36
Dark EnerGy
DOEPFER
Example Sounds
6. Almost Sync
This example sound does a good job as a bass or – in higher ranges – as a powerful keyboard/lead sound.
The pulswidth of the squarewave is modulated in the audiorange by LFO2. Result is a sound, that slightly
reminds of the classic „oscillator sync“ effect. Filter and VCA are controlled in the usual way by the envelo
-
pe with a percussive setting. Importand for the sonic characteristics are the settings of all filter parameters,
LFO2 frequency and the modulation depth of the pulswidth PM. If you use the trianglewave instead of saw
as a second VCO signal, the sound becomes much softer.
If you connect the CV4 socket in the backside with the VCF F input, you may additionally controll the filter
cutoff with the modwheel of your MIDI keyboard.
Tune
Res
ADSR
Range
Shape
Shape
Shape
Range
Range
LFO1
LFO2
LFO1
LFO2
up
half
low
high
high
high
low
low
ADSR
ADSR
ADSR
ADSR
down
full
medium
Attack
Decay
Sustain
Release
medium
medium
Frequ.
Frequ.
Inputs
Outputs
Gate
VCA A
VCF F
VCO PW
VCO F
Ext.
Audio
LFO1
Envelope
Audio
VCO
VCF
Envelope
VCA
LFO1
LFO2
off
off
off
off
off
off
off
off
Frequ.
Amp
AM
XFM
FM
PW
PWM
LFM
Octave
Source
Source
Source
Source
Track
DARK ENERGY
DOEPFER
0
4
5
1
3
2
10
9
7
8
0
4
5
1
3
2
10
9
7
0
4
5
1
3
2
10
9
7
0
4
5
1
3
2
10
9
7
0
4
5
1
3
10
9
7
0
4
5
1
3
10
9
7
0
4
5
1
3
10
9
7
8
0
4
5
1
3
10
9
7
8
0
4
1
3
10
9
7
8
0
4
5
1
3
10
9
7
8
0
4
1
3
10
9
7
8
0
4
1
3
10
9
7
8
0
1
3
2
10
9
8
0
4
1
3
2
10
6
9
7
8
0
4
1
3
2
10
6
9
7
8
0
4
1
3
2
10
6
9
7
8
CV4