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EXPLORING OTHER USES

  We’ve had a few interesting questions regarding different applications of the BACKBONE. Some 

customers have decided it would make an excellent teaching tool. The ability to simply and easily dem-

onstrate the importance of gear sequence (especially when making use of the SWAP button) makes the 

BACKBONE well-suited for educational purposes. Still others are planning to use their BACKBONE 

for tracking needs, rather than the mastering applications for which it was designed.

  In terms of tracking, another somewhat more complex use of the BACKBONE has been suggested 

by a few people - using it to route three different mics through many different microphone preampli-

fiers. We didn’t design the BACKBONE for this purpose, but we DO build a product called the Manley 

MicMAID that is designed to do just that very thing. Check out our website (www.manley.com) for 

more information!

  As mentioned before, the BACKBONE was not designed for this purpose. Because of the way the 

unit’s signal flow is structured, using a mic pre as an insert has one major complication - UNDER NO 

CIRCUMSTANCES CAN YOU USE +48V PHANTOM POWER WITH ANYTHING CON-

NECTED TO THE BACKBONE. Turning on +48V on your mic pre would mean sending those 48V 

into your BACKBONE, which would potentially (read: “almost certainly”) damage crucial compo-

nents. Also, the BACKBONE was designed for line-level signals, not mic-level ones. Since signal from 

a microphone has about 1/100th the level of a line-level one, and the BACKBONE has not been opti-

mized for such a signal, it simply wouldn’t function correctly for this application.

  With that said, once a signal has been brought up to line level it can be used in many ways with the 

BACKBONE. Tracking, mixing, mastering - use your imagination!

LABELING YOUR SWITCHES

  The EAO switches for each input and insert on the front panel can be labeled, e.g. “EQ #1”, 

“COMP #4”, etc... If you desire the label to be on the INSIDE of the button (perhaps slightly more 

permanent than just a sticker on the outside), we advise that you go to a local office supply store and 

purchase a P-Touch machine (or a similar label-printing device) and some “black on clear” tape for it. 

This will let the light shine through around the letters, enhancing legibility.

 

  To remove the switchcaps, you’ll just need a pair of 

pincer-style pliers - you have to be able to grip the top and 

bottom sides of the switchcap and pull it away from the 

socket. You will notice some small indents on these sides of 

the switchcap, which make it easier to remove. Be very gentle 

when you grip and pull the switchcap - the more delicate 

the pliers, the better. Once you have the switchcap in hand, 

you can easily pull out the diffuser by pinching the two tabs 

towards each other and pulling away from the clear cover. 

Print your label and stick it to this diffuser (observing the 

orientation of your lettering so that it is not upside-down and/

or backwards), then put the diffuser back inside the clear 

switchcap. Re-installing the switchcap is as simple as pushing 

it back into the socket. Now you’re done!

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Содержание Backbone

Страница 1: ......

Страница 2: ...erts 6 8 8 Mix Fade Knob 8 Output Level Switches 9 THE BACK PANEL 10 11 THE GUTZ 12 SOME THOUGHTS FROM OUR LAB 13 16 LABELING YOUR SWITCHES 16 TROUBLESHOOTING 17 PATCHABLE SENDS RETURNS 18 ELCO PINOUT...

Страница 3: ...ey like the famous guys use The Manley BACKBONE is one part of our solution In fact it represents an evolution in performance from where we left off in our custom designs The Manley BACKBONE is built...

Страница 4: ...FORMER WIRED IN SERIES for 220 240V operation Uses a 0 5A SLO BLO fuse Fuses for ALL VOLTAGES are 5x20mm GDC packaged fuses Waste Electrical and Electronic Equipment WEEE Information for customers The...

Страница 5: ...engaged For more info see pages 7 13 E Inserts 1 8 Push to activate the outboard processor that is patched into that insert point See page 7 8 for details F SUM DIF Press to engage SUM DIF circuit fo...

