Dreadbox TYPHON, Руководство пользователя

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2. Set the CUTOFF knob at about 50%, and the RESON knob at about 70% so that the sound gets dark.
3. Select M1 and then hit the MODE (or shift) button until “STEP” is armed
4. Set the first slider (#) at 4
5. Select “CUT” as destination (slider 4) and set its level at + 50 (slider 5)
6. Select STEP 1 (slider 2) and set its LVL at 0 (slider 3)
7. Select STEP 2 (slider 2) and set its LVL at 15 (slider 3)
8. Select STEP 3 (slider 2) and set its LVL at 35 (slider 3)
9. Select STEP 4 (slider 2) and set its LVL at 55 (slider 3)
Now hit a note with your keyboard and you will notice that the filter is being modulated at the same BPM rate
as the recorded pattern you just made. To change the pattern rate, hit SQNCR and rotate the encoder.
For more info about BPM check “9. NOTE SEQUENCER”
7. The Sinevibes Effects
Typhon is equipped with a set of powerful DSP effects developed by Sinevibes.
For more info about Sinevibes, please visit www.sinevibes.com
A high-quality, 32bit codec, running at 96kHz, is used to produce these effects, providing unparalleled sound
quality. The chain of effects are ordered exactly the way they are named. FX1, then FX2, and finally FX3. Only
one FX type can be active for each of the 3 categories. For example, you cannot have both the delay and re-
verb algorithms running at the same time, because they are both located on FX3.
When modulating an FX parameter (using any of the modulators), the algorithm that is modulated will be the
one that is currently selected or armed for either FX1, FX2, or FX3.
All of the effects are stereo, but only some of them will produce a stereo element. The rest of the effects are
still able to process a stereo signal.
7.1 FX1: Distortion and Bit crush
FX1 is dedicated to distortion algorithms. Filter FM or just FFM (VCO2 Triangle wave modulating Filter Cutoff)
and the Bit Crusher are also located here, as we consider these to be distortion effects.
You can choose between 6 different algorithms:
Hard Clipping | Foldback | S-curve | Triangle Clipping | Shred | Bit Crusher
Your control values are global for all algorithms and they are:
GAIN:
Distortion pre-gain
MIX: Effect mix (from full dry to full wet)
FFM: Filter FM amount
When using the Bit Crusher algorithm, GAIN becomes the sampling rate, and MIX the Bit depth.
7.2 FX2: Enhancers (Chorus, Ensemble, Flanger)
FX2 is dedicated to three different time-based delay effects and these are:
Chorus | Ensemble (a polyphonic chorus) | Flanger
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