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FIGURE 5

FENDER SPL 6000 OR
SPL 9000 POWER AMPLIFIER

SPEAKER

OUT

MAIN  OUT

AN ILUSTRATION USING AN AUXILIARY POWER AMP AND ADDITIONAL SPEAKERS ON THE MAINS FOR 
MORE POWER, AND THE BUILT IN SR POWER AMP TO POWER UP TO 4 STAGE MONITOR LOUDSPEAKERS.  
BUILT IN GEQ NOW WORKS ON MONITORS.

8

8

4

total

8

8

4

total

Fender

Main P.A.
Speakers 

Power amp input (dual mono mode)

4

total

Fender Monitors

(1272A 16

 , 1275A 16

 

1282 Mk.II 8

 or 1285 Mk.II 8

 )

SPL 6000

GRAPHIC EQUALIZER

SPEAKER
OUTPUTS

E L E C T R O N I C S

MAX.

EFF./REV.

00

+15

HIGH

-15

+15

LOW

-15

MAX.

MON.

00

MICROPHONE

LINE

3

MAX.

EFF./REV.

00

+15

HIGH

-15

+15

LOW

-15

MAX.

MON.

00

4

MAX.

EFF./REV.

00

+15

HIGH

-15

+15

LOW

-15

MAX.

MON.

00

MAX.

EFF./REV.

00

+15

HIGH

-15

+15

LOW

-15

MAX.

MON.

00

6

MID

+15

-15

MID

+15

-15

MID

+15

-15

MID

+15

-15

MAIN

MAIN

MAIN

MAIN

MICROPHONE

MICROPHONE

MICROPHONE

LINE

LINE

LINE

MAX.

EFF./REV.

00

+15

HIGH

-15

+15

LOW

-15

MAX.

MON.

00

MICROPHONE

LINE

1

MAX.

EFF./REV.

00

+15

HIGH

-15

+15

LOW

-15

MAX.

MON.

00

MID

+15

-15

MID

+15

-15

MAIN

MAIN

MICROPHONE

LINE

MAIN

OUTPUT

MONITOR

OUTPUT

EFF. OUTPUT

REVERB

FOOTSWITCH

GEQ

OUTPUT

GEQ

INPUT

PWR. AMP

INPUT

SYSTEM PATCH BAY

PHANTOM

POWER

OFF

ON

12

12

9

9

6

6

3

3

0

0

3

3

6

6

9

9

12

12

-dB

-dB

+dB

+dB

63

125

250

500

1K

2K

4K

8K

16K

GRAPHIC EQUALIZER

D S P   P O W E R E D   M I X E R

AUX.

INPUT

SPECIAL

EFFECTS

REVERSE REVERB

DELAYS

GATED REVERB

DARK

BRIGHT

LARGE PLATE REV.

DARK

BRIGHT

SMALL PLATE REV.

BRIGHT

DARK

BRIGHT

DARK

BRIGHT

DARK

BRIGHT

DARK

8-LONG

7

6

5

4

3

2

1-SHORT

REVERB

REGENERATION

DEFEAT

DELAY + REVERB

TAPE ECHO

DOUBLE HIT

DELAY

MULTI-TAP

DELAY

REVERB /

DELAY TIME

LARGE ROOM REV.

SMALL ROOM REV.

LARGE HALL REV.

SMALL HALL REV. 

DEFEAT

DIGITAL REVERB and EFFECTS

E L E C T R O N I C S

TAPE

INPUTS

TAPE

OUTPUTS

REVERB RETURN

TO MAIN

MAX.

00

MAIN

MASTER

MAX.

00

REVERB RETURN

TO MONITOR

MAX.

00

MONITOR

MASTER

MAX.

00

AUX. LEVEL

MAX.

00

EFF./REV. 

SEND LEVEL

MAX.

00

POWER

DELTACOMP

TM

OFF

ON

TRIPLE HIT

DELAY

2

5

SR6520PD

Содержание SR-6520PD

Страница 1: ...Owner s Manual for SR 6520PD SR 8520PD P N 049152...

