18
1202VLZ4
1202VLZ4
At the risk of creating another standard, 1202VLZ4
mixers address the need of both crowds by calling things
as they are — 0 dBu (0.775 V) at the output shows as
0 dB VU on the meters. What could be easier? By the
way, the most wonderful thing about standards is that
there are so many to choose from.
Remember, audio meters are just tools to help assure
you that your levels are “in the ballpark.” You don’t have
to stare at them (unless you want to).
A Word About Aux
First of all, there is no particular alliance between
aux send 1 (or 2) and stereo return 1 (or 2). They’re
just numbers. They’re like two complete strangers.
Sends are outputs, returns are inputs. The channel
aux [30 and 31] knobs tap the signal off the channel
and sends it to the aux send [8] outputs. Aux 1 signal is
sent to the aux 1 master [39] knob before going to the
aux send 1 [8] output and the aux 2 signal goes directly
to the aux send 2 [8] output.
38
39
41
40
These outputs can be fed to the inputs of a reverb or
other device. From there, the outputs of this external
device are fed back to the mixer’s stereo return [7]
jacks. then these signals are sent through the stereo
return [40] level controls, and finally delivered to the
main mix.
So, the original “dry” signals go from the channels
to the main mix and the affected “wet” signals go from
the stereo return [7] to the main mix, and once mixed
together, the dry and wet signals combine to create
a glorious sound. So, armed with this knowledge,
let’s visit the Auxiliary World:
38. Pre Or Post (Aux 1)
Besides being used to work effects into your mix, aux
sends serve another critical role — that of delivering
cue mixes to stage monitors, so musicians can hear what
they’re doing. On the 1202VLZ4, aux send 1 can play
either role, depending on the position of this switch.
With this switch up (disengaged), aux send 1 will
tap a channel pre-fader (level) and pre-mute/alt 3-4,
meaning that no matter how you manipulate those
controls as they feed the main mix, the aux send will
continue to belt out that channel’s signal. This is the
preferred method for setting up stage monitor feeds.
EQ settings will affect all aux sends.
With the switch down, the aux send 1 becomes
an ordinary effects send — post-fader (level) and
post-mute/alt 3-4. This is a must for effects sends,
since you want the levels of your “wet” signals to
follow the level of the “dry.”
39. Aux 1 Master
This knob provides overall level control of aux send 1,
just before it’s delivered to the aux send 1 [8] output.
(Aux send 2 has no such control.) This knob goes from
off (turned fully down), to unity gain at the center
detent, with 10 dB of extra gain (turned fully up).
As with some other level controls, you may never need
the additional gain, but if you ever do, you’ll be glad you
bought a 1202VLZ4.
This is usually the knob you turn up when the lead
singer glares at you, points at his stage monitor, and
sticks his thumb up in the air. (It would follow suit that
if the singer stuck his thumb down, you’d turn the knob
down… but that never happens.)
40. Stereo Returns
These two controls set the overall level of effects
received from stereo return [7] inputs 1 and 2. These
controls are designed to handle a wide range of signal
levels, from off, to unity gain at the detent, with 20 dB
gain fully clockwise, to compensate for low-level effects.
