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15

MASTER SECTION FEATURES

CLIP

0dB=0dBu

LEFT RIGHT

ZERO

LEVEL

SET

48v

dB

30

20

10

O

O

40
50

5

5

U

60

10

POWER

STATUS

RUDE

SOLO

22

10

7

4

2

0

2

4

7

10

20

30

STEREO

MAIN MIX

PHANTOM POWER 

We hope you’ve understood, if not memo-

rized, the CHANNEL STRIP FEATURES you
just read. If you’re still confused, please look
them over again before you tackle this section.
Don’t worry, it’s easy to swallow as long as you
take it a bite at a time.

MAIN MIX FADER

As the name implies, this stereo fader con-

trols the levels of signals sent to the main
outputs: XLR and TRS 

MAIN OUT

 

. The

TAPE OUTPUT

 

 RCA jacks also receive the

main mix, but before the 

MAIN MIX

 Fader.

Signals feeding the 

MAIN MIX

 Fader, after

passing through the 

STEREO GRAPHIC EQ

 

,

include: 

SUB ASSIGN

 

MAIN INSERT

 

,

STEREO EFX RETURN 1

 and

 2

 

 (including

the 

EMAC EFFECTS PROCESSOR

 

), and

TAPE INPUT

 

. All assigned 

SUB

 Faders 

and 

EFX RETURN

 that are not turned

fully down will appear in the 

MAIN MIX

.

The fader, set fully up, provides 10 dB of gain.

A “

U

” unity gain point is just below that. When

set fully down, the main mix is effectively
muted. This is the fader to pull down at the end
of the song when you want The Great Fade-Out.

METERS

The CFX Mixer’s peak metering system is

made up of two columns of twelve LEDs each,
with thresholds ranging from –30 dB up to
“CLIP” (+22 dBu at the TRS 

MAIN OUT

 

,

+28 dBu at the XLR 

MAIN OUT

). The meters

display the main mix, post 

MAIN MIX

 Fader

, unless a 

SOLO PFL

 

 switch is engaged.

When a 

SOLO PFL

 

 switch is engaged,

the meters will instead display the solo infor-
mation, at unity gain (pre channel fader 

).

Why, you ask? The meters, being a tool for the
engineer, must display what the engineer is lis-
tening to via the 

PHONES

 

 output.

You can get a good mix with the meter’s

peaks flashing anywhere between –20 and +10
dB. Most amplifiers clip at about +10 dB, and
some recorders aren’t so forgiving either. For
best real-world results, try to keep your peaks
between “0” and “+7.”

You may already be familiar
with “+4” (+4 dBu=1.23V)
and “–10” (–10 dBV=0.32V)
operating levels. Basically,
what determines the operat-

ing level is the relative 0 dB VU (or 0VU)
chosen for the meters.

A “+4” mixer, with a +4 dBu signal pouring

out the back, will actually display 0 dB on its
meters. A “–10” mixer, with a –10 dBV signal
trickling out, will also display 0 dB. So ... when
is 0 dB actually 0 dB? Right now!

At the risk of creating another standard,

Mackie’s compact mixers address the need of
both crowds by calling things as they are: 0 dBu
(0.775V) at the output shows as 0 dB VU on
the meters. What could be easier? (By the way,
the most wonderful thing about standards is
that there are so many to choose from.)

RUDE SOLO

This infamous flashing LED (Light Emitting

Diode) serves two purposes —- to remind you
that at least one 

SOLO PFL

 

 switch is en-

gaged, and to let you know that you’re mixing
on a Mackie.

Engaging a 

SOLO PFL

 

 switch affects

these features: 

PHONES

 

 and Meters 

.

No other outputs are affected in any way.

Although the “SET THE LEVELS” section of

“QUICK START” (page 5) will get your level-
setting tasks accomplished, using the meters

 in 

PFL SOLO

 mode lets you really tune in.

Instead of one flickering LED, you can make
use of the 12-segment VU display in the
meters. How? Just engage a 

SOLO PFL

 

switch and watch the meters.

