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26

1. How do I get the effects into my monitors?

2. How do I get effects out the ALT 3/4 Bus?

3. How do I set up a monitor or auxiliary send master?

4. What modifications can be done to the mixer?

5. How do I perform the modifications to my mixer?

6. Can I use the Bal./Unbal. Main Outputs and Mono

Output at the same time?

7. Can I split the Main Outputs with a Y-cord?

8. Can I use the XLR Mic Inputs for line inputs?

9. How do I record with effects?

10. Why are there really only 9 questions?

(1) Q: How do I get the effects into my monitors?

A:

 Instead of connecting the output(s) of an

effect device to the AUX RETURN TO MASTER
jacks, it should be connected to the line input(s)
of unused channels. This would make the chan-
nel fader(s) the AUX RETURN to main output
control. This channel or channels should be set
up as if it were receiving any line input signal.
This means setting the proper input trim level
with the fader at unity and setting the pan con-
trol (stereo or mono). You now have the effect
going to your main outputs.

Now to get the effect to the monitors sim-

ply turn up your monitor send on that
channel (the one you have connected the out-
put of the effect to). The AUX OUT is still
connected to the input of the effect the same
way and the individual channels are still sent
to the effect the same way. The only differ-
ence is how you are controlling the return
level of the effect.

Using this configuration you must remem-

ber one important point — NEVER turn up
the AUX SEND level of the particular effect
on the channel you are using as the AUX RE-
TURN. This will give you a feedback loop. For
example, if you are using AUX SEND 2 for a
reverb send and you are using channels 15
and 16 as your stereo AUX RETURNS, you
would NEVER want to turn up AUX SEND 2
on channels 15 and 16.

It may seem that you are losing inputs by

configuring the aux returns this way but you
are not. Your unused AUX RETURNS TO
MASTER JACKS can now be used as inputs.
By engaging the MONO switch on the AUX
RETURNS you can have up to 8 mono inputs.
Also, by returning the output of the effect to a
channel you can now use the EQ to further
enhance the effect.

(2) Q: How do I get effects out of the ALT 3/4 Bus?

A:

 You will need to perform option #1, 2, or 3

in the modification sheets in order for an indi-
vidual channel to be muted (sent to the ALT
3/4 Bus) and still be capable of sending chan-
nel information out of the auxiliary sends.

Instead of connecting the output(s) of an

effect device to the AUX RETURN TO MASTER
jacks, it should be connected to the line
input(s) of unused channels. This would make
the channel fader the auxiliary return master.

10 COMMON QUESTIONS

TECH

STUFF

Содержание CR-1604

Страница 1: ...MID 0 LO EQ 0 R L PAN SOLO MUTE ALT 3 4 OL 20 U 00 12 MON AUX U 1 2 3 4 5 6 U U U 15 00 15 00 15 00 15 00 5 6 SHIFT 15 15 0 HI 0 MID 0 LO EQ 0 R L PAN SOLO MUTE ALT 3 4 OL 20 U 00 13 MON AUX U 1 2 3 4...

Страница 2: ...he user to the presence of uninsulated dangerous voltage within the product s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons Le symbole clair avec poin...

Страница 3: ...T icons next to them However we ve found that truly expe rienced engineers usually read their owner s manuals cover to cover anyway so they can continue to make those big bucks The following chapters...

Страница 4: ...d as the King of Sends because of its varied functions IMPORTANT SENSITIVITY ADJUSTMENT PROCEDURE To fully achieve the CR 1604 s impressive noise and headroom specs you should tune chan nel sensitivit...

Страница 5: ...EQ 0 R L PAN SOLO MUTE ALT 3 4 OL 20 U 00 2 MON AUX U 1 2 3 4 5 6 U U U 15 00 15 00 15 00 15 00 5 6 SHIFT 15 15 0 HI 0 MID 0 LO EQ 0 R L PAN SOLO MUTE ALT 3 4 OL 20 U 00 3 MON AUX U 1 2 3 4 5 6 U U U...

Страница 6: ...nse the way a graphic equalizer would Use this control to add sizzle to cymbals and vocals and give a sense of transparency or edge to keyboards and guitars It can also be turned down a little to redu...

Страница 7: ...lications for ALT 3 4 is for creating submixes from various combinations of channels By panning one set of channels hard left and another hard right you can create two submixes one from the LEFT ALT a...

