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LOOPTROTTER

AUDIO ENGINEERING

Signal Path

The input signal goes to the input amplifier, next it is split into the 
DRY (unprocessed) path and the WET (Processing) path. The Processor Path 
is fed by INPUT potentiometer, which directs the signal into the Limiter 
Circuit. As the signal achieves Limiter's threshold, the analog Voltage 
Controlled Resistor – Attenuator starts to work. The more INPUT it gets, 
the stronger processing will occur. 

The Processor's sidechain has two EQ swithes: 
1. Low freq attenuator and 
2. High freq boost.

1.  Low  frequency  shelf  attenuator  dips  low  frequencies  from 
the sidechain signal, so the EMPEROR 500 can act more 

transparently

 and 

naturally on bass and signals with lots of low frequency information (eg. 
kick  drums,  bass  guitars,  drum  loops  etc.)  With  this  option  set 
to

 

ON

, processor

's behaviour would be less affected by low frequencies, 

allowing  you  to  give  your  signal  more  processing  and  preserve  low 
frequencies energy and dynamics.

2. High freq boost gives additional amount of high frequencies to the 
sidechain  signal,  allowing  EMPEROR

  500

  to  become  high  frequency 

sensitive. This means that you can apply more processing to unwanted hiss 
on  vocal  tracks  (and  achieve  a  de-esser  –  like  result)  or  attenuate 
harshness on overhead microphones.

TIMING CIRCUIT: EMPEROR

 500

 has three timing circuit settings: FAST, MED 

and SLOW.

These settings change both attack and release time of the Processor. 
Slower attack/release times will save the transients on signal's attack 
and smooth the transition that occurs when the signal dips below the 
threshold. It is especially useful for material with frequent peaks. 
Fast attack/release time makes EMPEROR

 500

 behave more like limiter but 

with extreme INPUT setting it will lead to signal saturation and audible 
harmonic distortion.

After processing, wet signal is amplified and goes into WET levelling 
section. This section is controlled by WET potentiometer. At the same 
time, dry signal goes into DRY levelling section, where you can set how 
much dry signal you want to combine with wet signal. In the end, mixed 
signal goes to the output.

Contact:
www.looptrotter.com.pl
[email protected]

Distribution:

www.mjadiolab.pl

[email protected]

Содержание EMPEROR LIMITER 500

Страница 1: ...LOOPTROTTER AUDIO ENGINEERING OWNER S MANUAL LIMITER Contact www looptrotter com pl looptrotter looptrotter com pl Distribution www mjadiolab pl office mjaudiolab pl ...

Страница 2: ...g path Please be aware that this is not a colourless transparent device EMPEROR 500 uniquely enhances apparent loudness warmth and presence depending on how much INPUT you use to feed the Processor EMPEROR 500 is a creative device putting the wide spectrum of sonic possibilities Installation Looptrotter Emperor 500 is dedicated to be installed in lunchbox 500 type casings In order to use it the ca...

Страница 3: ...high frequencies to the sidechain signal allowing EMPEROR 500 to become high frequency sensitive This means that you can apply more processing to unwanted hiss on vocal tracks and achieve a de esser like result or attenuate harshness on overhead microphones TIMING CIRCUIT EMPEROR 500 has three timing circuit settings FAST MED and SLOW These settings change both attack and release time of the Proce...

Страница 4: ...O R A T T E N U A T O R A M P L I F I E R O U T P U T A M P L I F I E R I N P U T A M P L I F I E R SLOW FAST PROCESS MED SIDECHAIN 1 3 6 9 12 15 18 21 GR G A I N R E D U C T I O N M E T E R 20Hz 100Hz 1kHz 10kHz 0dB 1dB 2dB 3dB 4dB 5dB 6dB 7dB 8dB 1dB 2dB 3dB 4dB 5dB 6dB 7dB 8dB S I D E C H A I N F I L T E R S 0dB 1dB 2dB 3dB 4dB 5dB 6dB 7dB 8dB 1dB 2dB 3dB 4dB 5dB 6dB 7dB 8dB ...

Страница 5: ...ignal and makes EMPEROR 500 to act like an analog de esser or a very fast compressor for bright dynamic instruments TIMING CIRCUIT Below you will find EMPEROR s 500 Timing Circuit button Cycle through to switch between three factory attack release settings LOOPTROTTER AUDIO ENGINEERING FAST sets Processor s attack and release times to the fastest settings making it behave like a limiter With this ...

Страница 6: ...ase time and both EQ shelves disengaged Set DRY at 10 and WET at 6 More overdrive may be obtained by setting INPUT at 8 and with FAST release time also often with Low Shelf on Set DRY controller at 10 and start to increase WET output level until you achieve desired amount of distortion For optimum results make sure the source signal is not clipped before it reaches the EMPEROR s 500 input Set WET ...

Страница 7: ...LOOPTROTTER AUDIO ENGINEERING Artist Sesion Date Notes Track Instrument Contact www looptrotter com pl looptrotter looptrotter com pl Distribution www mjadiolab pl office mjaudiolab pl ...

Страница 8: ...LOOPTROTTER AUDIO ENGINEERING Contact www looptrotter com pl looptrotter looptrotter com pl Distribution www mjadiolab pl office mjaudiolab pl ...

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