background image

(5)

WILL PREVENT SIGNAL OVERLOAD AND DECREASE DISTORTION. ONCE
YOU HAVE MODIFIED YOUR SOUND AND WOULD LIKE TO INCREASE THE
OUTPUT OF YOUR SOUND, THEN YOU MAY ADJUST THE ROTARY GAIN
CONTROL IF NEEDED.

5. 

KILLING FREQUENCIES:

There are two ways to kill, or can-

cel out, frequencies, only on 

CH2

(36) and 

CH3 

(43), using the

LOW

MID

, and 

HIGH KILL SWITCHES 

(59, 60). Each 

KILL

SWITCH

has 

3

positions: 

LATCH

NORMAL

FLASH

. When

you move the selected 

KILL SWITCH

to the top

LATCH

(

ON

)

position, the switch will stay there, and the frequency will be

killed. When you move the selected 

KILL SWITCH

to the center

position the kill function is not active, and the frequency will not

be killed. When you move the selected 

KILL SWITCH 

to the bot-

tom 

FLASH

position and hold it there, the frequency will be

killed. Releasing the selected 

KILL SWITCH

from the bottom

position will bring it back to the center position and the frequen-

cy will no longer be killed.

6. 

CUE:

By connecting a set of headphones to the 

HEAD-

PHONE

(22) jack, you can monitor any or all channels. Press

the 

CUE BUTTONS

(28, 35, 42) for 

CH1

through 

CH3 

to assign

the 

CH

(s) to be monitored in your headphones. The respective

CUE LED

indicators will glow when in use. Use the front panel

located rotary 

CUE VOLUME CONTROL

(44) to adjust the 

CUE

volume without changing the overall mix. By turning the front

panel located 

CUE/MIX/PGM 

(45) rotary control counter clock-

wise you will be able to monitor the assigned 

CUE

signal. Slowly

turning the control clockwise to middle position (

MIX

) allows you

to monitor 

CUE

mix with 

PGM

. Moving the control clockwise to

the right allows you to monitor 

PGM 

output.

Use the 

CUE SPLIT/MIX SWITCH

(48) to split the audio input

playing in your head phones. When the 

CUE SPLIT/MIX

SWITCH

(48) is in 

MIX 

mode you will only be able to monitor

your 

CUE 

in both headphones, when the rotary 

CUE/MIX/PGM

CONTROL

(45) is in 

CUE

. When the 

CUE SPLIT/MIX SWITCH

(48) is in 

SPLIT

, you will notice one side of your headphones will

play your 

CUE

and the other side will play 

PGM

, thus enabling

you to monitor both outputs separately. This feature will only

work properly if the 

CUE/MIX/PGM

(45) rotary control is placed

at noon or middle position. If the

CUE/MIX/PGM

(45) rotary con-

trol is set to 

CUE

you will only here the 

CUE

signal playing on

the left side of your headphones. If the 

CUE/MIX/PGM

(45)

rotary control is set to 

PGM

, the 

PGM

will be the only signal

heard from the right side of your headphones.

7. 

CROSS FADER SECTION:

The 

CROSS FADER

(46) allows

you to mix from one source to another. The 

CROSS FADER

(46)

in your unit is removable and if the need arises can be easily

replaced. Your 

Gemini

mixer comes with a 

RG-45

(

RAIL-

GLIDE™

DUAL-RAIL CROSS FADER

RAIL GLIDE™

CROSS FADERS

have internal dual stainless steel rails that

allow the slider to ride smoothly and accurately from end to end.

Also available is our 

RG-45 PRO 

(

PROGLIDE™

Dual-Rail

CROSS FADER

. This unique 

CROSS FADER

features, a spe-

cial curve designed for scratch mixing. Just purchase one from

your 

Gemini 

dealer and follow the instructions:

NOTE: DO NOT APPLY PRESSURE WHILE USING THE CROSSFADER.

