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10

DE-10  Owner’s Manual

• MISC (Miscellaneous)

MISC 1 (Random E/R)

: Random early reflections. When applied to instruments with a slow attack, this produces a

natural feeling of air and space.

MISC 2 (Soft Random E/R)

: Random early reflections. Less high range than MISC 1, so suitable for backing tracks.

MISC 3 (Tight Random E/R)

: Random early reflections with only high-frequency components.

MISC 4 (Long E/R)

: Miraculous ambience that could not exist in the real world, with early reflections that

continue without being covered by reverberant components.

MISC 5 (Short E/R)

: Random early reflections at close spacing appear all at once. Effective for giving natural

spaciousness to pad-type sounds.

MISC 6 (Large Hall E/R)

: Early reflections of a large hall.

MISC 7 (Soft Large Hall E/R)

: Early reflections of a large hall. Gentler sound than MISC 4.

MISC 8 (Small Hall E/R)

: Early reflections of a small hall.

MISC 9 (Soft Small Hall E/R)

: Early reflections of a small hall. Gentler sound than MISC 6.

MISC 10 (Reverse E/R)

: Early reflections of reverse reverb. Effective on vocal or brass section.

MISC 11 (Gate Reverb)

: Gated early reflection with a crisp cutoff.

*

[EFFECT 1_ADJUST]

 knob (PARAM.1):

Adjust the Room Size.

*

[EFFECT 2_ADJUST]

 knob (PARAM.2):

Adjust the E/R Feedback.

*

[EFFECT 2_MIX]

 knob (PARAM.3):

Adjust the Character.

• PITCH

PITCH 1—3 (Stereo Pitch)

: Stereo pitch shift with maintaining the stereo image. Can be shifted within the range of +/- one

octave. The internal processing of each type differs, resulting in the sound character difference.
• Pitch 1: Recommended for general use.
• Pitch 2: Recommended for use when the pitch variation is small, to get a smooth sound.
• Pitch 3: Recommended for use when you do not want to alter the tone character. Note that,

however, a delay is generated.

PITCH 4—6 (Dual L-R Pitch)

: Dual pitch shift. You can hear the two different pitch shifted sound from the center. The internal

processing of each type differs, resulting in the sound character difference.
• Pitch 4: Recommended for general use.
• Pitch 5: Recommended for use when the pitch variation is small, to get a smooth sound.
• Pitch 6: Recommended for use when you do not want to alter the tone character. Note that,

however, a delay is generated.

PITCH 7—9 (Dual Mono Pitch)

: Dual pitch shift. You can hear the two different pitch shifted sound from the center. One octave

higher than PITCH(es) 4 through 6. The internal processing of each type differs, resulting in the
sound character difference.
• Pitch 7: Recommended for general use.
• Pitch 8: Recommended for use when the pitch variation is small, to get a smooth sound.
• Pitch 9: Recommended for use when you do not want to alter the tone character. Note that,

however, a delay is generated.

PITCH 10 (Pitch Delay)

: Dual pitch shift with long delay feedback. You can adjust two pitches and pitch adjustment.

PITCH 11 (Pitch Sweeper)

: Dual pitch shift with short delay feedback. You can adjust two pitches and pitch adjustment.

<PITCH-1, 2, 3>

* 

[EFFECT 1_ADJUST]

 knob (PARAM.1):

Adjust the Pitch.

* 

[EFFECT 2_ADJUST]

 knob (PARAM.2):

Not used.

* 

[EFFECT 2_MIX]

 knob (PARAM.3):

Adjust the Pitch 1/2.

<PITCH-14, 5, 6, 7, 8, 9, 10, 11>

* 

[EFFECT 1_ADJUST]

 knob (PARAM.1):

Adjust the Pitch 1.

* 

[EFFECT 2_ADJUST]

 knob (PARAM.2):

Adjust the Pitch 2.

* 

[EFFECT 2_MIX]

 knob (PARAM.3):

Adjust the Pitch 1/2.

