LX8 & LX12
OWNER’S MANUAL
9
1
MIC / LINE INPUT
An XLR or 1/4” microphone or line level source can be connected here.
2
–26dB PAD BUTTON
Reduces the signal strength of the associated input signal by 26dB.
3
80Hz HIGH-PASS FILTER
Reduces low frequency “rumble” from microphone signals.
4
48V PHANTOM POWER BUTTON
Activates phantom power, which is required for condenser-type
microphones.
5
GUITAR HI-Z BUTTON
Changes the impedance on the L (MONO) input of CH3|4 to
optimize passive guitar and bass signals.
6
CLIP INDICATOR LED
Lights red when the signal level at the preamp stage is too high and
causing clipping/distortion.
7
GAIN CONTROL
Adjusts the preamp gain for the associated channel.
8
HIGH EQ CONTROL
Boosts or cuts the high frequencies of the associated input signal,
at a corner frequency of 10kHz.
9
LOW EQ CONTROL
Boosts or cuts the low frequencies of the associated input signal, at
a corner frequency of 100Hz.
10
FX SEND CONTROL
Controls the relative level of the associated channel being sent to
the FX processor.
11
PAN CONTROL
Adjusts positioning of the channel input signal within the stereo
sound field.
12
CH LEVEL CONTROL
Adjusts the relative level of the associated channel being sent to
the MAIN bus.
13
1/4” INPUTS
CH3|4, CH5|6 – Connect mono or stereo line-level signals here.
14
CH 7|8 STEREO INPUT
Connect a phone, tablet, or laptop here, with a stereo 1/8” (3.5 mm)
cable. This input is routed to the BLUETOOTH/CH 7|8 channel.
15
MAIN OUTPUTS
The signal at this output contains the entire mix of input signals.
Connect this output to the inputs of powered speakers, a power
amp or recording interface, via XLR cables. If a mono output is
desired, connect a 1/4” TRS cable to the MONO OUT jack.
16
REC OUT
This signal is taken from the MAIN bus. Connect this output to a
recording device with a stereo 1/8” (3.5 mm) input.
17
HEADPHONE OUTPUT
Connect headphones here. This signal is the same as that being
sent to the MAIN bus.
18
BLUETOOTH PAIR BUTTON
With no actively paired device, pressing this button will activate
pairing mode (LED will start blinking).
With a device actively paired (LED lit solidly), pressing this
button will cancel the pair and will activate pairing mode
(LED will begin blinking).
Pressing and holding this button will cancel any active pair and turn
Bluetooth off (LED will turn off).
19
BLUETOOTH | CH 7|8 STEREO LEVEL CONTROL
Controls the level of the BLUETOOTH and CH 7|8 input signals
being sent to the MAIN bus.
20
HEADPHONE MASTER CONTROL
This control adjusts the signal level feeding the Headphone output.
21
MIX MINUS CH 5|6 BUTTON
When pressed this button will remove the audio present on CH 5|6
from the main mix output.
22
MAIN OUTPUT LEVEL METERS
Display the main mix output level.
23
BLUETOOTH | CH 7|8 SOLO BUTTON
Mutes all input sources except BLUETOOTH or CH 7|8
input signals.
24
FX PRESET CONTROL AND LISTING
Selects the FX preset 1–8. The FX type for each preset can be seen
in the list above the FX Adjust knob.
25
FX SIG & CLIP LEDs
These LEDs light up to give information about the incoming signal to
the FX processor. When there is signal present, the SIG LED will be lit,
indicating there is audio passing through the FX processor. If the CLIP
LED is lit at any time, the incoming audio is distorting and the resulting
FX will also be distorted.
26
FX LEVEL CONTROL
This control adjusts the overall level of the effected signal from the
FX processor that is being sent to the main mix.
27
FX ADJUST CONTROL
This control changes the characteristics of the selected FX preset
parameters allowing you to customize each preset.
28
STEREO/MONO BUTTON
Switches the MAIN out signal between mono and stereo operation.
Out position = stereo, in position = mono.
29
MAIN OUTPUT LEVEL KNOB CONTROL
This knob controls the level of the MAIN OUTPUT.
29
DC POWER INPUT
Connect only the included power adapter to this input.
29
POWER SWITCH
Switches power on/off to the mixer.
29
USB PORT
Connect a standard USB type “A” to type “B” cable from the mixer
to a MAC or PC in order to record and playback audio from a
connected computer.
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