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AmpliTube 

X-SPACE

Reverb Models

         21

CHURCH

This model has the longest tail in order to reproduce the typical reverb sound found in churches. Its reverb time 

has a range from 3 to 20 seconds to replicate from the smallest chapel to the biggest cathedrals.

Parameters

•  TIME: controls the reverb tail length. 

From 3 s to 20 s.

•  PRE-DELAY: controls the pre-delay amount. 

From 100 ms to 1000 ms.

•  COLOR: controls the frequency response of the reverb. At minimum the reverb gets darker, at maximum 

the reverb gets brighter. Set in the middle the reverb is flat. 

From -10 to +10.

•  MOD: controls the amount of modulation of the reverb. 

From 0% to 100%.

•  MIX: controls the balance of dry and wet signal. At 0% the signal is fully dry, while at 100% the signal is 

fully wet. At around 85% the dry and wet signal have the same level. 

From 0% to 100%.

•  HPF: controls the cut-off frequency of the high-pass filter. 

From 22 Hz to 1000 Hz.

•  MOD RATE: controls the rate of the reverb modulation. 

From 0.1 Hz to 7 Hz.

•  SIZE: controls the dimension of the ambience from which the reverb is generated. 

From 50% to 200%.

•  L DECAY: controls the low-frequency band decay. 

From -10 to 10.

•  M DECAY: controls the mid-frequency band decay. 

From -10 to 10.

•  H DECAY: controls the high-frequency band decay. 

From -10 to 10.

•  X-MODE: engages the most possible tail length. 

ON or OFF.

Содержание AmpliTube X-SPACE

Страница 1: ...AmpliTube X SPACE USER MANUAL...

Страница 2: ...e switch 9 Expression pedal calibration 10 Reverb Models 11 SHIMMER 1 11 SHIMMER 2 13 HALL 15 ROOM 17 CHAMBER 19 CHURCH 21 PLATE 23 SPRING 25 SWELL 27 GATE 29 REVERSE 30 EARY REF 32 EXTREME 33 ETHEREA...

Страница 3: ...se among the 300 preset slots available in the machine Push to save a preset and choose its name and bank position 3 PARAMETER encoder Each model inside X SPACE has its own parameter set Push the PARA...

Страница 4: ...0 the signal is fully dry while at 100 the signal is fully wet At around 85 the dry and wet signal have the same level 9 A B C LEDs Green if preset is active Amber if preset has been edited Blinking...

Страница 5: ...4 MIDI OUT Connect to external MIDI devices Through this port X SPACE can send out MIDI messages anytime a switch is pressed or a knob is turned 5 EXT CONTROL Hook up an external expression or single...

Страница 6: ...le To do so 1 Install the X GEAR librarian on your computer following the instructions found in the box 2 Connect your pedal to your computer using the provided USB cable 3 Launch the X GEAR librarian...

Страница 7: ...cursor s position 3 Rename the preset a Turn the PRESET encoder to select a character b Turn the MODEL encoder to change the cursor s position 4 Push the PRESET encoder to confirm the name 5 The displ...

Страница 8: ...hoose PRESET SETUP 5 In the PRESET SETUP menu select ON from the EXT CTRL option 6 Come back to the PRESET SETUP menu select EXT LEARN and choose LEARN 7 While LEARN A is being displayed position the...

Страница 9: ...EXT CONTROL 2 Hold the PARAMETER encoder and choose GLOBAL SETUP 3 Select EXT CTRL and choose N O DUAL SWITCH if your double switch pedal is normally open or N C DUAL SWITCH if your double switch peda...

Страница 10: ...1 Hook it up to the EXT CONTROL in the rear panel 2 Hold the PARAMETER encoder and choose GLOBAL SETUP 3 In the GLOBAL SETUP select EXP CALIBRATION 4 While HEEL is being displayed move your expressio...

Страница 11: ...ully wet At around 85 the dry and wet signal have the same level From 0 to 100 SHIFT controls the pitch of the note generated by the shimmer It can be set to perfect pitch or fine tuned with 1 8 of a...

Страница 12: ...r Control Change Values TIME 21 0 127 COLOR 23 0 127 MOD 24 0 127 MIX 25 0 127 SHIFT 46 0 127 SIZE 47 0 127 MOD RATE 48 0 127 MODE 49 0 127 X MODE 13 0 127 When a parameter range is not linear its val...

Страница 13: ...From 0 to 100 SHIFT 1 controls the pitch of the note generated by the shimmer of the first voice It can be set to perfect pitch or fine tuned with 1 8 of a tone From 12 semitones to 12 semitones GAIN...