OUTPUT 1 (L)

OUTPUT 1 (R)

PITCH

INPUT 1

INPUT 2

• CHORUS

CHORUS 1 (3D Chorus)

: Simulation of an analog three-phase chorus with great spaciousness and depth.

CHORUS 2 (Doubling Chorus)

: CHORUS 1 plus a doubling effect produced by a short delay.

CHORUS 3 (Mono Chorus)

: Center-panned chorus. Ideal for vocals or sax.

CHORUS 4 (Thin Chorus)

: Clean thin chorus

CHORUS 5 (Thin Doubling Chorus)

: CHORUS 4 plus a doubling effect produced by a short delay.

CHORUS 6 (Deep Chorus)

: Deep chorus

CHORUS 7 (Deep Doubling Chorus)

: CHORUS 4 plus a doubling effect produced by a short delay.

CHORUS 8 (Warm Chorus)

: Complex chorus using the feedback algorithm.

CHORUS 9 (Mono Warm Chorus)

: Center-panned chorus of CHORUS 8.

CHORUS 10 (SFX Chorus 1)

: SFX chorus 1. Suitable for strings, Pad, etc.

CHORUS 11 (SFX Chorus 2)

: SFX chorus 2. Suitable for strings, Pad, etc.

* 

[EFFECT 1_ADJUST]

 knob (PARAM.1):

Adjust the Chorus Depth.

* 

[EFFECT 2_ADJUST]

 knob (PARAM.2):

Not used.

* 

[EFFECT 2_MIX]

 knob (PARAM.3):

Not used.

OUTPUT 1 (L)

OUTPUT 1 (R)

CHORUS

INPUT 1

INPUT 2

OUTPUT 1 (L)

OUTPUT 1 (R)

MISC

INPUT 1

INPUT 2

Содержание DE-10

Страница 1: ...ngle 1 and 2 Mode works as a 2 Input 2 Output Multi Effect Processor You can use the unit by connecting it to the AUX Send and AUX Return of an Audio Mixer for a recording Also you can directly connect the output from your musical instruments Line Level only to the unit so that it will be a useful aid in your live performance To fully exploit all of its many useful features and functions we recomm...

Страница 2: ...gle is intended to alert the user to the presence of uninsulated dangerous voltage within the product s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance servicing instructions in the literature accompanying the appl...

Страница 3: ...xcessive moisture or dust Locations where direct sunlight falls for an extended time or near a stove or other source of heat Locations where electrical voltage varies Unstable locations or where there is heavy vibration Near strong magnetic fields on top of a television or speaker Table of Contents Precautions please read before use Precautions please read before use 3 Digital Effect Functions 4 T...

Страница 4: ...directly reaches the ears from the sound source The Early Reflection sound means the sound that comes after the Direct sound and has rebound off the wall of the tunnel up to a few times The Late Reflection sound means that the sound rebounds many times long after the Direct sound has disappeared Our ears normally hear the Direct sound Early Reflection sound Late Reflection sound in that order Dela...

Страница 5: ...oom reverb simulating a live space with low density reverberation ROOM 5 Vivid Room All purpose room reverb with few early reflections and good definition ROOM 6 Off Mic Room reverb with reverberation concentrated in the center ROOM 7 Hard Wall Drum Booth Room reverb simulating a drum booth with hard walls Crisp and good for percussion as well ROOM 8 Wood Wall Drum Booth Room reverb simulating a d...

Страница 6: ...ling Stereo doubling delay DELAY 9 Lo Freq Delay Delay Type 1 with only the low frequency components DELAY 10 Hi Freq Delay 1 Delay Type 2 with only the high frequency components DELAY 11 Hi Freq Delay 2 Delay Type 1 with only the high frequency components ADJUST knob Adjust the Delay Time DLY REV Delay Reverb DLY REV 1 Mono Delay Hall Reverb Mono delay hall reverb DLY REV 2 L R Delay Hall Reverb ...