WARNING:

 

SOLO

 is pre-

fader and taps the channel
signal before the fader 

.

If you have a channel’s
fader set well below “

U

(unity gain), 

SOLO

 won’t know that and will

send a unity gain signal to the 

PHONES

 

output. That may result in a startling level
boost in your headphones.

STEREO GRAPHIC EQ

This equalizer, used to shape the frequency

spectrum of the main mix, is the last thing in
the chain prior to the 

MAIN MIX

 Fader 

and 

MAIN OUT

 

 XLR and TRS jacks.

Although there is no actual bypass switch

for the 

STEREO GRAPHIC EQ

, by setting all

the sliders to zero (center) you’ll effectively
remove it from the signal path.

How to find and reduce feedback:

1. Set the 

GRAPHIC EQ

 sliders to zero (center).

2. Set the 

TRIM

 

 levels, using the 

ZERO

LEVEL

 

 or 

SOLO PFL

 

.

Содержание MIC/LINE MIXERS

Страница 1: ... EFX 2 INT EFX 1 EXT PRE FADER AUX U 15 O O U 15 O O U 15 O O U 15 O O 1 2 EFX 2 INT EFX 1 EXT PRE FADER AUX U 15 O O U 15 O O U 15 O O U 15 O O 1 2 EFX 2 INT EFX 1 EXT PRE FADER AUX U 15 O O U 15 O O U 15 O O U 15 O O 1 2 EFX 2 INT EFX 1 EXT PRE FADER AUX U 15 O O U 15 O O U 15 O O U 15 O O 1 2 EFX 2 INT EFX 1 EXT PRE FADER AUX 2 ASSIGN 2 3 ASSIGN 3 4 ASSIGN 4 5 ASSIGN 5 6 ASSIGN 6 7 ASSIGN 7 8 A...

Страница 2: ...licables aux appareils numériques de class A de class B selon le cas prescrites dans le règlement sur le brouillage radioélectrique édicté par les ministere des communications du Canada 16 Exposure to extremely high noise levels may cause permanent hearing loss Individuals vary considerably in susceptibility to noise induced hearing loss but nearly everyone will lose some hearing if exposed to suf...

Страница 3: ...like this Every feature on the CFX Mixer has one of these numbers assigned to it Whenever a feature is mentioned described or illustrated its number will be right next to it Thank you for choosing a Mackie Designs CFX Mixer These compact live sound mixers are designed to meet the sound reinforcement needs of almost any small to medium sized club meeting room sanctuary or outdoor gathering Here s a...

Страница 4: ... Service 20 Troubleshooting 20 Repair 21 APPENDIX B Technical Info 21 Specifications 21 Block Diagram 22 Contributors and Colophon 23 CFX SERIES LIMITED WARRANTY 23 PRODUCT REGISTRATION CARD SAFETY INSTRUCTIONS 2 INTRODUCTION 3 ABOUT THIS MANUAL 3 QUICK START 5 APPLICATIONS DIAGRAMS 6 PATCHBAY FEATURES 8 MIC 8 LINE IN 8 INSERT 8 EFFECTS SERIAL OR PARALLEL 9 STEREO LINE IN 9 MAIN OUT 9 SUBWOOFER OU...

Страница 5: ...WER switch 2 Channel strip TRIM AUX EFX and Fader down 3 STEREO GRAPHIC EQ sliders centered 4 MASTER AUX and EFX SENDS and EFX RETURNS down 5 Channel strip EQ and PAN controls centered 6 Channel strip ASSIGN 1 2 and MUTE switches down 7 Channel strip LOW CUT PRE FADER and ASSIGN 3 4 switches up 8 SUB 1 ASSIGN LEFT SUB 2 ASSIGN RIGHT down all other SUB ASSIGN switches up 9 MAIN MIX and SUB Faders d...

Страница 6: ... up the MAIN MIX Fader to a comfortable listening level 5 If the overall mix has an equalization problem make adjustments to the STEREO GRAPHIC EQ If an individual channel is the problem use its EQ instead 6 Using channel EFX 2 INT and the EMAC EFFECTS PROCESSOR experiment with adding some effects 7 Depending on how much time you ve got keep tweaking Walk the room to see how it soundsawayfromyourm...

