KALI AUDIO IN-8 Скачать руководство пользователя страница 5

KALI AUDIO IN-8 Studio Monitor User’s Guide 

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About Your Studio Monitor

Congratulations on your Kali Audio IN-Series Studio monitors! These monitors were de-

signed to deliver exceptional accuracy in all sorts of recording, mixing, and production 

applications. The unique coincident architecture of the midrange and tweeter make the 

IN-8 an extraordinarily innovative system. Combining reference level accuracy, very low 

distortion, and wide bandwidth with a hyper-realisitic 3-D image, the IN-8 will reveal an 

exceptional level of detail in every mix. 

Where does “IN” come from?

The official name of this product line is “Project Independence.” Kali names all of our 

product lines after towns in California. Independence is a town in the Eastern Sierra. On 

the map, it is “one up” from Lone Pine. As the IN-Series shares many components with, 

and offers many improvements over, our Lone Pine series of monitors, we thought it was 

a fun way to distinguish the two products. 

Features

3-Way Coincident Architecture

The IN-8 features an 8-inch woofer, a 4-inch mid-range driver, and a 1-inch soft dome 

tweeter. The mid-range driver and the tweeter are coincident, meaning that they share 

the same acoustic center. You might have heard the terms “coaxial” or “concentric” to de-

scribe this arrangement. Those terms are technically correct as well. 

Because of the coincident placement of the mid-range and tweeter, and the crossover of 

the woofer to the mid-range (330 Hz,) the IN-8 is an acoustic point source. This gives it an 

ideal directivity characteristic for a studio monitor. You will be able to hear a very lifelike 

stereo image, with details placed clearly and consistently. Off-axis lobing that is unavoid-

able in a 2-way system is virtually eliminated with the IN-8. 

Substantial work was done to optimize the mid-range driver not only for its own acoustic 

performance, but also for its role as the waveguide for the tweeter. The shape is very pre-

cise to allow for controlled directivity at mid range to tweeter crossover, ensuring accurate 

summing both on- and off-axis. Excursion on the midrange is limited to less than 1mm 

peak to peak, so that the oscillation of the mid-range does not have a negative effect on 

the tweeter.

Содержание IN-8

Страница 1: ...KALI AUDIO IN 8 Studio Monitor User s Guide 1 Project Independence 3 Way Coincident Studio Monitors IN 8 User s Guide...

Страница 2: ...ser s Guide 2 Table of Contents IMPORTANT SAFETY INFORMATION 3 ABOUT YOUR STUDIO MONITOR 5 FULLSPECIFICATIONS 7 INPUTS AND CONTROLS 8 DIP SWITCHES 11 CLIMATECONSIDERATIONS 14 FIRST TIME SETUP 14 TROUB...

Страница 3: ...urpose of the polarized or grounding type plug A polarized plug has two blades with one blade wider than the other A grounding type plug has two blades and a third grounding prong The wide blade or th...

Страница 4: ...be placed on the appara tus 20 This apparatus is to be used in a moderate climate Do not expose to extremely high or low temperatures 21 High sound pressure in excess of 85 dB can cause hearing damag...

Страница 5: ...IN 8 features an 8 inch woofer a 4 inch mid range driver and a 1 inch soft dome tweeter The mid range driver and the tweeter are coincident meaning that they share the same acoustic center You might h...

Страница 6: ...fits of a front firing port tube without any drawbacks associated with noise On most port tubes air leaves at different speeds from different points of the opening creating noisy turbulence This turbu...

Страница 7: ...nge to HF 3000 Hz Frequency Response 10dB 37Hz 25 kHz Frequency Range 3 dB 45Hz 21Hz Listening Distance 85 dB continuous SPL with 20dB dynamic headroom 2 8 Meters Max SPL Peak 1M 114 dB System THD 1 1...

Страница 8: ...KALI AUDIO IN 8 Studio Monitor User s Guide 8 Inputs and Controls Coincident Studio Monitor...

Страница 9: ...V Sensitivity The RCA input is for use with consumer devices like record players laptops smart phones and media players Commonly the playback device will either have an RCA or a 3 5mm Aux output Cable...

Страница 10: ...symmetrical room it may be necessary to have one monitor louder than the other to achieve balance 2 If your playback device does not have an independent volume control it will be necessary to adjust t...

Страница 11: ...o the RCA For this reason the explanations of the different dip switch settings will only reference the set of switches currently applicable Switches 1 3 Boundary Compensation EQs Position 1 Free Spac...

Страница 12: ...rom any walls Switch 1 DOWN Switch 2 DOWN Switch 3 UP Position 6 On a Desk Close to a Wall The speaker is on a desk or table and is within 5 meters 20 inches of a wall without being butted right again...

Страница 13: ...im will add or subtract 2 dB from the High Frequency response of the speaker This can be done as a matter of personal taste or if the room you re mixing in requires additional adjustment beyond what i...

Страница 14: ...rom your playback device at a low volume Slowly turn the volume knob clockwise to the center detente 0 dB position Make sure you hear what you re playing Set the boundary EQ for your application Refer...

Страница 15: ...is prone to picking up noise as sig nal travels through the cable This is especially true if you are using very long RCA cables b If no be sure that the dip switch 8 is moved DOWN to the OFF position...

Страница 16: ...l need the original receipt showing the date of purchase The retailer may ask you to provide specific details about the nature of the defect What is not covered The following cases are NOT covered by...

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