Страница 7: ...ck FLANGE 11 Mono Single Flange Lo Feedback One effect heard from the center Light feedback ADJUST knob Adjust the modulation speed of the flanging PITCH PITCH 1 3 Pitch 1oct Pitch shift with a variable range of 1 octave No pitch shift when ADJUST 0 Select one of three variations PITCH 1 is normal PITCH 2 has faster response and PITCH 3 is clearest PITCH 4 6 Pitch Shift Up Pitch shift with a varia...

Страница 8: ...n ROOM 10 Back Stage Amazing room reverb with a light flanging effect ROOM 11 Hi Freq Room Special reverb with flanging applied to the early reflections of the room EFFECT 1_ADJUST knob PARAM 1 Adjust the Reverb Time EFFECT 2_ADJUST knob PARAM 2 Adjust the E R Level EFFECT 1_MIX knob PARAM 3 Adjust the Character S HALL Small Hall S HALL 1 Natural Small Hall Same as DUAL mode S HALL 1 but higher de...

Страница 9: ... OUTPUT 1 L OUTPUT 1 R PLATE INPUT 1 INPUT 2 DLY REV Delay Reverb DLY REV 1 Mono Delay Reverb Mono delay with reverberation DLY REV 2 Long Mono Delay Reverb Long mono delay with reverberation DLY REV 3 L R Delay Reverb Panning delay with reverberation DLY REV 4 Long L R Delay Reverb Long panning delay with reverberation DLY REV 5 Short Delay Reverb Short delay with reverberation DLY REV 6 Lo Freq ...

Страница 10: ...pitch variation is small to get a smooth sound Pitch 6 Recommended for use when you do not want to alter the tone character Note that however a delay is generated PITCH 7 9 Dual Mono Pitch Dual pitch shift You can hear the two different pitch shifted sound from the center One octave higher than PITCH es 4 through 6 The internal processing of each type differs resulting in the sound character diffe...

Страница 11: ...cial dual flanger in which two types of flanging effects fly around complicatedly Slow rate FLANGE 8 Dual Flange Faster Special dual flanger in which two types of flanging effects fly around complicatedly Fast rate FLANGE 9 Mono Dual Flange Special mono dual flanger in which two types of flanging effects fly around complicatedly Fast rate FLANGE 10 Hi Freq Flange Special flanger which applies a fl...

Страница 12: ... R Level EFFECT 2_MIX knob PARAM 3 Adjust the Character OUTPUT 1 L OUTPUT 1 R ROOM INPUT 1 INPUT 2 S HALL Small Hall S HALL 1 Special Small Hall 1 Hall reverb simulating a small hall with ideal acoustic characteristics which applies soft early reflection sound S HALL 2 Special Small Hall 2 Hall reverb simulating a small hall which applies different early reflection sound from L HALL 1 S HALL 3 Sma...

Страница 13: ...b PARAM 3 Adjust the Gate Threshold MIC SIM Microphone Simulation MIC SIM 1 Trad Condenser 3k Low Cut Off Simulates the sound of a multipurpose professional condenser microphone with a large diaphragm Its warm and transparent sound is suitable for a vocal as well as a drum overhead or guitar amplifier MIC SIM 2 Trad Condenser 3k Low Cut On Simulates the sound of MIC SIM 1 above with the Low Cut sw...

Страница 14: ...und with a moderate flanging effect G MULTI 2 4 Deep Flange Distortion Distortion guitar sound with a deep flanging effect G MULTI 2 5 Thin Metal Flange Metal distortion with thin flanging effect G MULTI 2 6 Deep Metal Flange Metal distortion with deep flanging effect G MULTI 2 7 Blues Lead Natural and mild lead guitar sound G MULTI 2 8 Distortion Lead Bright lead guitar sound by applying a short ...