Страница 6: ...ally worth a quick check to verify which way seems to sound best and or seems to have the kick pushing the woofer outward If in doubt leave the absolute polarity alone The Input Selection Left Right R...

Страница 7: ...NOT pushed and lit the main audio path is hard wire bypassed of course However a little isolation ampli fier is engaged to feed that box This is to pre drive a compressor so that it is already doing...

Страница 8: ...essor insert be used to sometimes push the level after keeping the signal at more reasonable and conventional levels earlier in the chain Between INSERT 7 and INSERT 8 is a multi purpose function Push...

Страница 9: ...he FADER MIX and OUTPUT LEVEL controls precede INSERT 8 This way you can patch your final limiter in 8 and semi permanently set thresholds and gains and use the OUTPUT LEVEL controls as a very handy w...

Страница 10: ...nnectors ELCO DB 25 connectors for the first 4 inserts H Selected Input L R The selected input s dry signal comes out here I Inputs 3 sets of inputs for whatever you want to plug into the BACKBONE We...

Страница 11: ...e BACKBONE opening up the manual which is probably open already if you re reading this attempting to interpret the map on page 18 and moving some ribbon cables but dealing with ribbon cables seems to...

Страница 12: ...cause of the precision calibrations especially in the SUM DIF circuits we advise that after a temporary swap the boards should go back to their original locations If one board or switch develops a pro...

Страница 13: ...g trying it for the sake of an idea but suggesting a listening experiment because in the end it is more about the particular collection of gear that you have chosen and the collection of input output...

Страница 14: ...ase line A typical high quality resistor may have a tolerance rating of 1 which means it is likely we only get 40 dB of separa tion in practice Even a superb resistor might be 0 1 tolerance which tran...

Страница 15: ...lity is introducing a processor that might ordinarily be considered too colored or distorted for mastering but if mixed in lightly as opposed to running the full signal through it can be brought in un...

Страница 16: ...ne has about 1 100th the level of a line level one and the BACKBONE has not been opti mized for such a signal it simply wouldn t function correctly for this application With that said once a signal ha...

Страница 17: ...r or be otherwise altered Also try checking the signal from the output labeled SEL INPUT on the rear of the BACKBONE this output is hard wired directly from your selected source If this is muted as we...

Страница 18: ...eaders INSERTS 1 8 Shown is Insert 6 using either both Patchable XLRs and ELCO EDAC Keep This End In Place Keep This End In Place RHT LFT Interior View of Back Panel ELCO EDAC Version HOW TO PATCH PAT...

Страница 19: ...ELCO PINOUT This diagram is drawn from the perspective of OUTSIDE THE UNIT looking AT THE BACK PANEL 19...

Страница 20: ...SEND 5 R SEND 6 R 24 12 25 10 23 11 21 9 22 7 20 8 18 6 19 4 17 5 15 3 16 1 14 2 13 HOT COLD GROUND HOT COLD GROUND HOT COLD GROUND HOT COLD GROUND HOT COLD GROUND HOT COLD GROUND HOT COLD GROUND HOT...

Страница 21: ...Y CABLE DIAGRAM Note that the Y cable coming from the SUM output should be wired differently from the Y cable coming from the DIFF output 21...

Страница 22: ......

Страница 23: ...inal sound up in the mix already bring up the parallel mix You ll hear a weight and punchiness added to the sound but you still retain all the transient response and dynamic range of the original sign...

Страница 24: ...board They are labeled J5 J9 and are for the left channel Jumpers for the right channel inputs live directly below these on the bottom board facing down and are labeled J16 J17 The jumpers are factory...

Страница 25: ...150 ohms Input Or Output Stepped Gain accuracy 0 05dB Power Consumption 60 watts Mains Fuse 120VAC 1A 240VAC 5A Use 5mm x 20mm SLO BLO glass fuses 250V AC rating NOTE Operating mains voltage Units are...

Страница 26: ...SETTINGS TEMPLATE Notes...

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