User Guide
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20
Editing the Delay and Reverb
The Black Box has a dedicated delay effect with a special advantage—it can automatically sync its delays to the drumbeat or incoming
MIDI clock. This is great for creating syncopated delays; setting the delay time to dotted 1/8 notes will create fascinating rhythmic
effects similar to those used by U2’s The Edge. And setting the delay time to one measure enables simple looping; you play one
measure then solo over it on the second measure when it comes back.
With version 2 firmware, Black Box now has a stereo reverb. Between the beat-synced delay and the reverb, Black Box can achieve
some very big sounds.
Push the Delay key to bring up the four Delay menus: DELAY TIME, DELAY REPEATS, DELAY VOLUME and DRUMS TO DELAY.
Reverb is also controlled by this key. The three reverb parameters—REVERB TIME, REVERB HIGH FREQUENCY and REVERB
VOLUME—are implemented as Shift parameters of the first three Delay parameters.
Here is a description of each of the Delay and Reverb parameters:
Delay Time
This parameter sets the time between your original signal and the delayed signal. This is where the Black Box differs from other delay
effects. Most delay effects make you set delay time in milliseconds (ms). This is useful and the Black Box can do this too. However,
it is very difficult to try to make a (ms) setting match the tempo of your song. On the Black Box you simply set the delay time using
note values. Try a half-note (2N) for starters or dotted 1/8 notes (8D) for a great syncopated effect. This is the beauty of beat-synced
effects. The delay time settings are:
0 - 2511ms:
100 fixed delay values from 0 to 2511 milliseconds. The actual delay time in milliseconds is shown in the LCD.
2M
2 measures (Uses ‘1M’ below 172 BPM, ‘2n’ below 86 BPM and ‘4n’ below 43 BPM)
2MT
2 ‘measure triplets’ (3 delays in 4 measures; uses ‘1Mt’ below 115 BPM and ‘2t’ below 58 BPM)
1Md
Dotted whole note (1.5 measures; uses ‘2d’ below 129 BPM and 4d below 65)
1M
1 measure (Uses ‘2n’ below 86 BPM and ‘4n’ below 43 BPM)
1MT
1 ‘measure triplet’ (3 delays in 2 measures; uses ‘2t’ below 58 BPM)
2D
Dotted 1⁄2 note (1/2 note + 50%; uses ‘4d’ below 65 BPM)
2N
1⁄2 note (Uses ‘4n’ below 43 BPM)
2T
1⁄2 note triplet (3 delays in 1 measure)
4D
Dotted 1⁄4 note (1/4 note + 50%)
4N
1⁄4 note
4T
1⁄4 note triplet (3 delays in a 1⁄2 note)
8D
Dotted 1/8 note (1/8 note + 50%)
8N
1/8 note
8T
1/8 note triplet (3 delays in a 1⁄4 note)
16D
Dotted 1/16 note (1/16 note + 50%)
16N
1/16 note
16T
1/16 note triplet (3 delays in an 1/8 note)
32N
1/32 note
32T
1/32 note triplet (3 delays in a 1/16 note)
Delay Repeats
This parameter sets the number of repeats in your delayed signal. Lower settings have fewer repeats, while higher settings have more
repeats. Try a setting of (25) for starters.
Delay Volume
This parameter simply sets how loud the delayed signal is compared to your original signal. Try a setting of (20) for starters.
