the user to balance the returning signal level from the effect either attenuating it or boosting it up to 6dB In a usual setup the return level would be set to allow engaging effects without a...

Страница 8: ...rent status simply Set the amplifier to FOOTCONTROLLER PROGRAM mode red light ON Press and hold the desired switch for about 3 seconds The FX footcontroller LED will flicker a couple of times indicati...

Страница 9: ...ent does cause harmful interference to radio or television reception which can be determined by turning the equipment off and on the user is encouraged to try to correct the interference by one or mor...

Страница 10: ...x 44 0 1908 376118 www marshallamps com Whilst the information contained herein is correct at the time of publication due to our policy of constant improvement and development Marshall Amplification p...

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