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Design description

Let’s start with background. The HPF-Pre uses design elements that are well known, but combined in a 
novel way. Here are some online sources that deserve particular credit:

http://en.wikipedia.org/wiki/Butterworth_filter

: Design concept for active Butterworth filter 

with equal resistors.

http://www.jensen-transformers.com/as/as098.pdf

: This is the “starting point” for my active 

filter design, a nice 2-transistor source feedback preamp.

http://www.ciphersbyritter.com/RADELECT/PREJFET/JFETPRE.HTM

: More information 

about simple discrete preamp circuits, including source feedback.

The preamp circuit is based on a classic active filter design, using discrete transistors instead of op amps. 
While I have nothing against op amps, the discrete design turned out to be simpler and more efficient. With 
half the transistors compared to op amps, current consumption is cut in half, and noise is reduced by 3 dB. 
Also, a Class-A design with minimal open loop gain will exhibit asymmetrical soft clipping – a musically 
forgiving overload response behavior that is shared with tube preamps. (Note that I am stopping short of 
claiming “tube sound.”) Here is a schematic of the circuit. 

Q1 is a classic JFET phase inverter circuit. Since negligible current flows through the gate of Q1, equal 
currents flow through R3 and R4. The signals at the source and drain of Q1 must be of equal amplitude but 
opposite phase. A SPDT switch selects one of these signals – it is the phase switch. C2 and R5 hold the DC 
offset of these signals equal, so there is minimal "pop" when you flip the switch.

While C1 and R2 form a highpass filter, the cutoff is 0.5 Hz, not musically useful. I wanted a high value of 
C1 to allow for the lowest possible noise with pickups that have high capacitance. R1 limits current into Q1 
if the input is temporarily overloaded, thus providing a little bit of protection. 

A shunt capacitor at the front end of an audio preamp is unorthodox. However, the circuit is designed for 
piezo pickups. C2 provides some measure of protection for the gate of Q1, eating voltage spikes. Its low 
capacitance means that it has a negligible effect on the response of capacitive pickups.

The second active stage is the classic Butterworth active filter design. (Compare to the Wikipedia 
reference). Q2 and Q3 form a two-transistor source feedback amplifier – think of it as a crude op amp. The 

Содержание HPF-Pre 1 Series

Страница 1: ...en setting up systems with multiple pickups or a pickup and a microphone Series 2 of the preamp adds an output volume control and an LED battery status indicator The volume control is handy when your stage setup requires your amp to be out of arm s reach HPF Pre is an open design I sell the HPF Pre at a modest price from my part time home business Otherwise you are welcome to build your own Specif...

Страница 2: ... if you end up with seemingly extreme EQ settings You are probably dialing your amp to a more flat response curve Start with the cutoff frequency at 35 Hz Increase it until you are happy If possible find a favorable setting of the HPF Pre before adjusting the EQ on your amp Having the HPF Pre doing its job liberates your EQ controls to deal with feedback Use your ears and not your eyes If you get ...

Страница 3: ...et the phase switch in the following way Gradually raise your amp volume until feedback just begins to be noticeable Now flip the phase switch The feedback will get worse or better You want it to be better Done Now get out there and play ...

Страница 4: ...amps Note that I am stopping short of claiming tube sound Here is a schematic of the circuit Q1 is a classic JFET phase inverter circuit Since negligible current flows through the gate of Q1 equal currents flow through R3 and R4 The signals at the source and drain of Q1 must be of equal amplitude but opposite phase A SPDT switch selects one of these signals it is the phase switch C2 and R5 hold th...

Страница 5: ...minal of the output jack Inserting a mono plug into this jack grounds the ring terminal and applies power to the circuit Guitar effects pedals have used this arrangement since the dawn of civilization The only drawback is that you really don t want to unplug the output cable while your amp is turned on Series 2 of the preamp has an output volume control This component is absent in Series 1 The bat...

Страница 6: ...or 5 7 µV RMS over a 20 kHz bandwidth My setup is Resistor HPF Preamp Another Preamp PC sound card input I used my own FFT spectrum analyzer program to collect spectra of the resistor the grounded input of the preamp and the grounded input of another preamp which boosts the signal above the noise floor of my PC sound card Subtracting the first two measurements using quadrature subtraction meaning ...

Страница 7: ...ate the dynamic range of the filter I measured the total harmonic distortion at different input voltage levels using Virtual Analyzer Here is the plot HPF Pre distortion versus input voltage 0 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 8 0 9 0 1 2 3 4 5 6 Input voltage V p p THD Distortion rises with increasing amplitude But unlike an op amp circuit the dynamic range is not a hard upper limit You can push beyo...

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