Страница 8: ...ETURN SOLO This button is used to solo the four Aux Re turns for more detailed scrutiny This function is the same as that of the Solo control on the individual channel strips except that it solos all...

Страница 9: ...then just before the down beat UN mute the CR 1604 For live performance intermissions use the MAIN OUTPUT MUTE to kill hum and noise from the room and prevent drunken head bangers from mounting the s...

Страница 10: ...w the Unity gain level LEVEL This 10 segment meter reflects the unbal anced output signal strength at the left and right main outputs When the meter shows 0 the unbalanced output level is 0dBu 0 775 V...

Страница 11: ...ichletsthe mixer send DC power tothemic selectronics overthesamewires thatcarry audio hence phantom sincetheDCvoltageis unseen bydy namicandribbonmicswhichdon tneedexternal powerandareunaffectedbyitan...

Страница 12: ...adaptors and then turn on the PHANTOM switch If you do the microphone will be toast Also don t connect electronically balanced com ponents such as CD players or the output of a tape deck to the XLR i...

Страница 13: ...invariesthefunctionof CHANNELACCESSjacksForexample a monopluginsertedonlytothefirstclickdoes notinterruptthemaster mainoutputs headphoneoutput ALT 3 4outputs Plugged allthewayin itbecomesadirectoutand...

Страница 14: ...yway ALT 3 4 OUT This is where the outputs appear from the channels that have been assigned via the MUTE ALT switch The post EQ post fader post panpot pre aux send signals from all of the muted channe...

Страница 15: ...ationinstructionsstartonpage20 Ifyouwant everythinginyo face i e jacksonthesameplane asthecontrols getourRotoPodbracket see detailsonpage20 Instead of being included in this manual we have provided an...

Страница 16: ...oftheCR 1604 forexample Channels15and16 Thesetwo channelsbecomeyoursub mixlevelcontrols 3 PanChannel15HARDLEFTandChannel16 HARDRIGHT respectively sothatthe panningofChannels1 5willbereflectedin yourst...

Страница 17: ...NPUT ADDS 8dB ADDITIONAL GAIN 13 ALT 3 4 OUT Press AUX SOLO to solo sub mix ALT 3 4 OUT AUX RETURNS TO MASTER MIC or line inputs for submix 0 R L PAN SOLO MUTE ALT 3 4 OL 20 U 00 0 R L PAN SOLO MUTE A...

Страница 18: ...n power amp with plenty of dynamic headroom These two components are indispensable if you are to achieve the album quality product that many of our professional users achieve with their CR 1604 s one...

Страница 19: ...as you would normally If you re adjusting the level for a channel connected to a microphone have the performer s sing blow strike play at the level they re going to record or perform at 8 If you ve s...

Страница 20: ...lace the slotted plate but install it turned around 180 with the ribbon cables in the slot 6 Lower the pod back onto the slots 7 Reinstall two 8 screws on each side to secure the pod DO NOT press hard...

Страница 21: ...he right it s not the mixer Noise Turn all faders and AUX returns down If the noise goes away bring levels back up one at a time checking for noise at each step Unplug everything except the output whe...

Страница 22: ...put it at the head of the line and ship the unit back U P S RED Next Day Air This policy doesn t not apply to non warranty service SPECIFICATIONS Frequency Response 20Hz 40kHz 1dB Distortion less tha...

Страница 23: ...od rack rail places mixer flush with bottom rack space allows gap at top for cables 0 5 0 5 Remote Fader XLR 10 CR 1604 with pod to back pod to back FLUSH rack mount with XLR10 pod to back RECESS rack...

Страница 24: ...NSE PAN SOLO SW AUX AMP LEFT SOLO RIGHT LEFT MAIN ALT 3 4 LEFT RIGHT MAIN ALT 3 4 RIGHT AUX 1 AUX 2 AUX 3 5 AUX 4 6 AUX 1 MON 1 1 2 3 5 4 6 5 6 SHIFT OFF TO 20dB GAIN AUX SENDS AUX 1 AUX 1 MONITOR AUX...

Страница 25: ...LANCED MAIN LEFT OUTPUT 28dBu MAX BALANCED 22dBu MAX UNBALANCED BALANCED MAIN RIGHT OUTPUT OUTPUT MAIN MONO BALANCED STEREO HEADPHONES OUTPUT PHONES AND SOLO LEVEL L R TIP RING NOTES 1 SWITCHES SHOWN...

