Electro-Voice X-Line Xvls Скачать руководство пользователя страница 13

SUMMARY

Many claims have been made in recent years as to the

“unique” performance characteristics of modern line array 
systems. The simple reality is that, for standard, curved or “j”
arrays the performance is very well behaved because the device
spacing and cabinet spacing are always small or comparable to
the wavelengths being radiated. It is simple and straight forward.
The attenuation of SPL is 6dB per every doubling of distance
from the system (in the far field). That is exactly the behavior
of a classical spherical radiating source. It is true that linear
sources can exhibit a reduction of only 3dB for each doubling
of distance but this occurs only in a limited section of the
near to far field transition and is frequency dependent. What is
more noteworthy is that this 3dB per doubling of distance
behavior is only possible when the array geometry is perfectly
flat. Initial line array users attempted to use flat arrays and
always noted unacceptable included vertical angle performance
(whether indoors or outdoors) and also noted extreme difficulty
in matching the SPL coverage versus distance in the venue
with the flat array’s major lobe (for curved arrays the near field

behavior is likely between 3dB and 6dB per doubling of distance
and is very difficult to quantify). 

It should also be noted that line arrays, although offering

substantial benefits, are not suited for all applications. A line
array needs proper aiming or sub standard performance will
result. Line arrays are not suited for low ceiling venues or 
venues that don’t generally match the included horizontal
angle of the system. Conventional “cell arrays” of high Q 
elements, although suffering from all of the polar lobing errors
noted in this paper, are often a better overall solution for low
ceiling environments or long and narrow rooms.

Any attempts to use line arrays without good “application

specific” aiming software can result in more frustration than
success. Many manufacturers offer good line array CAD routines
that will enable an educated user to achieve excellent results.

An additional advantage of aiming software is that it can

be an excellent educational tool. A novice user can quickly
work through a large variety of line array geometry and venue
styles and easily see all of the concepts discussed in the paper
come into practice. 

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Содержание X-Line Xvls

Страница 1: ...gure 3 that a high frequency horn was employed above that frequency limit in order to achieve appropriate extended bandwidth and fidelity up to and beyond 10 kHz This is a classic embodiment of a limited bandwidth line array and as we shall see in this presen tation only recently have solutions been brought to the state of the art to enable line array technology to truly be full band width and ext...

Страница 2: ... high frequency relates to wavelengths that are much shorter than the dimensions of the radiating source Figure 6 is an Array Show representation of a theoretical simple source As can be seen from this slide the radiation is purely omnidirectional implying that any wavelength radiated is always long compared to the dimensions of the radiating device It is common in sound reinforcement practice to ...

Страница 3: ...lustrate the principles underlying successful application of a continuous line of vertical sources that of a line array Figure 12 is extremely interesting as well as it explains the historical applications where line arrays were limited bandwidth devices such as those referenced in Figure 1 Figure 2 and Figure 3 earlier in this discussion The two point sources continue to be spaced by 12 inches bu...

Страница 4: ...at the lobing pattern begins to suggest that spacings greater than those equal to the radiated wavelength begin producing unacceptable polar lobing errors For this reason successful application of full band with line arrays requires that the spacing always be less than the radiated wavelengths Figure 15 now takes our two point sources and begins to build a continuous vertical orientation of source...

Страница 5: ...e array overall height H must be large compared to the radiated wavelengths The device separation B and line array height H are two key parameters to describe both the high frequency limits fmax and low frequency limits fmin of a line array system The space B helps to determine Fmax the highest frequency of well behaved summing The parameter H defines Fmin the lowest frequency that the line array ...

Страница 6: ...s although producing an improved directivity index would suffer from substantial lobing errors as one walks from the x axis to the y that is walk from the front of the array toward the back of a venue covering the entire included vertical angle of the venue Figure 22 shows an Array Show plot of a point source and compares it to the Array Show plot of the directional improvements in response associ...

Страница 7: ...e velocity of the diaphragm and we generate an addi tional conversion efficiency as a result We have now illustrated two methods of achieving directional radiation that of orientation of simple sources or of coupling a horn to a radiating source An important concept at this point is to introduce the product theorem ρ r ø ρAX r He ø H ø Where He ø is the expression that describes the directional ch...

Страница 8: ... maximum high frequency control based on the relationship between the spacing of the devices b and the wavelengths is as follows For base line arrays where we are interested in control up to 250 hz the spacing needs to be at least 4 5 feet This is relatively easy to do with 15 inch and 12 inch drivers and as a result the real ization of bass frequency line arrays is very straightforward For mid ba...

Страница 9: ... in this paper with regards to vertical stacking It should be remembered by all designers that stacking whether the arrays are horizontal or vertical will always narrow the pattern in the axis that the devices are oriented This brings us back to the mid range devices and low frequency devices in an axis symmetric design These axis symmetric designs are small horizontal arrays Figure 32 shows two e...

Страница 10: ... indirectly the case The actual parameter is the physical height of the array so large format concert level line arrays like the EV X Line certainly require less boxes to get to a particular cut off frequency The important thing to note from Figure 35 is that if we average the 4 multiplier and 5 multiplier we see that a four box system in the case of a compact line array the XLC from Electro Voice...

Страница 11: ...e system Early applications of line arrays consisted of aiming the systems with a laser mounted on the top of the overall array This is very inappropriate as can be seen from any of the figures Figure 37 Figure 38 and Figure 39 Regardless of the shape whether flat symmetrical curved symmetrical or asymmetrical the major lobe always emanates from the physical center of the system and may be steered...

Страница 12: ...re 44 Although the polar pattern is partly compromised the Q is substantially increased The associated gain in directivity index is a very valuable tool for a system designer In Figure 45 shows a typical groundstack A 200 foot long room would exhibit the following performance A flow line array would generate if properly aimed a 1dB to 2 dB variation front to back in the venue described in the exam...

Страница 13: ...atching the SPL coverage versus distance in the venue with the flat array s major lobe for curved arrays the near field behavior is likely between 3dB and 6dB per doubling of distance and is very difficult to quantify It should also be noted that line arrays although offering substantial benefits are not suited for all applications A line array needs proper aiming or sub standard performance will ...

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