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9

5.

Connect each of your microphones, instruments 

and other sound sources into separate channels 

using the appropriate type of input jack. Use the 

mono channels on the left for monophonic sources 

such as microphones and use the stereo channel 

on the right for stereo/mono sources such as CD 

players, MP3 players, keyboards and other line-level 

audio devices.

T

6.

Rotate the MASTER VOLUME knob and all channel

VOLUME knobs fully counter-clockwise to start.

PAD

PAD

PAD

STEREO INPUT

TONE

TONE

TONE

TONE

MASTER VOLUME

L/MONO INPUT

INPUT

INPUT

INPUT

RIGHT INPUT

INPUT

INPUT

INPUT

2

3

4/5

1

PHONES

OUT

LEVEL

POWER

VOLUME

VOLUME

VOLUME

VOLUME

7.

Turn on all equipment connected to the Passport first, 

then switch the Passport on. The Power LED on the 

Passport should illuminate green.

PAD

PAD

PAD

STEREO INPUT

TONE

TONE

TONE

TONE

MASTER VOLUME

L/MONO INPUT

INPUT

INPUT

INPUT

RIGHT INPUT

INPUT

INPUT

INPUT

2

3

4/5

1

PHONES

OUT

LEVEL

POWER

VOLUME

VOLUME

VOLUME

VOLUME

8.

Turn the MASTER VOLUME knob up to 1/4 volume.

PAD

PAD

PAD

STEREO INPUT

TONE

TONE

TONE

TONE

MASTER VOLUME

L/MONO INPUT

INPUT

INPUT

INPUT

RIGHT INPUT

INPUT

INPUT

INPUT

2

3

4/5

1

PHONES

OUT

LEVEL

POWER

VOLUME

VOLUME

VOLUME

VOLUME

VOLUME

9.

Connect a microphone (or other source) and use 

it at the intended level, while slowly turning up 

that channel's VOLUME knob. Watch the signal 

LED above the VOLUME knob. The LED illuminates 

green when small signals are present, changes to 

yellow when the signal is strong, and turns RED 

when clipping (distortion) occurs from too strong 

of signals. For best performance, set the VOLUME 

and TONE controls so that the LED is yellow 

or green.  If the LED is turning red, reduce the 

VOLUME or TONE knob settings. If the LED is still

turning red after adjusting VOLUME/TONE, press 

the PAD button in.

PAD

PAD

PAD

STEREO INPUT

TONE

TONE

TONE

TONE

MASTER VOLUME

L/MONO INPUT

INPUT

INPUT

INPUT

RIGHT INPUT

INPUT

INPUT

INPUT

2

3

4/5

1

PHONES

OUT

LEVEL

POWER

VOLUME

VOLUME

VOLUME

VOLUME

10.

Set up each of the other channels in the same way. 

Use the channel VOLUME knobs to adjust the 

relative loudness of each 

channel until you get the 

right overall balance, then 

use the MASTER VOLUME 

knob to adjust everything 

together.

11.

Start with each of the TONE knobs in the center 

detent position. At this setting they 

have no equalization effect. From 

there you can experiment by 

turning each TONE control to see 

what sounds best to you. If possible, have someone 

walk to each corner of the room and make sure the 

settings and speaker positions provide clear and 

consistent coverage throughout your audience. 

 

Basic set-up is now complete! The following pages 

contain detailed information on each of the Fender 

Passport Conference's many features.

PAD

PAD

PAD

STEREO INPUT

TONE

TONE

TONE

TONE

MASTER VOLUME

L/MONO INPUT

INPUT

INPUT

INPUT

RIGHT INPUT

INPUT

INPUT

INPUT

2

3

4/5

1

PHONES

OUT

LEVEL

POWER

VOLUME

VOLUME

VOLUME

VOLUME

PAD

PAD

PAD

STEREO INPUT

TONE

TONE

TONE

TONE

MASTER VOLUME

L/MONO INPUT

INPUT

INPUT

INPUT

RIGHT INPUT

INPUT

INPUT

INPUT

2

3

4/5

1

PHONES

OUT

LEVEL

POWER

VOLUME

VOLUME

VOLUME

VOLUME

EN

GL

ISH

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