Страница 7: ...everb Digital Delay Mono Power Amplifiers Digital Multitrack Recorder Guitar Effects Direct Box 5 6 7 8 9 10 11 12 13 14 15 16 20 19 18 17 2 1 1 2 R L R L R L R L 2 1 CHANNEL INSERTS STEREO EFX RETURNS MAIN INSERT PHONES OUT 1 2 3 4 CHANNEL INPUTS L L R L R TAPE OUT TAPE IN 1 2 3 4 5 6 7 8 UTIL OUT BAL UNBAL SUB OUT 75Hz MAIN OUT L R MAIN OUT BAL UNBAL AUX SENDS BAL UNBAL 2 1 EFX SENDS BAL UNBAL S...

Страница 8: ...NSERT MIC 2 MIC 3 MIC 4 MIC 5 MIC 6 MIC 7 MIC 8 At the risk of stating the obvious this is where you plug everything in microphones line level instruments effects headphones and the ultimate destination for your sound PA system tape recorder etc MIC The CFX Mixer is equipped with rugged low noise phantom powered microphone pream plifiers providing up to 50 dB of crystal clear amplification Their b...

Страница 9: ...nced stereo signal enters the real world The XLR balanced outputs will add 6 dB when connected to balanced inputs thereby elevating signal from the noise floor by that amount The TRS balanced outputs offer the advan tage of having no 6 dB level change to deal with while still providing extraneous noise rejection SUBWOOFER OUT The CFX Mixer has an integrated mono summing 75Hz 3rd order low pass fil...

Страница 10: ...TRS outputs is post fader only so they cannot be used as traditional stage monitor cues They re in tended to patch into effects device inputs hence the name EFX See EFX 1 EXT and EFX 2 INT for more information Note The EFX 2 signal path also feeds the CFX Mixer s internal EMAC EFFECTS PRO CESSOR inputs If you re using EMAC and just one outboard processor patch that proces sor via EFX SEND 1 for in...

Страница 11: ...tion of the BYPASS switch located in the EMAC EFFECTS PROCESSOR Closing the switch connection causes the EFX BYPASS indicator to light and mutes the effects Note When a foot switch is plugged into the FOOT SWITCH jack the BYPASS switch is disabled Just like the BYPASS switch this affects only the internal EMAC EFFECTS PROCESSOR and not any device plugged into STEREO EFX RETURN 2 LAMP This BNC type...

Страница 12: ...AUX send knobs PHANTOM POWER Ha We tricked you The phantom power switch is not located in the channel strip sec tion at all It s way over on the right side of the mixer see graphic on previous page We re just mentioning it here since it applies to the channels specifically what type of micro phones you have plugged into them Push in this switch to provide phantom power to the XLR MIC input jacks A...

Страница 13: ... you can also screw things up If you max the EQs on every channel you ll get mix mush not to mention driving your mix levels near or beyond clipping So equalize subtly use the left sides of the knobs cut as well as the right boost HI EQ This control provides up to 15 dB of boost or cut at 12kHz and above and it is also flat at the detent Use it to add sizzle to cymbals or an overall sense of trans...

Страница 14: ...ndependently of the rest of the mix SUB Faders SUB ASSIGN and MAIN MIX Fader will explain this further FADER Although the most self explanatory item on a mixer we ll explain it anyway The fader is the master level control for the channel s sig nal Subtle adjustment of the channels fader positions is the key to a finely tuned mix Typically providing the TRIM knob is set correctly the fader position...

Страница 15: ... results try to keep your peaks between 0 and 7 You may already be familiar with 4 4 dBu 1 23V and 10 10 dBV 0 32V operating levels Basically what determines the operat ing level is the relative 0 dB VU or 0VU chosen for the meters A 4 mixer with a 4 dBu signal pouring out the back will actually display 0 dB on its meters A 10 mixer with a 10 dBV signal trickling out will also display 0 dB So when...

