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 INTRODUCTION

 

  
 
The Kenton Electronics Pro-2000 mkII multi channel MIDI to CV converter, has been designed to give 
you maximum flexibility, whilst maintaining ease of use. 

 

The converter has 10 completely independent sections - called channels A, B, C & D plus Aux’s 1 to 6. 
Each can be assigned its own MIDI channel, and controlled independently from the others. 

 

The Pro-2000 mkII has two independent, MIDI programmable LFOs that can modulate both the CV 
outputs, and the auxiliaries. Each of the CV channels A & B has a portamento function. 

 

There are also many other features designed to make the Pro-2000 mkII as flexible as possible to allow 
as much control as possible over your analogue synthesizers. 

 

Please take some time out to read all through this manual which will, hopefully explain everything you 
need to know. 
 
The Pro-2000 mkII has a thorough MIDI system exclusive specification for those who wish to perform 
data dumps or real-time editing from their computer sequencer or generic patch editor. See the SysEx 
section at the back of the manual. 
 
The Pro-2000 mkII auxiliary outputs have the following additional functionality, the first two of which 
allow the Pro-2000 mkII to control a further 3 CV/Gate synths if required (making a total of 5) : 
 V/Oct from Notes - Gate from Notes - Trig Pulse (for synths requiring a trig as well as a gate i.e. 
ARP2600) 
 
The Pro-2000 mkII has intelligent MIDI sync. This means that if MIDI sync is selected and is in operation, 
the 2000 will automatically recalculate the LFO speed in order to fit a whole LFO waveform between 
MIDI clocks (or multiples of clocks depending on the setting of sync divide) 
 
A full 128 note range is now implemented on all outputs giving CV out. 
Auto portamento feature added to enable playing style to dictate when portamento is to be used. 
The non-volatile memory has been increased from 7 to 24, so even more setups can be stored. 
Jan 2008 update –  
Polyphonic Capability added  
Fixed time portamento added for Channels A + B in addition to existing fixed rate 
Sustain now available for Aux outputs when in Volt/Octave mode 
 

THE Pro-2000 mkII CHANNELS 

 

 

CHANNELS A & B 

 
These are for controlling analogue synths such as the SCI PRO-1, Roland SH-101, MS-20, CS-5 or indeed 
almost any other synths with CV and Gate or Hz/V and Trig inputs. 
 
Note, the CV output for controlling the pitch uses one of two (selectable) scaling methods: the Volts 
per octave (V/oct) pitch scaling system, which is the most common system used in analogue synths, 
as used by Roland, SCI, Oberheim and Moog synths. The other system is called Hertz per volt and is 
used by synths such as Korg & Yamaha, (MS20, MS10, CS5). The Pro-2000 has been designed to handle 
these synths as well, it is simply a case of switching between the two systems from the front panel. (See 
CV/Hz Select - later) 
 
Some synths do not have CV, Gate or Filter inputs, such as the TB-303. We can fit or supply socket kits 
for most monosynths that do not have inputs. See our website for details (www.kenton.co.uk) 
 

 

 

 

Содержание PRO-2000

Страница 1: ...Pr r r ro o o o 2 2 2 20 0 0 00 0 0 00 0 0 0mkII mkII mkII mkII MULTI CHANNEL MIDI TO CV CONVERTER O O O Op p p pe e e er r r ra a a at t t ti i i in n n ng g g g m m m ma a a an n n nu u u ua a a al...

Страница 2: ...nc This means that if MIDI sync is selected and is in operation the 2000 will automatically recalculate the LFO speed in order to fit a whole LFO waveform between MIDI clocks or multiples of clocks de...

Страница 3: ...al which will hold the current note this is a design limitation of the Wasp itself KADI The KADI Kenton Auxiliary Digital Interface is a digital port This can be used to play the TR606 or TR808 drum s...

Страница 4: ...ck output Channel A and B CV and Gate 3 5mm minijack outputs The six auxiliary 3 5mm minijack outputs Above these is space for the optional expansion port which if fitted is either a WASP KADI port or...