Страница 2: ...TOM POWER 2 3 10 DELTACOMPTM 2 3 11 POWER LED 2 4 PATCH BAY 2 4 1 MAIN OUTPUT 2 4 2 MONITOR OUTPUT 2 4 3 EFF OUTPUT REVERB FOOTSWITCH 2 4 4 GEQ OUTPUT 2 4 5 GEQ INPUT 2 4 6 AUX INPUT 2 4 7 TAPE INPUTS...

Страница 3: ...PUT GEQ INPUT POWER AMP SPEAKER OUTPUT 2 OHM MINIMUM EFFECTS OUTPUT REVERB FT SW EFF REV SEND LEVEL MONITOR OUTPUT MONITOR MASTER REVERB RETURN TO MONITOR REVERB RETURN TO MAIN AUX LEVEL AUX INPUT R L...

Страница 4: ...ed for balanced input signals from low impedance microphones To avoid clipping in the input stage signal levels should not exceed 0 8 VRMS Higher amplitude signals such as balanced line levels signals...

Страница 5: ...tor LED Engaging the switch applies 15 volts of phantom power to all the XLR microphone input con nectors for powering electret condenser microphones When the LED is illuminated the phantom power is o...

Страница 6: ...uted to the Main buss by way of the AUX LEVEL control In emergencies it is possible to use the AUX INPUT as a line level preamp channel although it lacks the preamp channel s equalization monitor and...

Страница 7: ...is 5 straight up Assuming that the various vocalists use similar miking techniques and sing at similar volumes the levels appearing in the monitor mix should be fair ly matched Further adjustments ca...

Страница 8: ...pad A 30 dB pad can be made by using a Switchcraft con nector part S3FM with the resistor network shown in Figure 4 4 5 PATCHING Figures 5 through 8 show possible ways of patching external equipment...

Страница 9: ...y 1 28V RMS Input Impedance 22k DELTACOMPTM Range 20dB PRE AMPLIFIER SECTION LOW Z Input Impedance 1 82k HI Z Input Impedance 18 2k HI Z Input Sensitivity for 520W 55mV RMS MAIN MASTER and Channel MAI...

Страница 10: ...VERB TAPE ECHO DOUBLE HIT DELAY MULTI TAP DELAY REVERB DELAY TIME LARGE ROOM REV SMALL ROOM REV LARGE HALL REV SMALL HALL REV DEFEAT DIGITAL REVERB and EFFECTS E L E C T R O N I C S TAPE INPUTS TAPE O...

Страница 11: ...OUTPUT MONITOR OUTPUT EFF OUTPUT REVERB FOOTSWITCH GEQ OUTPUT GEQ INPUT PWR AMP INPUT SYSTEM PATCH BAY PHANTOM POWER OFF ON 12 12 9 9 6 6 3 3 0 0 3 3 6 6 9 9 12 12 dB dB dB dB 63 125 250 500 1K 2K 4K...

Страница 12: ...4 2 2 4 8 16 CHART A Parallel Impedance Example Cabinet A is 8 ohms Cabinet B is 4 ohms The total impedance when connected in parallel is 1 2 7 ohms 1 8 1 4 2 n 1 1 1 Z 1 Z 1 Z Zp 18 20 24 32 10 12 1...

Страница 13: ...HIGH 15 15 LOW 15 MAX MON 0 0 MICROPHONE LINE 1 MAX EFF REV 0 0 15 HIGH 15 15 LOW 15 MAX MON 0 0 MID 15 15 MID 15 15 MAIN MAIN MICROPHONE LINE MAIN OUTPUT MONITOR OUTPUT EFF OUTPUT REVERB FOOTSWITCH G...

Страница 14: ...INE MAIN OUTPUT MONITOR OUTPUT EFF OUTPUT REVERB FOOTSWITCH GEQ OUTPUT GEQ INPUT PWR AMP INPUT SYSTEM PATCH BAY PHANTOM POWER OFF ON 12 12 9 9 6 6 3 3 0 0 3 3 6 6 9 9 12 12 dB dB dB dB 63 125 250 500...

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