LIGHTLY GLIDE THE CROSSFADER BACK AND FORTH. PRESSING DOWN

ON THE CONTROLS CAN BEND CONTACTS AND CAUSE A LOSS OF

SOUND.

8. 

SLOPE CONTROL:

The 

CROSS FADER SLOPE SWITCH

(57) allows you to adjust the kind of curve the 

CROSS FADER

has. Flip the 

CROSS FADER SLOPE SWITCH

(57) down to

make the slope steep and cutting (perfect for scratching). Flip

the 

CROSS FADER SLOPE SWITCH

(57) up to make the slope

gradual and gentle.

9. 

REVERSE CONTROL:

The 

CROSS FADER REVERSE

SWITCH

(56) allows you to reverse the 

CROSS FADER

so that

the right side

CH2

(36) or 

CH3

(43) is controlled by the left side

of the 

CROSS FADER

(46) and the left side 

CH1

(29) or 

CH2

(36) is controlled by the right side of the 

CROSS FADER 

(46).

Flip the switch up to activate the 

REVERSE

(56) control. Flip the

switch down to deactivate the 

REVERSE

(56) control.

NOTE: WHEN THE CROSSFADER REVERSE SWITCH (56) IS ACTIVATED,
ONLY THE CROSSFADER REVERSES. THE CHANNEL SLIDES, GAIN, KILL
SWITCHES AND TONAL CONTROLS DO NOT REVERSE.

10. 

CROSS FADER ASSIGN:

The 

CROSS FADER ASSIGN

SWITCH

(58) is used to place 

CH

(s) on either side of the

CROSS FADER 

(46). When the 

ASSIGN SWITCH

(58) is in the

top position, 

CH1

(29) & 

CH3

(36) are assigned to the 

CROSS

FADER 

(46). When the 

REVERSE 

(56) control is not activated,

CH1

(29) will be on the left and 

CH3

(43) will be on the right.

When the 

ASSIGN SWITCH

(58) is in the bottom position, 

CH2

(46) & 

CH3

(54) are assigned to the 

CROSS FADER 

(46). When

the 

REVERSE

(56) control is not activated, 

CH2

(36) will be on

the left and 

CH3 

(43) will be on the right.

11. 

OUTPUT SELECTION CONTROL:

Once you are comfort-

able with the sound level of your music you may adjust the vol-

ume with the 

MASTER

(47) slide control. You may adjust the

volume of the zone output with the 

ZONE

(51) rotary control. You

may also pan the audio output from left to right with the

BALANCE

(52) rotary control.

12. 

MIC SECTION:

Plug your main 

MIC

into the 

MIC

(21) 

1/4"

input located on the front panel. Connecting a microphone to the

1/4" MIC JACK

(21) allows voice amplification through the

mixer to the stereo through the 

MASTER RCA

(5), 

ZONE 

(6),

BALANCED 

(8) and 

REC

(7) outputs. This 

MIC 

is controlled by

the 

MIC VOLUME

(55), 

HIGH

(53), 

LOW

(54) rotary controls. To

activate this section, raise the level of the 

MIC VOLUME 

(55).

The rotary knob will click and a green 

LED

will light up to indi-

cate that the 

MIC 

(21) is in use.

13. 

VU METER:

The 

PS-02

has a dual mode 

VU METER

(50)

that allows you to monitor the decibel levels of 

CUE

and 

PGM 

or

LEFT

and 

RIGHT

stereo levels of the 

MASTER

output. With the

VU MODE SWITCH

(49) you may monitor the output level of the

CUE

and 

PGM

when the switch is 

UP

. When this mode is

engaged the 

CUE 

will be located on the left of the 

VU METER

,

while the 

PGM

will be located on the 

RIGHT

. Or you can moni-

tor the 

LEFT 

and 

RIGHT

stereo decibel levels of the 

MASTER

OUTPUT

when the switch is in the 

DOWN

position.