Страница 16: ...ders 1 and 2 with SUB 1 carrying the left signal and SUB 2 carrying the right Engage SUB 1 ASSIGN LEFT and SUB 2 ASSIGN RIGHT and you re done Take a look at the block diagram on page 22 it ll explain this and more but in hieroglyphics 15 15 5 10 0 5 10 15 15 5 10 0 5 10 CFX12 MIXER STEREO GRAPHIC EQ 1K 500 250 63 125 16K 2K 4K 8K 12 CHANNEL COMPACT INTEGRATED LIVE SOUND MIXER ZE LEV SE TAPE LEVEL ...

Страница 17: ... stage monitor cues turn up the EFFECTS TO MONITOR knobs FOR THE CURIOUS EMAC stands for Extended Multiply and Accumulate which is a proprietary 32 bit digital stereo processor developed by our Digital Engi neering Group It provides 16 preset digital effects algorithms for you to select In addition to the presets there are two parameter con trols you can adjust to change the sound and make it uniq...

Страница 18: ...nds to 10 seconds Pre delay set at 75ms LG HALL Dense smooth reverb with long tail long pre delay and some early reflections Tails are warm with more apparent high end Works well with vocals and electric and acoustic guitar Decay range is adjustable from 1 second to 5 seconds Pre delay set at 75ms MD HALL Dense smooth reverb with nor mal tail normal pre delay and increased early reflections Tails ...

Страница 19: ... a dramatic effect to vocals particularly group harmonies and choirs The channel s EFX 2 INT should be set halfway or higher Rate is adjust able from 0 5Hz to 30Hz Depth is adjustable from 0 to 100 FLANGE Creates a strong sweeping effect particularly effective on rock electric guitar lead and rhythm The channel s EFX 2 INT should be set halfway or higher Rate is adjust able from 0 5Hz to 20Hz Dept...

Страница 20: ... AND CONSIDERATIONS When setting up for a show oftentimes you are plugging into an AC power distribution sys tem you know nothing about You may even be faced with 2 wire outlets that are missing the third safety ground pin It s a good idea to have a three wire AC outlet tester in your toolbox so you can check the outlets yourself to make sure they are wired correctly These testers will tell you if...

Страница 21: ...ixer within three business days Ask Tech Support for the latest turn around times when you call for your RA number We normally send every thing back prepaid using UPS BLUE Second Day Air However if you rush your mixer to us by Next Day Air we ll treat it in kind by shipping it back to you UPS RED Next Day Air This paragraph does not necessarily apply to non warranty service APPENDIX B Technical In...

Страница 22: ... AUX SEND 1 AUX SEND 2 EFX TO AUX 1 EFX TO AUX 2 TO LEFT MAIN TO RIGHT MAIN PFL SIGNAL TO PHONES PFL UTILITY LEVEL PHONES LEVEL PHONES UTILITY OUT RIGHT PFL SIGNAL TO LEFT METER 22 10 7 4 2 0 2 4 7 10 20 30 100 Hz HPF MID FREQ HI 80 12K LO 1 2 3 4 AUX 1 AUX 2 EFX 1 EFX 2 PRE P0ST PAN FADER TRIM LINE IN STEREO CHANNELS MIC LINE IN MONO CHANNELS LOW CUT INSERT LEVEL SET SOLO 3 4 MID HI 80 800 12K LO...

Страница 23: ...D with billing for labor materials return freight and insurance Products repaired under warranty at Mackie s factory will be returned freight prepaid by Mackie to any location within the boundaries of the USA G This warranty is extended to the original purchaser and to anyone who may subsequently purchase this product within the applicable warranty period H This is your sole warranty Mackie does n...

Страница 24: ...ur product Some of the people at our Woodinville Washington factory who helped design build sell and support your product Mackie Designs Inc Mackie Designs Inc 16220 Wood Red Rd NE Woodinville WA 98072 USA 800 898 3211 Outside the US 425 487 4333 Fax 425 487 4337 www mackie com E mail sales mackie com ...

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