Fender Mustang LT50, Руководство пользователя

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MUSTANG LT50 EFFECT MODELS
This table lists the effect models in Mustang LT50, organized into the four categories that appear in each pre-
set—STOMP (stompbox), MOD (modulation), DELAY and REV (reverb). The effects labels used in each preset
appear in the lefthand column, followed by the effects types and a brief description in the righthand column.
STOMPBOX EFFECTS
OVERDRIVE
Versatile Fender overdrive specially designed for Mustang LT50
BLUES DRIVE
Overdrive effect inspired by the original late-’70s Ibanez TS808 Tube Screamer
MYTH DRIVE
Overdrive effect inspired by the ’90s-era Klon Centaur
ROCK DIRT
Distortion effect inspired by the Pro Co RAT
FUZZ
Versatile Fender fuzz with variable low-end response specially designed for Mustang LT50
BIG FUZZ
Distortion effect inspired by the Electro-Harmonix Big Muff
OCTOBOT
Synth-like combination of octave-down effect plus octave-up fuzz
COMPRESSOR
Compressor effect inspired by the classic MXR Dyna Comp
SUSTAIN
Inspired by the MXR M-163 Sustain, a rare 1980s compressor pedal with an especially
strong compression effect and short attack time
METAL GATE
Noise gate with a very fast attenuation curve especially ideal for high-gain metal
5-BAND EQ
Five-band graphic equalizer
MODULATION EFFECTS
CHORUS
Distinctive chorus effect that uses a triangle wave for modulation
FLANGER
Distinctive flanging effect that uses a triangle wave for modulation
VIBRATONE
Classic late-’60s/early-’70s Fender effect with a rotating speaker baffle
TREMOLO
Smoothly pulsating tube bias tremolo, as heard in amps
such as the Fender Princeton Reverb
PHASER
Long-indispensable jetliner “whoosh” heard on countless recordings
STEP FILTER
Rhythmically choppy effect that dices notes into distinctly alternating “steps”
TOUCH WAH
Wah effect controlled by picking dynamics rather than an expression pedal
All non-FMIC product names and trademarks appearing in this manual are the property of their respective owners and are used solely to identify the products whose tones
and sounds were studied during sound model development for this product. The use of these products and trademarks does not imply any affiliation, connection, sponsor-
ship, or approval between FMIC and with or by any third party.
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