Hybrid Audio Technologies Legatia L3 Скачать руководство пользователя страница 4

Speaker Design: Background and Parameters 

The Diaphragm 

The diaphragm of the Legatia L3 speaker includes its cone and dust cap.  The shape, weight 
and strength of the Legatia L3 cone and dustcap relate directly to the extended frequency 

response of the speaker.  The cone and dustcap are both untreated pressed paper.  Convex 

shaped cones typically have a peak in the upper range of the frequency response (e.g. dome 
midranges), so we decided on a concave cone for the smoother frequency response.  And 

contrary to common belief, most convex cones have a narrow directivity pattern.  The concave 
cone of the Legatia L3 has a wider directivity pattern, and is excellent for use in “off-axis” 

applications. 

Our approach to point-sourcing is to allow the midrange driver to effectively play the majority 

of the human vocal range; having virtually all imaging cues emanating from one set of drivers 
in an installation ensures stable stereo imaging across the fundamental frequencies which 

define image placement and definition.  The paper cone is critical to tame unwanted cone 

modes, resonances, and the classic "cone breakup" associated with most composite cones, but 
still be rigid enough for upper midbass response.

 

The ability of the diaphragm to produce low 

frequency information is bound by its resonant frequency (129 Hz), and high frequency 
information is bound by the radiation impedance and the diameter of the L3’s cone (65mm).  

The Legatia L3 was meant to be used as a dedicated midrange driver in a three-way front 
stage system.  The three-way designs offer elevated power handling capability, better 

midrange transient response, and lower upper frequency distortion over its sibling two-way 

system. 

The Suspension 

Rounding out the face of the driver is an inverted high-loss rubber surround that, in concert 
with the spider, provides the compliance needed for the 3" midrange to play upper midbass 

frequencies with authority.  The spider is attached to the voice coil former and the basket.  
The spider acts as a centering device and a restoring force for the voice coil.  The surround, 

which acts as an air seal between the cone and the basket, adds to the restoring force of the 

spider. Another function of the surround is to absorb cone flexure waves as they are 
transferred up the cone.  You'll also know a Legatia midrange and midbass design by its 

inverted surround; this design feature allows for the use of a smaller height grille, and more 
flexibility in mounting options. 

The Frame/Basket 

The basket is a high-quality cast aluminum design, which plays a critical role in aligning the 

voice coil and the magnetic circuit.  In the case of the Legatia L3, it uses an aluminum basket 

instead of a stamped steel frame to ensure idealized clamping strength to the baffle where the 
speaker will be mounted and less chance of flex/warping.  Finally, a pair of gold-plated 

terminals and high-gauge tinsel leads ensure adequate connection. 

 

 

© 2006, All Rights Reserved 

Содержание Legatia L3

Страница 1: ...Hybrid Audio Technologies Legatia L3 3 Wide Bandwidth Transducer User s Manual and Car Audio Reference Handbook 2006 All Rights Reserved...

Страница 2: ...ad this document you ll quickly realize that this is not your typical user s manual This manual has been written to be more or less a miniature car audio reference guide that can be used to better any...

Страница 3: ...ker cone The former aids in transfer of heat away from the coil into the T yolk which also improves power handling The thermal power handling for the Legatia L3 driver is 50 watts with 3 dB of power c...

Страница 4: ...edance and the diameter of the L3 s cone 65mm The Legatia L3 was meant to be used as a dedicated midrange driver in a three way front stage system The three way designs offer elevated power handling c...

Страница 5: ...ce coil measured in Ohms Sd The surface area of the speaker Fs The resonant frequency of the speaker Qes The electrical Q of the speaker Qms The mechanical Q of the speaker Qts The total Q of the spea...

Страница 6: ...depth 50mm Magnet diameter 65mm Mounting hole 74mm Power handling without crossover 50W 3 dB power compression Power handling with crossover 200W Frequency range 129Hz 10 000Hz Sensitivity 85dB 1w 1m...

Страница 7: ...hematically as follows this example assumes a right hand driven vehicle PLD s are always a positive number X Y Z Where X distance of the center of the left speaker from your left ear Y distance of the...

Страница 8: ...icle for one seated position There are however some rare exceptions and you may actually find that the dashboard locations provide the best equalized PLD of the available mounting locations Conversely...

Страница 9: ...ural time delay ITD As a sound approaches the head the ratio of distances from the speaker location to the near and far ears increases and the effects of head shadowing are amplified causing the IID t...

Страница 10: ...including precise image definition and stable sound staging character By applying Lessons 1 3 above and with correct filtering to cover the vocal spectrum as detailed in the Crossover section followin...

Страница 11: ...lume of at least 2 5L Hybrid Audio has also encouraged the use of transmission line enclosures for the L3 s and has seen great results with TL s tuned to between 120 and 150 Hz to work extremely well...

Страница 12: ...ptum shielding Crossovers One of the most fundamental and important considerations in the final tweaking of a car audio system is the set up of the speaker s crossovers The Legatia L3 utilizes a rigid...

Страница 13: ...ral Intensity Difference IID ITD is the time it takes for sound to reach the far ear after reaching the near ear Typical adult male heads have an ITD maximum of approximately 400 microseconds IID is t...

Страница 14: ...ion It should be noted that it is Hybrid Audio s opinion that it is always better to improve the car mechanically and attempt to fix mechanical problems with mechanical solutions than it is use to ele...

Страница 15: ...in some circles as amplitude alignment is the ability to tune those frequencies above about 500 Hz that are not completely affected by time correction The very best vehicles have some sort of amplitud...

Страница 16: ...Legatia L3 Mounting Baffle Requirements section Should the Legatia L3 s be placed in the kick panel locations one may find that a notable improvement can be made by adding acoustical treatments such a...

Страница 17: ...may result in physical damage to the speaker s terminals or disconnection of the speaker s tinsel leads which are not covered under the limited warranty We recommend that only those individuals with e...

Страница 18: ...han 140 Hz at 24 dB octave With the system on and the amplitude volume adjustment at zero double check the crossovers one final time and then begin to advance the amplitude on a dynamic track with goo...

Страница 19: ...system appears to be acoustically out of phase you might be able to quickly remedy this situation by reversing one speaker s polarity by switching the positive and negative wires on the speaker so th...

Страница 20: ...or nothing more than a tool and not a mechanism to tune your car audio system Your ears combined with the processor your brain are the most advanced test instrument in the world The RTA although a val...

Страница 21: ...d customer service and technical support will advance the Hybrid Audio Technologies namesake in the coming years We are pleased that you have joined us in our new generation of in car audio If there i...

Страница 22: ...product must indicate in our judgment a manufacturing defect This warranty does not extend to any product which has been subjected to misuse neglect accident or improper installation HAT shall not be...

Страница 23: ...ber 1987 Linkwitz Siegfried A Three Enclosure Loudspeaker System with Active Delay and Crossover Parts 1 2 3 Speaker Builder 2 80 3 80 4 80 Linkwitz Siegfried Loudspeaker System Design Wireless World...

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