Mackie C200, Быстрый старт, Страница: 5 / 12

Quick Star
t Guide
5
Quick Start Guide
Daisy-chaining
Conexión en cadena
Connexion en cascade
Boxen in Relhenschaltung
INPUT THRU PARALLEL INPUT THRU PARALLEL INPUT THRU PARALLEL INPUT THRU PARALLEL
48V
MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE
OL
4
6
3
10
15
7
10
20
30
0
2
LEVEL
SET
MAIN
METERS
R L
MIC MIC MIC MIC MIC MIC MIC MIC MIC MIC
GAIN GAIN
+20 -20
GAIN
(MONO)
LINE IN 9
LINE IN 10
L
R
(MONO)
L
R
(MONO)
BAL /UNBAL
BAL /UNBAL
BAL /UNBAL
BAL /UNBAL
BAL /UNBAL
BAL /UNBAL BAL /UNBAL
BAL /UNBAL BAL /UNBAL
BAL /UNBAL BAL /UNBAL BAL /UNBAL BAL /UNBAL BAL /UNBAL BAL /UNBAL BAL /UNBAL BAL /UNBAL BAL /UNBAL BAL /UNBAL BAL /UNBAL BAL /UNBAL
L
R
(MONO)
L
R
LINE IN 11
LINE IN 12
LINE IN 13
LINE IN 14
LINE IN 15
LINE IN 16
L R
11/12 9/10 13/14 15/16
U
GAIN
MI
C GAIN
U +50
-20dB +30dB
AUX
LINE IN LINE IN LINE IN LINE IN LINE IN LINE IN
OL
R L
PAN
dB
30
20
10
10
O O
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k 150
8k 100
EQ
12kHz
HI
MON
1
MON
2
U
+15
O O
U
+15 O O
U
+15 O O
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz
GAIN
U +50
MI
C GAIN
U +50
MI
C GAIN U
LOW CUT LOW CUT
AUX
RETURN
MON
1
INTERNAL FX
MON
2
AUX
MASTER
U
+15
O O
U
+15 O O
U
+15 O O
TO
MON 1
TO
MON 2
TO
MAIN
L-R
TO
MON 1
TO
MON 2
TO
MAIN
L-R
U
+10 O O
U
+15 O O
U
+15 O O
U
+10
O O
U
+15 O O
U
+15 O O
SOURCE
LINE
USB
9/10 11/12 13/14 15/16
8K 4K 2K 1K 500 250 125
15
15
10
10
5
5
0
15
15
10
10
5
5
0
STEREO GRAPHIC EQ
MAIN MIX
MON 1 EQ IN
BYPASS
PHONES
L
R
(MONO)
L
R
1
2
3
4
1
2
SUB 2 SUB 3 SUB 1
INSERT
U
GAIN
MI
C GAIN
U +50
-20dB +30dB
AUX
LINE IN
OL
R L
PAN
dB
30
20
10
10
O O
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k 150
8k 100
EQ
12kHz
HI
MON
1
MON
2
U
+15
O O
U
+15 O O
U
+15 O O
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
INSERT
U
GAIN
MI
C GAIN
U +50
-20dB +30dB
AUX
LINE IN
OL
R L
PAN
dB
30
20
10
10
O O
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k 150
8k 100
EQ
12kHz
HI
MON
1
MON
2
U
+15
O O
U
+15 O O
U
+15 O O
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
INSERT
U
GAIN
MI
C GAIN
U +50
-20dB +30dB
AUX
LINE IN
OL
R L
PAN
dB
30
20
10
10
O O
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k 150
8k 100
EQ
12kHz
HI
MON
1
MON
2
U
+15
O O
U
+15 O O
U
+15 O O
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
U
GAIN
MI
C GAIN
U +50
-20dB +30dB
AUX
OL
R L
PAN
dB
30
20
10
10
O O
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k 150
8k 100
EQ
12kHz
HI
MON
1
MON
2
U
+15
O O
U
+15 O O
U
+15 O O
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
U
GAIN
MI
C GAIN
U +50
-20dB +30dB
AUX
OL
R L
PAN