INPUTS:

Phono..................................................................3 mV, 47 KOhm

Line.................................................................150 mV, 27 KOhm

MIC ……………..……........................1.5 mV, 1 K Ohm Balanced

MIC Bass..........................................................................± 12dB

MIC High...........................................................................± 12dB

OUTPUTS:

Amp/Zone........................................................0 dB 1V, 400 Ohm

Max.................................................................20V Peak-to-Peak

Rec....................................................................225 mV, 5 KOhm

Balanced Master…..................................……….....2V, 400 Ohm

GENERAL:

Frequency Response................................20Hz - 20KHz +/- 2 dB

Distortion.........................................................................< 0.02%

S/N Ratio.........................................................Better Than 80 dB

Headphone Impedance...................................................16 Ohm

Power Source.......................................115/230V, 60/50Hz, 20W

Unit Dimensions..............................................10" x 3.3" x 11.9"

………………………………………................(254 x 84 x 303mm)

Weight...............................................................7.45 lbs (3.38 kg)

SPECIFICATIONS SUBJECT TO CHANGE WITHOUT NOTIFICATION FOR

IMPROVEMENT.

P

PS

S-0

02

2

P

PS

S-0

02

2

SPECIFICATIONS:

REPLACEABLE CROSS FADER

1. UNSCREW THE OUTSIDE FACE PLATE SCREWS ON THE LOWER HALF OF
THE MIXER. REMOVE THE FADER CAPS AND FACE PLATE.
2.UNSCREW THE FADER (B)
SCREWS. DO NOT TOUCH INSIDE
SCREWS (C). CAREFULLY
REMOVE OLD CROSS FADER AND
UNPLUG CABLE (D).
3. PLUG IN THE NEW CROSS
FADER INTO CABLE (D) AND
PLACE BACK INTO MIXER.
4. SCREW THE CROSS FADER TO
MIXER WITH THE FADER PLATE
SCREWS (B).
5. REPLACE THE LOWER HALF
FACE PLATE AND SCREW TO THE
MIXER.

Содержание PS-02

Страница 1: ...UAL BEDIENUNGSHANDBUCH MANUAL DEL OPERADOR MANUEL D INSTRUCTIONS 1 0 3 C H A N N E L S T E R E O M I X E R PROFESSIONELLER 3 KANAL STEREO MIXER MEZCLADORESTEREODE3CANALESPROFESIONAL MIXER STEREO 3 VOIES PROFESSIONNEL ...

Страница 2: ... If you are unable to insert the plug into the outlet contact your elec trician to replace your obsolete outlet Do not defeat the safety purpose of the grounding type plug POWER CORD PROTECTION Power supply cords should be routed so that they are not likely to be walked on or pinched by items placed upon or against them paying particular attention to cords at plugs convenience receptacles and the ...

Страница 3: ... 3 PS 02 FACE FACE Front REAR Front REAR ...

Страница 4: ...Headphones may be plugged into the front panel mounted HEADPHONES 22 jack 5 Microphones may be plugged into the front panel mounted MICROPHONE 21 jack 6 The PS 02 has 3 CONVERTIBLE PHONO LINE PH LN RCA INPUTS 10 14 18 located on the rear panel on either side of the RCA INPUTS Facing the rear panel the convertible RCA input on your right is for PH1 LN1 18 The convertible RCA input in the middle is ...

Страница 5: ...FADER SLOPE SWITCH 57 down to make the slope steep and cutting perfect for scratching Flip the CROSS FADER SLOPE SWITCH 57 up to make the slope gradual and gentle 9 REVERSE CONTROL The CROSS FADER REVERSE SWITCH 56 allows you to reverse the CROSS FADER so that the right side CH2 36 or CH3 43 is controlled by the left side of the CROSS FADER 46 and the left side CH1 29 or CH2 36 is controlled by th...