Страница 26: ...way and the individual channels are still sent to the effect the same way The only differ ence is how you are controlling the return level of the effect Using this configuration you must remem ber one...

Страница 27: ...Q What modifications can be done to the mixer Auxiliaries Option 1 Pre EQ Pre Fader Pre Mute ALT Option 2 Post EQ Pre Fader Pre Mute ALT Option 3 PostEQ PostFader PreMute ALT STOCK PostEQ PostFader Po...

Страница 28: ...4 to feed the amp and speakers for monitoring purposes by muting ALT 3 4 the multitrack returns When it is time to mix simply con nect the Main 1 2 Outputs to the amp for monitoring the mix 2 When usi...

Страница 29: ...dify Sends 2 3 4 or any combination thereof Note Converting AUX 3 will also con vert AUX 5 converting AUX 4 will also convert AUX 6 See pg 31 3 CONVERT AUX SENDS TO IGNORE MUTE ALT STATUS Post EQ Post...

Страница 30: ...ected AUX Sends c 7 Add jumper wires shown as grey lines d in illustration for those AUX Sends with cut traces Don t smash the wires down tight onto the circuit board Let them arch above if possible 8...

Страница 31: ...se AUX Sends with cut traces Don t smash the wires down tight onto the circuit board Let them arch above if possible Modification 1 2 Modification 3 4 POD MAINCHASSIS MAINCHASSIS a b b POD POD Note Tr...

Страница 32: ...Let it arch above if possible POD MAINCHASSIS MAINCHASSIS a b b POD POD Note Traces on different channels may vary slightly from the drawing Engineering sez channel strips are like snowflakes 8 Add 20...

Страница 33: ...arch above 4 Add a 22 microfarad 25 volt electrolytic capacitor as shown f polarity doesn t matter You will need to solder a wire onto one or both ends 5 Follow steps 9 to 11 at the bottom of page 31...

Страница 34: ...tic capacitor as shown f polarity doesn t matter You ll need to solder a wire onto one or both ends 5 Follow steps 9 to 11 at the bottom of page 31 POD MAINCHASSIS MAINCHASSIS a b b POD POD Modificati...

Страница 35: ...11 at the bottom of page 31 POD MAINCHASSIS MAINCHASSIS a b b POD POD Modification 6 Main PCB solder side Any internal modification of the CR 1604 must be performed by a competent electronic technicia...

Страница 36: ...Main Outputs ThemixershallbeaMackieDesignsCR 1604 What the heck You might run into an inquisitive musical architect or engineer some day 1 The mixing console shall have a 2 part main frame which accom...

Страница 37: ...2 3 4 5 6 U U U 15 00 15 00 15 00 15 00 5 6 SHIFT 15 15 0 HI 0 MID 0 LO EQ 0 R L PAN SOLO MUTE ALT 3 4 OL 20 U 00 MON AUX U 1 2 3 4 5 6 U U U 15 00 15 00 15 00 15 00 5 6 SHIFT 15 15 0 HI 0 MID 0 LO E...

Страница 38: ...38 This is the back of a master track sheet which came in the Mackie CR 1604 Manual If you find this sheet in a copy machine please return it to the engineer owner of the console...

Страница 39: ...I T Y 4 40dB 3 U 10 SENSITIV I T Y 4 40dB 2 U 10 SENSITIV I T Y CR 1604 OUTPUT INPUTS TRIM LEVELS Session_______________ Date___ ___ ___ 4 8 3 7 2 6 1 5 4 3 2 1 LEFT 2 1 LEFT RIGHT RIGHT 6 5 4 MONITOR...

Страница 40: ...40 This is the back of a master track sheet which came in the Mackie CR 1604 Manual If you find this sheet in a copy machine please return it to the engineer owner of the console...

Страница 41: ...41 SEMIOFFICIALLASTPAGE...

Страница 42: ...Adobe Illustrator 5 5 technical drawings by Bobby Hougham Bruce Yunker Ron Koliha Sara Drake and Gene Endicott Additional help from P D the Mackie Corporate Chihuahua who shredded several drawings at...

Страница 43: ...43 16220 Wood Red Rd NE Woodinville WA 98072 USA Phone 800 258 6883 FAX 206 487 4337 Outside the U S call 206 487 4333 For literature requests only 800 898 3211...

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