5
SUB
1
RIGHT
LEFT
RIGHT
LEFT
RIGHT
LEFT
RIGHT
LEFT
dB
30
20
10
O
O
40
50
5
5
U
60
10
dB
30
20
10
O
O
40
50
5
5
U
60
10
dB
30
20
10
O
O
40
50
5
5
U
60
10
dB
30
20
10
O
O
40
50
5
5
U
60
10
dB
30
20
10
O
O
40
50
5
5
U
60
10
ASSIGN
SUB
2
ASSIGN
SUB
3
ASSIGN
SUB
4
ASSIGN
STEREO
MAIN MIX
DOWN
UP
DOWN
UP
UP
UP
UP
UP
1
3-4
1-2
MUTE
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
1
2
600
1.5k
150
8k
100
12k
HI
MID
FREQ
80Hz
LOW
EQ
U
+15
-15
U
+15
-15
U
+15
-15
ASSIGN
L
R
PAN
dB
30
20
10
O
O
40
50
5
5
U
60
10
SOLO
PFL
1
EFX
2
(INT)
EFX
1
(EXT)
PRE FADER
AUX
TRIM
LOW CUT
100 Hz
ZERO
LEVEL
M
IC GAIN
6
+50
U
-15dB +30dB
DOWN
UP
CLIP
WIDE
BYPASS
10
0
10
0
REVERBS
DELAYS
CHORUS/FLANGE/PHASER
DAMPING
DEPTH
TIME
RATE
NORMAL
NORMAL
EFX
SM. ROOM
MD. PLATE
LG. PLATE
LG. HALL
GATED
REVERSE
CATHEDRAL
MD. HALL
SPRING
PHASER
DELAY 4
CHORUS
DELAY 3
DELAY 1
FLANGE
DELAY 2
CLIP
0dB=0dBu
LEFT RIGHT
ZERO
LEVEL
SET
TAPE LEVEL
O
O
MAX
PHONES LEVEL
UTILITY OUT LEVEL
48v
POWER
STATUS
RUDE
SOLO
BREAK SWITCH
(MUTES ALL CHANNELS)
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+20
O
O
U
+20
O
O
U
+10
O
O
22
10
7
4
2
0
2
4
7
10
20
30
EFX
1
RETURN
EFX 2 (INT) RETURN MASTERS
EFX
2
SEND
TO MAIN MIX
EFFECTS TO MONITOR
AUX
1
AUX
2
PHANTOM POWER
CUSTOM 32-BIT PRECISION
DIGITAL STEREO EFFECTS PROCESSOR
1
(EXT)
15
15
5
10
0
5
10
15
15
5
10
0
5
10
U
+15
O
O
U
+15
O
O
U
+15
O
O
1
2
AUX
EFX
MASTER SEND
CFX 12 MIXER
STEREO GRAPHIC EQ
1K
500
250
63
125
16K
2K
4K
8K
12 CHANNEL COMPACT INTEGRATED LIVE SOUND MIXER
QUICK START
We know you can’t wait to
get the show on the road.
Who has time to read a
booooring manual? That’s
fine — the CFX Mixer is
designed to set up quickly and operate intu-
itively — but please,
READ THIS PAGE!
ZERO THE CONSOLE:
1.
Turn everything off, including the mixer’s
POWER
switch and
PHANTOM POWER
switch.
2.
Channel strip
TRIM
,
AUX
,
EFX
, and
Fader down.
3.
STEREO GRAPHIC EQ
sliders centered.
4.
MASTER AUX
and
EFX SENDS
, and
EFX
RETURNS
down.
5.
Channel strip
EQ
and
PAN
controls
centered.
6.
Channel strip
ASSIGN 1-2
and
MUTE
switches
down
.
7.
Channel strip
LOW CUT
,
PRE FADER
, and
ASSIGN 3-4
switches up.
8.
SUB 1 ASSIGN LEFT
,
SUB 2 ASSIGN
RIGHT
down
; all other
SUB ASSIGN
switches up.
9.
MAIN MIX
and
SUB
Faders down.
MAKE THE CONNECTIONS:
1.
Connect your amp’s outputs to your
speaker inputs (unless, of course, you have
powered monitors).
2.
Plug all the sound system components into
suitable AC outlets, properly grounded and
capable of delivering adequate current.
3.
Using XLR or TRS cables, make connec-
tions from your mixer’s
MAIN OUT
to your
amplification system’s line inputs.
4.
Make connections from your microphones
and instruments to the mixer: Connect
balanced microphones to the mono channel
MIC
jacks. (For condenser microphones,
engage the
PHANTOM POWER
switch,
located just above the meters.) Connect
line-level instruments (synthesizers, guitar
effects, direct boxes) to the mono or stereo
channel
LINE IN
TRS jacks.
5.
Turn all the power switches on,
leaving the
amplifier’s switch for last.
6.
Turn up the
MAIN MIX
Fader to the
“–30” label, for now. We’ll crank it up later on.
7.
Turn up
SUB
Faders
1
and
2
to unity gain
(“
U
” label).
SET THE LEVELS:
1.
Choose one of the microphones or instru-
ments you connected. Make some noise. If
it’s a microphone, sing at your normal
singing volume. If it’s a synthesizer, play it
at its normal output level.
2.
While making noise, turn up that channel’s
TRIM
until the adjacent
ZERO LEVEL
starts
blinking.
3.
Disengage (up) that channel’s
MUTE
.
4.
Raise that channel’s fader to unity gain
(“
U
” label). You should be hearing your
noise now.
5.
If necessary, apply channel
EQ
changes.
(You may need to compensate for level
changes with the channel fader.)
6.
Repeat steps 1 through 5 for the remaining
active channels.
7.
Stop making noise. Everyone: start making
music.
