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FRONT PANEL FEATURES 

 

Input Jacks

 – Designed to accept a 

standard ¼ inch mono phone plug.  For best 
results use a high-quality shielded cable to 
connect your instrument to the amplifier.  
Both inputs are buffered and will handle 
standard, high level and piezo input signals. 
They can be used simultaneously 
 

Mute switch

 – Mutes all outputs except 

the tuner output. The indicator lights  when 
Mute is on.   
 

D.I. Selector  

- Selects the D.I. send in either 

the Pre or Post tone position. 

 
Input Gain Switch

 – By pushing the Gain 

switch in, you engage a +10db gain Boost. 
For low gain instruments use the Gain 
switch in the high Gain position. 

 
Hi Gain Indicator

 LED– Lights to indicate 

that the unit is in the high gain position.  

 
Warm Switch

- This switch engages the 

positive half wave tube style distortion circuit. The 
distortion effect is increased by adding more 
gain. 
 

Warm Trim- 

Located behind the front  

panel . Use a small screw driver to adjust the 
level of the 

effect

 
Gain Control

 – Regulates the first gain 

stage of the preamplifier and controls the 
amount of signal available to the system. 

 
Clip Indicator

 – Flashes to indicate 

clipping anywhere in the system. This 
should never be lit up. 
  

Compressor Control- 

This adjusts the 

threshold level of the compressor. The ratio is 
fixed at an optimum point for Bass reproduction.

 

 
Compressor Indicator 

– Lights to 

indicate that the signal has crossed the 
threshold of the compression circuit and that 
compression is taking place. 
 

Compressor Bypass

 – Turning the 

Compressor Control off will disengage the 
compressor. 
 

Enhance Control

 – Called the “Magic 

Knob” by some, this complex control 
simultaneously boosts the very low bass, 

upper middle, and high frequencies while 
putting a dip in the lower middle frequencies.  
It is flat when set to its minimum level. 
 
 

Tone Control Section 

 

Tone Control

 – These three controls allow 

you to boost or cut the tone at the desired 
frequency. The spacing allows the controls 
to interact  smoothly and musically. 
 

 

Bass 

– This traditional shelving tone control 

provides 15 dB of boost or cut at approx.  30 
Hz. The control is flat in the 12:00 position. 
 
 

Mid Range Control- 

This covers the central 

portion of the sound envelope and can be critical 
to getting your sound right. The body of the Bass 
sound is in the  mid range. 
 

Mid Shift Control

 – Provided to shift  the 

midrange control from low mid (550Hz) for 
general playing and recording to the  high 
mid position (2.2K) for Rock and more 
aggressive tones. 

 
Tone Bypass Control

– Located beneath 

the tone control. A great  tool for recording. 
This bypasses the tone section only and 
does not effect the boosters or the 
compressor.  
 

Treble

 – This is a traditional shelving-type 

tone control. It provides 15 db of boost or 
cut. The knee of the filter is at approximately 
2KHz.  The control is flat at the 12: 00 
position. 
 
 

Master Level Control

 – Adjusts overall 

system output and stage loudness. 

 
 
Headphone Jack

 – It accepts a standard 

¼ stereo or mono headphone plug. It can 
also be used as a Master output send to 
slave another amplifier. 

Output Limit Indicator

 – Lights to 

indicate activity of the power amplifier 
limiting circuit, which protects the speaker 
system from severe distortion.  This LED 
indicates that the amplifier has reached its 
maximum output level. 
 

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