Korg M3, Руководство по параметрам

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Effect Guide
422
In Sequencer mode, you can switch between effects or
modify the effect parameters and record these changes, so
that effects will switch automatically or effect parameters
will be modified automatically as the song plays back.
Sampling mode
In Sampling mode, external audio sources from AUDIO
INPUT 1, 2, and S/P DIF IN jacks can be processed by insert
effects, master effects, and total effect, and then sampled.
Use the P0: Recording– Audio In/Setup page to make audio
input settings for Sampling mode. These settings apply only
to Sampling mode.
Samples that you’ve assigned as a multisample can also be
processed by the insert effects, master effects, and total
effect, and then resampled.
Audio Input
You can also input audio sources from AUDIO INPUT 1, 2,
and S/P DIF IN jacks in modes other than Sampling mode
(i.e., in Program, Combination, and Sequencer modes).
You can apply the insert effects, master effects, and total
effect to external audio sources from these jacks and sample
them, or use the M3 as a 4-in (AUDIO INPUT 1, 2, S/P DIF
IN L, R) 6-out effect processor. You can also use an external
mic input to control a vocoder effect (156: Vocoder) applied
to internal sounds. For examples of this, see page 424 and
page 515.
Use the P0: Play– Sampling/Audio In page of each mode to
make audio input settings. Alternatively, you can check Use
Global Setting
and make these settings in the Global mode
P0: Basic Setup– Audio page. Normally you will leave Use
Global Setting
checked. Uncheck this if you want programs
and combinations to use their own settings. For example
when writing the program as a vocoder effect program.
Note: If the optional EXB-FW is installed, you’ll be able to
use FireWire input and output. This will give you a total of
6-in and 6-out.
When effects are applied to the external input sound
from the AUDIO INPUT 1, 2, and S/P DIF IN jacks,
certain effect types or parameter settings may cause
oscillation to occur. If this occurs, adjust the input level,
output level, or effect parameters. Please be aware of
this particularly when using an effect that has a high
gain.
Dynamic modulation (Dmod)
and Tempo Synchronization
Dynamic modulation (Dmod)
Dynamic modulation lets you control certain effects
parameters in real-time, using either the built-in controllers
or MIDI. These effect parameters are marked with the logo
.
For more information, please see “Dynamic Modulation
Sources (Dmod)” on page 594.
Tempo Synchronization
You can synchronize some effects parameters, such as LFO
speeds and delay times, to the system tempo. This lets you
sync the effects to Program LFOs, Drum Track, KARMA, the
internal sequencer, and external MIDI clocks.
These effects parameters are marked with the logo .
Synchronizing LFOs
Most effects with LFOs, such as 010: Stereo Wah/Auto Wah,
can be synchronized to tempo. This applies to the individual
effects LFOs, and also the Common FX LFO.
To set up LFOs to synchronize to tempo:
1. Set MIDI Sync to On.
2. Set the BPM as desired.
To synchronize to the system clock, set BPM to MIDI.
To set the LFO to a specific tempo, separate from the system
clock, set BPM to the desired tempo (between 40.00 and
300.00 BPM).
3. Use the Base Note and Times (x) parameters to set the
rhythmic value of the LFO.
For instance, if you set Base Note to 1/8 and Times (x) to 2,
each cycle of the LFO will last for a quarter-note (two
eighth-notes).
Insert Effect 1–5 Total Effect
Master Effect 1, 2
Return
Sample
Recording
Send
Sampling
AUDIO INPUT (1, 2)
S/P DIF IN (L, R)
EQ Insert Effect 1–5 Total Effect
Master Effect 1, 2
Return
Resampling
Send
Sampling mode
Audio Input (set to Program mode)
Oscillator1 Filter1 Driver1 Amplifier1
Oscillator2 Filter2 Driver2 Amplifier2 EQ Insert Effect 1–5 Total Effect
Master Effect 1, 2
Return
OUTPUT
L/MONO, R
Send
S/P DIF IN (L, R)
AUDIO INPUT (1, 2)
BPM/MIDI Sync: LFO
LFO