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Design Elements

The Enclosure

The contoured shape of the Exposé E8B enclosure creates a striking appearance; 
however, its design is every bit as functional as it is beautiful. More rigid than conventional
rectangular designs, it improves the linearity of the bass response, and increases off-axis
response, resulting in a wider sweet-spot. The E8B’s gently curved front baffle and 
wide-radius edges reduce the diffraction effects for better imaging.

Cabinet rigidity is extremely important to a loudspeaker’s performance characteristics. A
properly designed enclosure should not resonate and produce its own sound. All sound
should emanate from the transducers and be focused in a single direction—from the front
of the cabinet. With its non-parallel, internal walls, the E8B reduces the chances of 
standing waves inside the cabinet. The thinnest point in the construction of the cabinet
walls is 1-inch. Further, the thickness of these walls is continuously variable due to the 
curvature of the enclosure’s exterior, which also helps prevent any resonant buildup in the
walls themselves as a result of sound that is being transmitted from the drivers. Further, the
base of the E8B is made from a non-slip, sound absorbing rubberized material that 
eliminates vibrations transferring to the surface the monitor is sitting on as well as insuring
the enclosure will not “drift” on its pedestal, or mounting stand.

The Exposé E8B is video shielded to ensure maximum protection against magnetic 
interference with video monitors.

IMPORTANT NOTICE:

These monitors are heavy! Please use care in handling them and

ensure that the enclosure is placed on a suitable surface capable of supporting the weight.

NEVER TOUCH THE TWEETER ON YOUR E8B MONITORS, AS THIS CAN 
DAMAGE THE TWEETER MATERIALS BEYOND REPAIR.

Amplification

As a 2-way design loudspeaker, the Exposé E8B utilizes two discrete, 120-watt (RMS)
Class A / AB power amplifiers. The system runs Class A up to approximately 8 watts (the
crossover point). This is a dual mono system—one amplifier each for HF and LF—
with symmetrical heat sinks built into the sides for cool running, 
reliable operation. Special circuitry in the E8B eliminates turn on/off “thumps.”

The Exposé provides maximum circuitry protection against AC power surges, amplifier DC
output, and thermal overheating of the amplifiers.

The Tweeter

The HF tweeter in the E8B is made from beryllium and aluminum in a composite material
known as AlBeMet. The aluminum in this composite helps dampen the metallic 
characteristics of pure beryllium. The advantage of beryllium over the more conventional
titanium-type tweeter is very high stiffness to weight resulting in an extension of frequency
response, thus increasing the overall bandwidth of the monitor. The resonances that occur
with beryllium are far beyond the normal human hearing range; hence, this eliminates any
other second or third order harmonic distortion that is audible in the normal listening 
registry. Further, the voice coil diameter on this tweeter has been increased, resulting in
improved power handling capability. The resonant frequency has been lowered which
improves the phase relationship.

5

Содержание EXPOSE E8B

Страница 1: ...U S E R G U I D E E X P O S É E 8 B B I A M P L I F I E D S T U D I O M O N I T O R ...

Страница 2: ...2 ...

Страница 3: ...emanding audio requirements The result is a studio reference monitor that delivers defined low end articulate midrange and precise natural highs delivering unparalleled clarity and accuracy This manual is intended to familiarize you with the many features of your new Exposé monitors and their operation We encourage you to take a few minutes to familiarize yourself with this manual Thank you for ch...

Страница 4: ...ack from some of the top engineers and producers KRK engineers have come to understand how a properly tuned monitor can become a valuable recording tool The Expose E8B has been designed to be linear and as ruler flat as is humanly possible so that what you hear represents the true nature of the audio material without coloration or enhancement You can be confident in the fact that your mixes will b...

Страница 5: ...netic interference with video monitors IMPORTANT NOTICE These monitors are heavy Please use care in handling them and ensure that the enclosure is placed on a suitable surface capable of supporting the weight NEVER TOUCH THE TWEETER ON YOUR E8B MONITORS AS THIS CAN DAMAGE THE TWEETER MATERIALS BEYOND REPAIR Amplification As a 2 way design loudspeaker the Exposé E8B utilizes two discrete 120 watt R...

Страница 6: ... adjustment range is from 30 dB to 6 dB The default setting is 6 dB which should suffice for most applications Normally adjustments would only be made if you are using your monitors in a surround environment and you need to balance levels or if your monitor sends are too hot and not adjustable If an adjustment becomes necessary it is recommended to use measuring equip ment such as a tone or filter...

Страница 7: ...ns that your E8B loudspeaker will operate within The loudspeaker will operate at 100V 120V North America 230V and 240V Europe If you operate in a 230V environment please use the 240V setting This switch is tied to the adjacent fuse compartment If you are operating in a 100V or 120V environment please use a fuse rated at 6 amperes For operation in a 230V or 240V environment please use a fuse with a...

Страница 8: ...e the low frequencies Generally speaking if you move the monitor two to three feet away from walls and corners you ll hear less low frequency interaction excluding any interaction with the mixing console But when ideal positioning isn t practical low frequency control is the solution As an example let s say you have two different studios in your facility In one room the monitors are close to the w...

Страница 9: ...uration the Left and Right monitors are each placed at a 60º angle equidistant from the listening position Mid Field Configuration This configuration is essentially the same as the Close Field setup see Figure 2 The Mid Field configuration is normally used with larger monitors or when the monitors are too large or heavy for the meter bridge as is likely the case with the Exposé E8B This set up has...

Страница 10: ...ght Surround rear channels should be placed 110 degrees from the Center channel Their location should also be equidistant from the listening position The subwoofer Low Frequency Effects channel is most effective when situated directly below the Center channel as shown in Figure 4 If this is not possible place the subwoofer just to the right or left side and below the Center channel Ensure that the...

Страница 11: ...sound setup adds two speakers to the sides of the mix position and is most similar to the actual surround sound configuration of cinema with the difference being that cinemas commonly add additional side surrounds to compensate for the length of the theater Figure 5 11 ...

Страница 12: ...quidistance from the mix position directly to the sides Finally the Left and Right rear surround speakers are placed behind the mix position at equidistance to the mix position The 7 1 channel surround sound environment is one of total immersion and is the best choice for mix environments where sound needs to be detectable side to side along with front to rear Once the monitors have been placed yo...

Страница 13: ...ckwise 6 dB The signal source e g mixing console work station CD player etc is turned up to a level that can properly send a signal to the monitors If one of the monitors is working exchange the audio input cable from the nonworking monitor to the working unit This will determine whether it s really the monitor a faulty cable or some other glitch in the audio chain If the monitor is still not resp...

Страница 14: ...be certain that you re using Pin 2 for signal and have Pin 1 and Pin 3 tied together at the source end Refer to the Voltage Select Switch for the AC Mains information of this manual to ensure that the AC mains is properly matched to the operating voltage requirements All audio equipment should use the same ground point Check all other devices using the same AC output in the building like dimmers n...

Страница 15: ...z Half Space 3dB 48Hz Quarter Space 3dB 62Hz 3 Position Switch Amplification Fusing Max Pwr Consumption HF 120Watts Discrete Class A AB LF 120Watts Discrete Class A AB 6 0A 100VAC 50Hz 6 0A 110 120VAC 50 60Hz 3 15A 220 240CVAC 50 60Hz 500W Freq Response Crossover Point 40Hz 30kHz 1dB Max SPL each Music 112dB Peak 115dB Cabinet Dimensions Shipping Carton 19 3 H x 14 6 W x 14 D 491mm H x 370mm W x 3...

Страница 16: ......

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