Fender Princeton 650, Руководство пользователя

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Your new Princeton
®
650 amplifier delivers world–class
Fender ® tone and world–standard Fender ® DSP technology:
• 65W of output power @ 8 ohms
• Seven Timbre filters for total tone control
• Digital Signal Processing
• 16 FX SELECTIONS
• Selectable Normal and Drive channels with independent
volume and tone controls
• PRE-AMP OUT and POWER-AMP IN jacks
• FOOTSWITCH jack for connecting a 2-button Fender
®
footswitch (optional) for remote activation of:
(1) Channel Select, (2) Effects
•
• Built in Tuner
Thank you for choosing Fender Thank you for choosing Fender ® ®
The W The W orld’ orld’ s most popular instr s most popular instr ument amplifiers—since 1946 ument amplifiers—since 1946
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A. INPUT - Plug-in connection for your guitar.
B. VOLUME - Adjusts the loudness of the Normal channel.
C. TREBLE / BASS - Adjusts the high– and low–frequency
tone of the Normal channel.
D. CHANNEL SELECT -
OUT Normal channel {B–C}
IN Drive channel {E–G}
E. DRIVE - Adjusts the distortion level of the Drive channel.
F. VOLUME - Adjusts the overall loudness of the
Drive channel.
G. TREBLE / MID / BASS - Adjusts the high–, middle– and
low–frequency tone of the Drive channel.
H. TIMBRE - Press repeatedly to select an amp character as
indicated by the LEDs. Your selection is stored and
automatically activated for each channel (Normal,
Drive 1).
TIMBRE FILTERS: These pre-set Equalizer curves allow
the Dyna–Touch amps to create seven very different
voices on each channel.
FLAT —Preamp and Power Amp
signal without further equalization. BRIGHT —Treble
boost, especially effective for brightening the tone of
double–coil pickups.
DARK —Treble cut, especially
effective for traditional Jazz tones with the Normal
channel.
DEEP —Bass boost, especially effective for
beefing up the tone of single–coil pickups. SCOOP —A
severe low–mid scoop with bass boost designed for
modern distortion tones.
SQUAWK —A strong mid peak
reminiscent of a partially depressed Wah–Wah pedal;
great for distorted solos that need to cut through the mix.
ACOUSTIC —Simulates the sound of an
acoustic–electric guitar with extreme high treble boost
and bass boost; best with the Normal channel.
Note:
This much Timbre flexibility requires that you use a little
common sense! It is possible to get “too much of a good
thing,” such as undesirable treble harshness or bass
boominess depending on your particular guitar, playing
style and knob settings.
I. TUNER - Activates the tuner and mutes audio output.
Strike a string and the top row of LEDs indicate the
nearest note. Sharp/flat notes are indicated by two
LEDs; for example, A and B light up to indicate A sharp
(B flat). The bottom row of LEDs indicate fine tuning.
J. EFFECTS LEVEL - Adjusts the level of the active effect.
K. EFFECTS SELECT - Selects the active effect (see next
page).
L. TIME/RATE - Adjusts the interval length / modulation
speed of the active effect (see next page).
Rear Panel
M. POWER SWITCH - Switches the amplifier
on / off.
N. POWER CORD SOCKET - Connect the
included power cord in accordance with the
voltage and frequency ratings listed on the rear
panel of your amplifier.
O. PRE AMP OUT / POWER AMP IN -
Effects Loop - Connect PRE AMP OUT to an effects
device input, then connect the effects device output to
PWR AMP IN.
Multiple Amps - Connect the primary unit’s PRE AMP
OUT to the auxiliary unit’s PWR AMP IN. The primary
unit is used to control all auxiliary units.
Recording or Reinforcement - Connect PRE AMP OUT
to the input jack of sound equipment.
Use TS (Tip-Sleeve) standard type plugs with
these jacks. PRE AMP OUT signal includes onboard
tone shaping and DSP effects processing.
P. FOOTSWITCH - Connect the
2-button Fender footswitch (optional)
at this jack to enable remote switching
of CHANNEL SELECT and EFFECTS. When plugged in,
the footswitch buttons override the corresponding front
panel controls.