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Thank you for choosing the Fishman Pocket Blender.  Our goal is to provide you with acoustic amplification
products that will simply let you sound your best.  With our long-standing commitment to quality, you can
feel confident that your Fishman gear will produce great sound and trouble-free performance for years to
come. Please take a few minutes to read this guide and familiarize yourself with the system.  Your satisfaction
is very important to us. If you have any questions or comments, please contact us at [email protected] or
by phone at 978-988-9665. 

C

ONTENTS

Introduction ......................................................................

1

2

Install pickup/Microphone on the instrument  ...................

1

3

Quick Start .......................................................................

1

Features ...........................................................................

1

5

Power Options ..................................................................

1

6

Front Panel 

Microphone Channel  ............................................

1

6

Transducer Channel  ............................................

1

7

Master Section  .....................................................

1

8

Rear Panel .......................................................................

1

8

Suggested Input Options ................................................. 10
Suggested Output Options  .............................................. 12
Outputs/Effects Loops  ..................................................... 13
Trouble Shooting  ............................................................. 14
Optional Accessories ....................................................... 15
Specifications ................................................................... 15
Block Diagram   ................................................................ 16
Appendix - The Microphone   ........................................... 17

I

NTRODUCTION

: T

HE

B

LENDER

S

YSTEM

The Fishman Pocket Blender is a compact yet full-featured
2-channel outboard mixer/preamp designed for acoustic
stringed instruments.  It is specifically set up for blending a
pickup with an onboard miniature microphone. 

1 - Microphone and Pickup (Transducer)

Everyone loves the way a microphone captures the natural
ambience and resonance of an acoustic instrument.  But
microphones have a downside; they feedback when you
crank up the volume and tend to get lost in the mix when
there are other amplified instruments onstage.  Pickups
deliver a balanced high output signal with low feedback,
but they can sound somewhat dry compared to
microphones.  

MINI-MICROPHONE MOUNTED ON

X-BRACE NEAR SOUNDHOLE

UNDER-SADDLE PIEZO

TRANSDUCER

2

P o c k e t   B l e n d e r

High Frequency Feedback

The microphone's rising response can create a feedback loop with a high frequency driver in your speaker system.  This feedback
usually starts above 1.5 kHz, peaks at 4 kHz and subsides at 9 kHz. There are several approaches to minimizing high frequency
feedback:

1. Strategic Positioning: This works best in low to medium volume settings.  The simplest solution for this type of feedback is to keep
the microphone out of the path of the loudspeaker.

You can do this by:

a. Avoid standing directly in front of your amp.

b. Send separate mix and transducer signals to your soundman and have only the transducer signal sent to your stage
monitor.

2. Turn down the treble control on microphone channel.

3. Reverse phase switches on both channels.

4. Insert an outboard equalizer after the Pocket Blender's output (i.e.):

a. EQ with sweepable frequencies: The Fishman Pro EQ Platinum has sweepable frequencies to let you dial out high
freq. feedback. 

b. Parametric EQ: We suggest cutting 5 dB at 4 kHz, with a 1.5 octave bandwidth (Q).

c. Graphic EQ: Cut 3 dB at 1.2  kHz. Gradually increase the amount of cut to -9 dB at 4-5 kHz. Above 5 kHz, gradually
decrease the amount of cut to -3 dB at 10 kHz.

19

P o c k e t   B l e n d e r

20

dB 0

-30

-10

-20

-30

-20

-10

100

1k

10k 20k

FIG. 1

20

dB 0

-30

-10

-20

-30

-20

-10

100

1k

10k 20k

FIG. 2

20

dB 0

-30

-10

-20

-30

-20

-10

100

1k

10k 20k

Содержание POCKER BLENDER

Страница 1: ...Pocket Blender Acoustic Instrument Preamp U s e r G u i d e...

Страница 2: ...ut Options 10 Suggested Output Options 12 Outputs Effects Loops 13 Trouble Shooting 14 Optional Accessories 15 Specifications 15 Block Diagram 16 Appendix The Microphone 17 INTRODUCTION THE BLENDER SY...

