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tion of this selection is a bright sound with a distinctively hard resonance.
From a lower gain sound that emphasizes the hard tonal character to
the great sounding drive you get by maxing out the gain, this preamp
delivers a broad palette of tones.
Rock:
This selection is our take on the sound of the "Ecstasy 101B EL34 Ver-
sion," a multi-function tube amp made by the Bogner Corporation, which
is famous for its boutique amps. The settings response provides an im-
proved dynamic range from low gain to high gain with more EQ control
level. While notable for its edged tone, this setting will give you a wide
variety from sweet and clean to hard chording sounds, as well as sus-
taining overdrive sounds.
Hard Rock:
First only offered to a few as custom-made amps, Soldano's® "SL0-
100" went on to achieve wider success and reknown. We created this
selection to be similar to the sound of the SLO-100's OVERDRIVE chan-
nel with the BRIGHT switch at NORMAL but reduced the possibility of
feedback with an overall tension and tightness. We believe the high gain
sound is particularly good and is an ideal choice for leads or heavy riffs.
Guitar God:
Here you have our idea of what the Peavey® "5150 II®" sounds like. In
creating this MIMX preamp, we listened to both the actual Peavey amp
as well as the audio sources used on a CD in order to reproduce the
sounds that, to our ears, are reminiscent of those recorded. The tight low
end is nice for riffs that intermingle muted notes, and the distortion will
make your sustained solos memorable.
90s Brit:
This preamp was also designed by referring to both the amp, in this case
the Marshall® "JCM2000 DSL100" amp, and to the actual audio CD
sources of a band who used this amp. Our take on this sound produces
a distortion component that is rough, but the sound is tight and well
defined with good separation of notes, making it usable for everything
from sparkling arpeggios to flashy riffs. Your guitar sound will be guaran-
teed to stand out, even in a loud band.
LA Heavy:
The Mesa/Boogie® "Dual Rectifier® Solo Head" has influenced numer-
ous musicians of heavy styles. This preamp brings you our interpreta-
tion of a collage of the classic sounds of a model introduced in 1989 that
has defined modern heavy guitar tone. Our version provides the distor-
tion sound of the original 6L6 power tubes through the RED channel
with the power supply in BOLD mode, using the silicon diode rectifier
mode finally played through an Ibanez® Thermion® TN412A four-twelve
cabinet. The result is a monstrous low end with good crunch.
Psycho:
This is an original Ibanez sound, designed to capture the mainstream of
today's heavy rock scene. It features a tight and sharp low end, with
superb crispness. By adjusting the EQ settings, you can use this sound
for any style of music.
* With the exception of Ibanez®, TUBESCREAMER® and Thermion®,
company names and product names appearing in this manual are
the trademarks or registered trademarks of their respective owners,
and have no affiliation with Ibanez.
Fender®, Twin Reverb®, Hot Rod Deville™ are registered trademarks
or trademarks of the Fender Musical Instruments Corporation.
Roland® is a registered trademark of Roland Corporation.
Marshall® is a registered trademark of Marshall Amplification PLC.
VOX® is a registered trademark of VOX R&D limited.
Soldano® is a registered trademark of Soldano Custom Amplification.
Peavey® is a registered trademark of Peavey Electronics LTD.
5150 II® is a registered trademark of E.L.V.H., Inc.
Mesa/Boogie® and Dual Rectifier® are registered trademarks of
Mesa/Boogie, Limited.
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