Страница 5: ...s can be adjusted see CLOCK PULSE DIVIDE A 5 volt level will be output on the first MIDI clock after a MIDI start or continue if selected is received and thereafter dependent upon the CLOCK PULSE DIVI...

Страница 6: ...et to Newest then the newest played note played takes precedence regardless CV x TRIGGER MODE Single Multiple default Multiple sets the whether the envelope on your synth will be retriggered when a ne...

Страница 7: ...LFO depth for the CV out CV x LFO ASSIGN Use LFO number 1 to 2 default A 1 B 2 lets you assign which of the two inbuilt LFOs will modulate the CV outputs CV x Gate Select default 5v pull up you can se...

Страница 8: ...ED or if the KADI WASP port is present it will say KADI selected or WASP selected you can change between the two modes using the inc dec buttons Using the KADI port with your modified TR606 808 Connec...

Страница 9: ...27 default 63 sets the depth of the LFO at the controller maximum AUX x LFO ASSIGN Use LFO number 1 to 2 default 1 3 1 4 6 2 lets you assign which of the two inbuilt LFOs will modulate the auxiliary N...

Страница 10: ...u may need to use the MULTIPLE 4 way socket connection to the bottom left of the ARP to do this If the ARP keyboard is not attached you may be able to connect using just one lead into the KBD CV Outpu...

Страница 11: ...f the LFO per quarter note Note MIDI sends 24 clocks per quarter note Below is a table of values you can set the divide ratio to to obtain LFO cycles of various musical lengths Note type Divide ratio...

Страница 12: ...are a few points to watch for Some MIDI mergers patch bays actually remove MIDI clock information from the MIDI data stream or you may have to enable it for the port you are using Users of CUBASE not...

Страница 13: ...assigned to held notes the next note will use the lowest voice held More information about using Polyphonic Mode Note that if you assign any of the Auxes to be polyphonically controlled then you will...

Страница 14: ...ows you to see what types of MIDI messages are being transmitted by your master keyboard sequencer making the PRO 2000 a useful diagnostic tool which can help you when you have a problem with your MID...

Страница 15: ...hh high 4 bits of parameter address 9 0000uuuu where uuuu low 4 bits of data 10 0000hhhh where hhhh high 4 bits of data 11 0F7h end of exclusive The Pro 2000 mkII responds by changing the specified da...

Страница 16: ...Bh A fine tune val 129 0 127 129 0 ve 0Ch A scale val 129 0 127 129 0 ve 0Dh A v o hzv 1 2v select 0 2 0Eh B Receive chan 0 15 1 0Fh B note priority 0 2 10h B trig retrig 0 1 11h B transpose 232 0 24...

Страница 17: ...1 41h Ax5 Cont 239 0 119 6 42h Ax5 min val fine tune 0 64 127 5 43h Ax5 max val scale 0 64 127 5 44h Ax5 reset val 0 64 127 5 45h Ax5 lfo cont 252 0 119 4 46h Ax5 lfo max val 0 127 47h Ax5 lfo assign...

Страница 18: ...02 20 0D 00 01 00 F7 Example SysEx string to change channel D to MIDI channel 16 F0 00 20 13 02 20 0E 01 0F 00 F7 PIN OUTS FOR DCB WASP Pro 2000 mkII CABLES Juno 60 and some Jupiter 8s connector 14 w...

Страница 19: ...ound zero volts Pins 4 5 are not used CONNECTING YOUR MODIFIED TB303 5 SOCKET RETRO TO THE Pro 2000 mkII Pro 2000 mkII to TB303 CV CHANNEL A CV IN GATE CHANNEL A GATE IN AUX1 FILTER AUX2 SLIDE AUX3 AC...

Страница 20: ...3FH LSB for values 0 31 64 40H Damper pedal sustain 65 41H Portamento 66 42H Sostenuto 67 43H Soft pedal 68 44H Undefined 69 45H Hold 2 70 79 46 4FH Undefined 80 83 50 53H General purpose controllers...

Страница 21: ...onal Accessories DCB port with cable either 14 pin IEEE or 20 pin bump polarised KADI WASP port with cable either KADI or WASP cable Pair of ears for rack mounting Note The Kenton Electronics Pro 2000...

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