Страница 3: ...ia XLR and 1 4 outputs An effects loop is also included for each channel INSTALLING A PICKUP CROWN GLM 200 MICROPHONE COMBINATION ON YOUR INSTRUMENT Before you begin using your Pocket Blender have a r...

Страница 4: ...place between red wire and sleeve Note The banded side of the diode must be closest to the red wire For use with the Pocket Blender plug the mic into the RING jack of a stereo Y cable available from F...

Страница 5: ...MICROPHONE VOLUME 3 MICROPHONE BASS CONTROL 4 MICROPHONE TREBLE CONTROL 5 TRANSDUCER VOLUME CONTROL 6 TRANSDUCER BASS CONTROL 7 TRANSDUCER TREBLE CONTROL 8 BATTERY LOW LED 9 MASTER VOLUME CONTROL 10...

Страница 6: ...ophone at around 12 00 see Trim instructions below Bass And Treble These shelving style tone controls provide basic equalization for the Microphone Channel Set them at 12 00 for no cut or boost flat P...

Страница 7: ...ced to suit your taste Hi Cut Switch Push in this switch to reduce microphone feedback Lo Cut Switch Push in this switch to roll off excessive boominess in the Microphone Channel especially for guitar...

Страница 8: ...your volume settings With the mute engaged you can also silently disconnect the cable from your instrument without a loud pop through the speakers The mute switch is also useful with an electronic tun...

Страница 9: ...or Broadcast Feed Since the sends are not affected by any of the front panel volume controls you can plug them into an external DI for a fixed level signal for recording or radio gear Returns The micr...

Страница 10: ...volume volume trim trim phase phase mute hi lo bass bass volume treble treble battery low POCKET BLENDER input microphone ring transducer tip phantom power ground lift 9V effects loop send microphone...

Страница 11: ...Stereo Y cable p n ACC BLE CBY This signal goes to the transducer channel Signal from magnetic pickup is sent through a mono instrument cable to the ring jack of a Stereo Y cable p n ACC BLE CBY This...

Страница 12: ...nd then into the PA Have the soundman put only this signal through the stage monitors to help reduce feedback Th Th C Th Th P S W m R Th on Fo O Pl Pl G U ou an Bl 12 Pocket Blender input microphone r...

Страница 13: ...ucer effects send makes a perfect output signal for electronic tuners input microphone ring transducer tip phantom power ground lift 9V effects loop send microphone Made in the USA transducer return s...

Страница 14: ...TION SYMPTOM TYPICAL CAUSE SOLUTION MUTE SWITCH IN SET MUTE SWITCH TO OUT POSITION MICROPHONE IS DEAD AND PICKUP APPEARS IN MICROPHONE CHANNEL MICROPHONE AND PICKUP ARE WIRED TO STEREO OUTPUT JACK BAC...

Страница 15: ...olin pickup and mini mic pre wired to a Carpenter style output jack Mic Stand Adapter Allows you to mount the Pocket Blender on any Microphone stand 15 Stereo Cable 15 Premium Stereo Cable Stereo Y Ca...

Страница 16: ...EBLE CONTROLS PHASE TRANSDUCER VOLUME MICROPHONE VOLUME MASTER VOLUME BASS TREBLE CONTROLS TRIM TRANSDUCER EFFECTS SEND MICROPHONE EFFECTS SEND TRANSDUCER EFFECTS RETURN MICROPHONE EFFECTS RETURN TRIM...

Страница 17: ...ost stringed instruments The microphone with a TRS stereo jack included can be attached to the instrument using one of the following mounting systems GMA Guitar Microphone Assembly The Microphone is m...

Страница 18: ...wever the Microphone will feedback at the instrument s cavity resonance This can be easily remedied by notching out the feedback with an external equalizer see below Placing the Microphone over the so...

Страница 19: ...nsducer signals to your soundman and have only the transducer signal sent to your stage monitor 2 Turn down the treble control on microphone channel 3 Reverse phase switches on both channels 4 Insert...

Страница 20: ...ry from state to state Return Policy To return products to FISHMAN TRANSDUCERS you must follow these steps 1 Call FISHMAN TRANSDUCERS at 978 988 9199 for a Return Authorization Number RAN 2 Enclose a...

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