Owner
’s Manual
5
Owner’s Manual
Hookup Diagrams
GAIN
CH1
GAIN
CH2
MAX
MAX
OFF
LINE
MIC
U
U
OFF
LINE
MIC
OVERLOAD
POWER/
Thrash loudspeakers are the perfect tool for singer-songwriters touring the local coffee shops. Bring your favorite axe
and mic, Thrash loudspeakers and cables and power cords.
In this example, a Mackie EM-89D microphone is connected to the channel 1 input of a Thrash loudspeaker,
used as the main PA. Note that the gain knob is set to Mic.
Now grab your axe and plug it directly into the channel 2 input. Or if you use effects, connect the guitar to the effects
input and another cable from the effects output to the channel 2 input. Note that the gain knob is set to Line.
An additional Thrash loudspeaker will be used for monitoring purposes. Simply connect a cable from the Thrash PA’s
MIX OUT jack to the Thrash monitor’s channel 1 input. This gain knob should also be set to Line.
Keep in mind that these “MIC” and “LINE” markings are for reference only and may need to be raised or lowered.
Singer-Songwriter Setup