Страница 15: ...L while Input 2 routes to Output 2 R V MULTI 11 Mute No signal is output from Output 1 2 Parameter Settings Non BASS MULTI B MULTI 1 Normal Bass Normal bass sound with compression tuned for a bass B MULTI 2 Slap Bass Slap bass sound with compression and natural modulation B MULTI 3 Fretless Bass Deeply moderated bass sound B MULTI 4 Distortion Bass 1 Slightly distorted bass sound which stands out ...

Страница 16: ... does not function in the single 1 or 2 mode We recommend to adjust the INPUT LEVEL control on the rear panel appropriately so that this indicator sometimes lights up 9 EFFECT 2 VARIATION switch Selects the variation for the effect type selected for EFFECT 2 in the dual mode This switch does not function in the single 1 or 2 mode You can select from among 11 variations as same as EFFECT 1 10 EFFEC...

Страница 17: ...he L MONO jack is plugged it feeds the summed signal of L and R 4 OUTPUT 1 jacks L MONO R In the dual mode these jacks feed the EFFECT 1 sound in stereo L and R In the single mode they feed the selected effect sound in stereo L and R When only the L MONO jack is plugged it feeds the summed signal of L and R 5 LINE INPUT 2 jack Input level control This jack is used to connect to a line level 10 dBV...

Страница 18: ...tes when the input signal to be monitored reaches 6 dB below the clipping level Adjust the input level appropriately so that the PEAK indicator occasionally flickers If you hear the output sound distorted though the PEAK indicator does not steadily light or illuminate so often it may be due to the signal level increase in the effect processing In such a case reduce the input level so that the outp...

Страница 19: ...2 PARAM 2 MIX PARAM 3 EFF MUTE EFFECT 2 ADJUST PARAM 1 EFFECT 1 PEAK PEAK ADJUST 1 TYPE VARIATION DELAY PITCH FLANGE VOCAL L HALL ROOM DLY REV S HALL PLATE MISC CHO 5 1 1 7 3 6 2 4 10 8 9 TYPE VARIATION G J K E A C MIX EFF DRY DUAL SINGLE1 F B D H I 5 1 11 7 3 6 2 4 10 8 9 EFF DRY DRY EFF DRY EFF PROCESSORS MULTI EFFECT DUAL POWER CHORUS MISC FLANGER PITCH DELAY DISTORTION G MULTI 1 G MULTI 2 B MU...

Страница 20: ...T control respectively MODE SINGLE 1 DUAL SINGLE 2 SINGLE 1 DUAL SINGLE 2 A B C D E F G H I J K L HALL S HALL ROOM PLATE VOCAL DELAY REV L HALL S HALL ROOM PLATE MIC SIM AMP SIM DELAY MISC CHORUS PITCH FLANGER DISTORTION G MULTI 1 G MULTI 2 B MULTI VO MULTI SW MODE SW 3 Set the VARIATION switch to the desired position 4 Using the ADJUST PARAM 1 through PARAM 3 controls adjust the effect parameters...

Страница 21: ...ne jack unbalanced Input Impedance 20kΩ or more Input Level 10dBV MIC GUITAR x 1 Connector ø 6mm phone jack unbalanced Input Impedance 500kΩ or more Input Level 55dBV 15dBV Controllable OUTPUT x 4 Connector ø 6mm phone jack unbalanced Output Impedance 10kΩ or more Output Level 10dBV FOOT SW Connector ø 6mm phone jack Optional Model 8051 OTHERS Frequency Response 20kHz 20kHz TYPICAL Dynamic Range 9...

Страница 22: ...itzerland TEL 41 1 4323230 FAX 41 1 4326558 UK NAME SCV London ADD 40 Chigwell Lane Oakwood Hill Industrial Estate Loughton Essex IG10 3NY U K TEL 44 20 8418 0778 FAX 44 20 8418 0624 AUSTRIA NAME ATEC Audio u Videogeraete VertriebsgesmbH ADD Im Winkel 5 A 2325 Velm Austria TEL 43 2234 74004 FAX 43 2234 74074 BELGIUM NAME General Audio ADD Albert Temmerstraat 21 1731 Zellik Belgium TEL 32 2 4630650...

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