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IMPORTANT NOTICE - Please Read This:

Use of the LevelPad™ - The DP25/C SnareMic™ and DP30/C TomMic™ mi-

crophones have a high output level, which may overload the preamps of some 

mixers or consoles. Many outboard microphone preamplifiers and preamplifi-

ers in mixing consoles will handle as much as +24dbv at the microphone input, 

without distortion. We suggest that you check the “maximum preamp input 

level” specifications of your mixer or preamplifier to see if it will accommo-

date signal levels this high. Some mixers and preamps will not handle this high 

level at the microphone input. To avoid overload, please use a LevelPad™ in 

the microphone cable feeding each Drum Periscope Microphones. 

Some mixer or outboard preamplifiers have a pad that can be switched in or out.  

However, some of these pads are not attenuators that precede the preamplifier in-

put, instead they only reduce the gain of the preamplifier. These (so called) pads 

will provide no input overload protection from high level microphone signals 

(see Fig. 1-A). In contrast, other outboard or mixer preamplifiers have actual pads 

that precede the preamplifier. These types of pads will provide the input overload 

protection that is needed (see Fig. 1-B). Such pads will typically provide –10dB 

or –20dB attenuation. However, due to the very high output level of the Drum 

Periscope™ microphones, -10 dB or even –20dB may not be enough attenuation 

when close miking snares or toms with Drum Periscope™ Microphones.

In any case where the pad does not precede the preamplifier, or the pad does 

not provide enough attenuation, the Earthworks LP1530 LevelPad™ can be 

used and will provide either –15dB or –30dB of attenuation. The LevelPad™ 

comes housed in a stainless steel tube with gold-plated XLR connectors on 

each end.  As the LevelPad™ is inserted in the mic line, it will always precede 

the preamplifier input. It makes no difference if the LevelPad™ is inserted at 

the microphone, or somewhere in the middle of the mic line, or by plugging 

3

Figure 1-A  and 1-B Preamp Input Pads

A.

B.

Содержание DP25C

Страница 1: ......

Страница 2: ......

Страница 3: ...list below Then verify that you have received each of the items listed below the product model name Items Enclosed with CMK4 CloseMic Kit 1 DP25 C Drum Periscope Microphone 3 DP30 C Drum Periscope Mic...

Страница 4: ...e so called pads will provide no input overload protection from high level microphone signals see Fig 1 A In contrast other outboard or mixer preamplifiers have actual pads that precede the preamplifi...

Страница 5: ...accessible to switch the attenuation settings 15dB or 30dB if needed Figures 2 A 2 B and 2 C show how the LevelPad can be inserted into the microphone line in one of three ways as indicated below Figu...

Страница 6: ...ics and also nine industry favored mics When veteran engineers heard the difference between these two recordings they made the comment that the improvement was so dramatic it didn t even sound like th...

Страница 7: ...sepa rate mics are used on snare toms high hat and kick drum with one or two overhead microphones The overhead mics pick up the overall sound of the drums including cymbals which are typically not mi...

Страница 8: ...sing Earthworks microphones In addition Earthworks cardioid microphones have a very high rejection of sounds at the rear back of the microphone This feature will greatly reduce the leakage of cymbals...

Страница 9: ...eferring to Figure 4 B notice that on the cushioned rim guide there are two sets of grooves One set of grooves is in the center of the rim guide while the other set of grooves is off center or closer...

Страница 10: ...mounted securely on the drum rim with the Drum Periscope microphone housed in the rubber holder the microphone body can be moved either up or down in the rubber holder to adjust the desired height The...

Страница 11: ...B SPL with no audible distortion The Drum Periscope microphones will handle up to 145dB SPL without distortion However as mentioned earlier with this kind of high sound pressure level it is possible f...

Страница 12: ...n be used on either the top drumhead bottom drum head or both Figure 7 A shows a snare drum with a DP25 C microphone placed over the top drumhead while Figure 7 B shows a share drum with both the top...

Страница 13: ...h the results We are pleased to welcome you to the ever growing family of profes sionals using Earthworks High Definition Microphones We hope the suggestions in this manual have been beneficial to you...

Страница 14: ...NOTES 13...

Страница 15: ......

Страница 16: ...utput load 600 balanced between pins 2 3 Noise 22dB SPL A weighted Dimensions L x D Weight 30Hz to 30kHz 2dB 1 10 75 x 860 inches 275mm x 22mm 22lb 100g DP25 C Frequency response 50Hz to 25kHz 2dB 1 P...

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