Страница 6: ...n Hauptverstärker bis ca 3 m Kabellänge Die 6 3 mm Klinkenbuchsen BALANCED MASTER OUTPUT 8 dienen zum Anschluß an den Hauptverstärker bei mehr als 3 m Kabellänge Die Cinchbuchsen ZONE OUTPUT 7 können zum Anschluß an einen zweiten Verstärker verwendet werden Die Cinchbuchsen REC 6 output sind für den Anschluß an ein Aufnahmegerät vorgesehen 4 Kopfhörer können an die 6 3 mm Klinkenbuchse HEAD PHONE ...

Страница 7: ...LOW MID und HIGH KILL SWITCHES 59 60 haben 3 Stellungen GESCHALTET LATCH NORMAL GETASTET FLASH Bewegen Sie einen der Schalter in die Stellung LATCH ein so wird dieser Frequenzbereich ausgeblendet In der Mittelstellung NORMAL ist die KILLFUNKTION nicht aktiv Bewegen Sie den Schalter in die Position FLASH und halten ihn fest so wird der Frequenzbereich ausgeblendet Lassen Sie den Schalter wieder los...

Страница 8: ...IZANTE DE CANAL 3 43 NOTA PARA UN ÓPTIMO RESULTADO INICIE LA MEZCLA CON LOS ROTA TIVOS DE GANANCIA 24 31 38 AL MÍNIMO REALICE TODOS LOS AJUSTES EN LOS VOLÚMENES DE SALIDA 29 36 43 ZONA 51 BALANCE 52 Y MASTER 47 ESTE PREVIENE LAS SOBRECARGAS DE SEÑAL Y DISTORSIÓN UNA VEZ FIJADO EL SONIDO SI USTED DESEA ELE VAR LA POTENCIA DE LA SALIDA AJUSTE LOS ROTATIVOS DE GANANCIA Felicidades por su compra del m...

Страница 9: ... del crossfader de manera que los CH 2 36 o CH 3 43 están controlados por el lado izquierdo Y el CH 1 29 o CH 2 36 se controla por el lado derecho NOTA CUANDO EL REVERSO 56 DE CROSSFADER ESTA ACTIVO SOLO SE INVIERTE LA FUNCIÓN DEL CROSSFADER LOS DESLIZANTES DE CANAL GANANCIA KILL Y CONTROLES DE TONO NO SE INVIERTEN 10 ASIGNACION DE CROSSFADER El control de ASI GNACIÓN DE CROSSFADER 58 se usa para ...

Страница 10: ...éaire de RÉGLAGE DE VOLUME CH 3 43 NOTE VEUILLEZ EFFECTUER LES RÉGLAGES AVEC LES POTEN TIOMÈTRES DE GAIN 24 31 38 RÉGLÉS AU MINIMUM EFFECTUEZ TOUS LES RÉGLAGES DU NIVEAU DE SORTIE À L AIDE DES FADERS LINÉAIRES DE VOLUME 29 36 43 DU VOLUME DE LA SORTIE ZONE 51 DU RÉGLAGE DE BALANCE 52 ET DU VOLUME DE SORTIE GÉNÉRALE MASTER 47 CECI AFIN D ÉVITER TOUT RISQUE DE DISTORSION 10 Nos félicitations à l occ...

Страница 11: ...E DE SON 8 CROSSFADER CURVE Le COMMUTATEUR CROSSFAD ER CURVE 57 vous permet d ajuster la courbe du crossfader Appuyez sur le bouton poussoir CROSSFADER CURVE pour produire une courbe raide et coupante parfaite pour le scratch ing La libération du bouton poussoir CROSSFADER CURVE produira une courbe progressive et modérée 9 CROSSFADER REVERSE Le CROSSFADER REVERSE SWITCH 56 vous permet de renverser...

Страница 12: ...Gemini Sound Products Corp It is recommended that all maintenance and service on this product is performed by Gemini Sound Products Corp or its authorized agents Gemini Sound Products Corp will not accept liability for loss or damage caused by maintenance or repair per formed by unauthorized personnel Worldwide Headquarters 120 Clover Place Edison NJ 08837 USA Tel 732 738 9003 Fax 732 738 9006 Fra...

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