Страница 14: ...ME 21 0 127 COLOR 23 0 127 MOD 24 0 127 MIX 25 0 127 SHIFT 1 46 0 127 GAIN 1 47 0 127 SHIFT 2 48 0 127 GAIN 2 49 0 127 SIZE 47 0 127 MOD RATE 48 0 127 MODE 49 0 127 X MODE 13 0 127 When a parameter ra...

Страница 15: ...um the reverb gets brighter Set in the middle the reverb is flat From 10 to 10 MOD controls the amount of modulation of the reverb From 0 to 100 MIX controls the balance of dry and wet signal At 0 the...

Страница 16: ...1 0 127 PRE DELAY 22 0 127 COLOR 23 0 127 MOD 24 0 127 MIX 25 0 127 HPF 46 0 127 MOD RATE 47 0 127 SIZE 48 0 127 L DECAY 49 0 127 M DECAY 50 0 127 H DECAY 51 0 127 X MODE 13 0 127 When a parameter ran...

Страница 17: ...darker at maximum the reverb gets brighter Set in the middle the reverb is flat From 10 to 10 MOD controls the amount of modulation of the reverb From 0 to 100 MIX controls the balance of dry and wet...

Страница 18: ...1 0 127 PRE DELAY 22 0 127 COLOR 23 0 127 MOD 24 0 127 MIX 25 0 127 HPF 46 0 127 MOD RATE 47 0 127 SIZE 48 0 127 L DECAY 49 0 127 M DECAY 50 0 127 H DECAY 51 0 127 X MODE 13 0 127 When a parameter ran...

Страница 19: ...Set in the middle the reverb is flat From 10 to 10 MOD controls the amount of modulation of the reverb From 0 to 100 MIX controls the balance of dry and wet signal At 0 the signal is fully dry while a...

Страница 20: ...21 0 127 PRE DELAY 22 0 127 COLOR 23 0 127 MOD 24 0 127 MIX 25 0 127 HPF 46 0 127 MOD RATE 47 0 127 SIZE 48 0 127 L DECAY 49 0 127 M DECAY 50 0 127 H DECAY 51 0 127 X MODE 13 0 127 When a parameter r...

Страница 21: ...m 10 to 10 MOD controls the amount of modulation of the reverb From 0 to 100 MIX controls the balance of dry and wet signal At 0 the signal is fully dry while at 100 the signal is fully wet At around...

Страница 22: ...21 0 127 PRE DELAY 22 0 127 COLOR 23 0 127 MOD 24 0 127 MIX 25 0 127 HPF 46 0 127 MOD RATE 47 0 127 SIZE 48 0 127 L DECAY 49 0 127 M DECAY 50 0 127 H DECAY 51 0 127 X MODE 13 0 127 When a parameter ra...

Страница 23: ...the middle the reverb is flat From 10 to 10 MOD controls the amount of modulation of the reverb From 0 to 100 MIX controls the balance of dry and wet signal At 0 the signal is fully dry while at 100 t...

Страница 24: ...21 0 127 PRE DELAY 22 0 127 COLOR 23 0 127 MOD 24 0 127 MIX 25 0 127 HPF 46 0 127 MOD RATE 47 0 127 SIZE 48 0 127 L DECAY 49 0 127 M DECAY 50 0 127 H DECAY 51 0 127 X MODE 13 0 127 When a parameter ra...

Страница 25: ...the reverb is flat From 10 dB to 10 dB MOD controls the amount of modulation of the reverb From 0 to 100 MIX controls the balance of dry and wet signal At 0 the signal is fully dry while at 100 the s...

Страница 26: ...ange Values TIME 21 0 127 PRE DELAY 22 0 127 COLOR 23 0 127 MOD 24 0 127 MIX 25 0 127 HPF 46 0 127 MOD RATE 47 0 127 HI DAMP 48 0 127 WIDTH 49 0 127 X MODE 13 0 127 When a parameter range is not linea...

Страница 27: ...ound 85 the dry and wet signal have the same level From 0 to 100 HPF controls the cut off frequency of the high pass filter From 22 Hz to 1000 Hz MOD RATE controls the rate of the reverb modulation Fr...

Страница 28: ...Values TIME 21 0 127 PRE DELAY 22 0 127 COLOR 23 0 127 MOD 24 0 127 MIX 25 0 127 HPF 46 0 127 MOD RATE 47 0 127 SWELL DEPTH 48 0 127 SWELL SENS 49 0 127 X MODE 13 0 127 When a parameter range is not l...