dB
30
20
10
10
O O
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k 150
8k 100
EQ
12kHz
HI
MON
1
MON
2
U
+15
O O
U
+15 O O
U
+15 O O
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
U
GAIN
MI
C GAIN
U +50
-20dB +30dB
AUX
OL
R L
PAN
dB
30
20
10
10
O O
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k 150
8k 100
EQ
12kHz
HI
MON
1
MON
2
U
+15
O O
U
+15 O O
U
+15 O O
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
U
GAIN
MI
C GAIN
U +50
-20dB +30dB
AUX
OL OL OL OL OL
R L
PAN
dB
30
20
10
10
O O
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
dB
30
20
10
10
O O
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
dB
30
20
10
10
O O
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
dB
30
20
10
10
O O
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
dB
30
20
10
10
O O
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k 150
8k 100
EQ EQ EQ EQ EQ
12kHz
HI
MON
1
MON
2
U
+15
O O
U
+15 O O
U
+15 O O
AUX
R L
PAN
MON
1
MON
2
U
+15
O O
U
+15 O O
U
+15 O O
AUX
R L
PAN
MON
1
MON
2
U
+15
O O
U
+15 O O
U
+15 O O
AUX
R L
PAN
MON
1
MON
2
U
+15
O O
U
+15 O O
U
+15 O O
AUX
R L
PAN
MON
1
MON
2
U
+15
O O
U
+15 O O
U
+15 O O
-15
U
+15
-15
U
+15
-15
U
+15 -15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
INSERT
OFF MAX
COMP
OFF MAX
COMP
OFF MAX
COMP
OFF MAX
COMP
12kHz
HI
80Hz
LOW
MID
2.5kHz
12kHz
HI
80Hz
LOW
MID
2.5kHz
12kHz
HI
80Hz
LOW
MID
2.5kHz
12kHz
HI
80Hz
LOW
MID
2.5kHz
dB
30
20
10
10
O O
40
50
5
5
U
60
dB
30
20
10
10
O O
40
50
5
5
U
60
dB
30
20
10
10
O O
40
50
5
5
U
60
SUB 4
dB
30
20
10
10
O O
40
50
5
5
U
60
CR/PHONES
O O MAX
(MUTES ALL CH)
2-TRACK RETURN
TAPE
USB
USB OUT
MAIN
SUB 1-2
LEVEL
U
+15
O O
INT FX
MUTE
SIG/OL
PROFESSIONAL MIC/LINE MIXER WITH FX
FX SEND
FOOTSWITCH
MON SEND
BALANCED BALANCED
AUX RETURN CR OUT SUB OUT
MAIN OUT
IN OUT
TAPE
L
R
dB
30
20
10
10
O O
40
50
5
5
U
60
MAIN
+20 -20
U
0dB = 0dBu
RUDE
SOLO
PHANTOM POWER
R L R L R L R L
7
7 8
8 6
6
5
5
4
4
3
3
2
2
1
1
13 DELAY 1 (300ms)
14 DELAY 2 (380ms)
15 DELAY 3 (480ms)
16 DLY (250ms)
01 BRIGHT ROOM
02 WARM LOUNGE
03 SMALL STAGE
04 WARM THEATER
09 CHORUS
10 REV
11 DOUBLER
12 TAPE SLAP
05 WARM HALL
06 CONCERT HALL
07 PLATE REVERB
08 CATHEDRAL
BREAK
FX FX FX FX FX FX FX FX FX FX FX FX FX
dB
30
20
10
10
O O
40
50
5
5
U
60
CHANNEL 2 CHANNEL 1 BRIDGED
BRIDGED
CH 1 CH 2
PIN
1+
1
PIN
1+
2+
1+
1
PIN
2+
2
PIN
1+
1
SPEAKER OUTPUTS
Use only class 3 wiring
S512 / S515 /
S525 / S518S
S512 / S515 /
S525 / S518S
S512 / S515 /
S525 / S518S
S512 / S515 /
S525 / S518S
INPUT THRU
PARALLEL
INPUT THRU PARALLEL
INPUT THRU
PARALLEL
INPUT THRU PARALLEL
C200 / C300z
C200 / C300z
C200 / C300z
C200 / C300z