Страница 29: ...signal At 0 the signal is fully dry while at 100 the signal is fully wet At around 85 the dry and wet signal have the same level From 0 to 100 HPF controls the cut off frequency of the high pass filte...

Страница 30: ...rb is flat From 10 dB to 10 dB MOD controls the amount of modulation of the reverb From 0 to 100 MIX controls the balance of dry and wet signal At 0 the signal is fully dry while at 100 the signal is...

Страница 31: ...Change Values TIME 21 0 127 PRE DELAY 22 0 127 COLOR 23 0 127 MOD 24 0 127 MIX 25 0 127 TYPE 46 0 127 SIZE 47 0 127 MOD RATE 48 0 127 HPF 49 0 127 X MODE 13 0 127 When a parameter range is not linear...

Страница 32: ...m 0 to 100 MIX controls the balance of dry and wet signal At 0 the signal is fully dry while at 100 the signal is fully wet At around 85 the dry and wet signal have the same level From 0 to 100 HPF co...

Страница 33: ...reverb is flat From 10 dB to 10 dB MOD controls the amount of modulation of the reverb From 0 to 100 MIX controls the balance of dry and wet signal At 0 the signal is fully dry while at 100 the signa...

Страница 34: ...From 0 to 100 MIX controls the balance of dry and wet signal At 0 the signal is fully dry while at 100 the signal is fully wet At around 85 the dry and wet signal have the same level From 0 to 100 MOD...

Страница 35: ...tion of the reverb From 0 to 100 MIX controls the balance of dry and wet signal At 0 the signal is fully dry while at 100 the signal is fully wet At around 85 the dry and wet signal have the same leve...

Страница 36: ...modulation of the reverb From 0 to 100 MIX controls the balance of dry and wet signal At 0 the signal is fully dry while at 100 the signal is fully wet At around 85 the dry and wet signal have the sam...

Страница 37: ...k is a RTS type expression pedal N O SWITCH select this if the pedal connected to the EXT CONTROL jack is a normally open single footswitch pedal N C SWITCH select this if the pedal connected to the E...

Страница 38: ...dB to 3 dB By default the volume is set to 20 dB MIDI CLOCK Sets the MIDI CLOCK function OFF no MIDI CLOCK function is active DIN the MIDI CLOCK is set by the incoming MIDI clock from the MIDI input...

Страница 39: ...lects the buffered bypass technology This option is required to use the spillover function and the cab simulator OPERATION MODE Sets the operative mode of the pedal to be used for live gigs or as an a...

Страница 40: ...rnal Control or not ON enables the external control connected single switch or expression pedal for the selected preset OFF disables the external control connected single switch or expression pedal fo...

Страница 41: ...the knobs to be sure that your sound does not change if you accidentally move a knob or hit your pedal To activate and deactivate the SAFE MODE press simultaneously the MODEL and PRESET encoders A di...

Страница 42: ...the footswitch is released You can do this operation both when the pedal is bypassed to engage a certain effect only for a little time or while another preset is on If you do it while another preset i...

Страница 43: ...he pedal to a monitoring system such as a power amplifier active monitors or a headphone preamplifier AmpliTube or your DAW sees the X GEAR as a regular interface and you can playback songs from the c...

Страница 44: ...ications Along with your X GEAR you get a Librarian App to manage your presets and AmpliTube 5 SE to edit your presets from your computer and use them inside AmpliTube Follow the instructions found in...

Страница 45: ...ys powers up in MIDI Patch Bank 0 therefore if you stay withing the first 127 presets 00A 63B simply send a standard MIDI Program Change message to load a preset If you plan to use presets above the 1...

Страница 46: ...dry path and selectable true or soft bypass for maximum control 5Hz to 24kHz frequency response to record the full range of your guitar or bass Versatile routing options let you send the wet or dry si...

Страница 47: ...Requires an OpenGL 2 compatible graphics adapter Supported Plug in formats 64 bit Audio Units VST 2 VST 3 AAX Windows 64 bits Minimal Intel Core 2 Duo or AMD Athlon 64 X2 Intel Core i5 suggested 4 GB...

Страница 48: ...e X SPACE AmpliTube X GEAR series 48 AmpliTube X GEAR series Discover the full AmpliTube X GEAR series X DRIVE Distortion X TIME Delay X SPACE Reverb X VIBE Modulation Learn more at www ikmultimedia c...

Страница 49: ...at were studied during IK Multimedia s sound model development and for describing certain types of tones produced with IK Multimedia s digital modeling technology Use of these names does not imply any...

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