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12

Dark EnerGy

DOEPFER

Functionality

3.2. The Modules

3.2.1. VCO

The VCO, or alternatively the external audio input, is the source of Dark Energy‘s „raw“ soundmaterial. The 

VCO provides the basic waveforms triangle, sawtooth and square with variable pulswidth. The module has 

modulation inputs for frequency (pitch) and pulswidth. The frequency range covers approx. 10 Hz to

 

12 kHz.

The VCO provides the following controls:

• Manual tuning knob

This knob is used for sharp or flat finetuning of the pitch. An internal jumper selects the 

range between approx. +/- 1/2 octave or +/- 2,5 octaves. The default setting is +/- 1/2 

octave.

• Range switch -1 / 0 / +1 octave

This switch selects the tuning range.

• FM (frequency modulation) knob

This knob is located in the pitch control input of the VCO. It adjusts the pitch modulati

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on depth of a selected modulation source (LFO1 or envelope/ADSR). This knob uses 

an exponential characteristic to achive a higher resolution in the lower pitchrange.

• FM Source switch

This switch selects the frequency modulation source of the VCO. The choices are 

LFO1, envelope (ADSR) or no source (off). The ADSR generates an „one shot“ pitch 

contour, which is characteristic for e.g. certain drum- and percussion-sounds. LFO1 

forms a periodic and continous modulation. Low LFO1 frequency settings will result in 

vibrati. If LFO1 runs in the audiorange (high), the VCO generates very noisy textures.

• Manual Pulswidth knob

This knob changes the pulswidth of the square signal. Altering the symetry of the 

waveform from square to sharp peaks changes it‘s harmonic content and thus the 

timbre of the signal. In center position, the VCO provides a rectangular (square) signal 

(a). Turning clockwise resp. counterclockwise first narrows the pulses until, at it‘s extre

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me positions, the VCO stopps oscillating and no pulswave signal is audible.

• PWM (Pulswidth modulation) knob

Modulating the pulswidth provides very interesting textures. This knob is located in the pulswidth control 

input of the VCO. 

It adjusts the pulswidth modulation depth of the selected modulation source (LFO2 or envelope/ADSR).

With high modulation depths and/or narrow pulswidth settings (manual pulswidth knob close to fully clock

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wise / fully counterclockwise), the modulation depth might exceed the maximum value of the pulswidth

 

range and the waveform will break down. As a result, you will hear dropouts in the audiosignal. This is

 

normal and can be used creatively as an interesting „gate“-like effekt.

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Содержание Dark Energy

Страница 1: ...Dark Energy Owners Manual DOEPFER MUSIKELEKTRONIK GmbH...

Страница 2: ...trument into direct sun light Do not install the instrument near heat sources Keep the top side of the instrument free in order to guarantee proper ventilation otherwise the instrument could be overhe...

Страница 3: ...3 2 5 LFO1 and LFO2 18 3 3 USB MIDI Interface 3 3 1 Connection MIDI Channel 19 3 3 2 MIDI to CV Interface 20 3 3 3 Learn Mode MIDI Functions 21 3 3 4 Reset 24 DOEPFER Dark Energy Owners Manual 3 4 Lin...

Страница 4: ...ade for extensive live tweaking You get all the advantages of a true analogue soundgeneration as well as direct access to all soundparameters for get about confusing menues and small sized displays Ne...

Страница 5: ...can be found later in this manual Connections To run Dark Energy you do not need necessarily all it s built in sockets For a basic setup you will need just the ones shown in the picture below Make use...

Страница 6: ...cluded connection cable CV Gate To run Dark Energy with a CV Gate sequencer keyboard you have to connect at least Gate and VCO F sockets Gate triggers the notes VCO F determines the pitch of the notes...

Страница 7: ...O1 frequency Now let s take a brief look at the filter section VCF Turn it s Frq knob slowly counterclockwise You will hear the sound becomming more and more dull until it gets inaudible Now turn the...

Страница 8: ...nob with selectable modulationsource LFO1 off ADSR pulswidth knob for squarewave PWM pulswidth modulation knob with selectable modulationsource LFO1 off ADSR waveform switch saw off triangle The sum o...

Страница 9: ...mper no fixed internal routing can be connected via patchcord with e g the control voltage input of the VCO or VCF CV3 controlled by MIDI velocity data 0 5V no fixed internal routing can be connected...

Страница 10: ...ich modulate the audiomodules The envelope generator can send control voltage to VCO VCF and VCA the low frequency oscillators LFO1 and LFO2 can send their control voltages to both oscillators and to...

Страница 11: ...dio Out Inverter Audio In LFM Res VCO PW VCO F VCA A VCA Amp LFO1 amplitude control AM off ADSR Source Ext Audio Frequency Control Section Frequency Control Section Envelope Out Audio Out Audio Output...

Страница 12: ...contour which is characteristic for e g certain drum and percussion sounds LFO1 forms a periodic and continous modulation Low LFO1 frequency settings will result in vibrati If LFO1 runs in the audior...

Страница 13: ...face This VCO input uses the standard 1Volt Octave scaling which is commen for most of all analogue synthesi zers This enables you to play Dark Energy just like any other keyboard instrument with temp...

Страница 14: ...of the filter At fully clockwise position the filter is completely opened and the entire frequency range of the incomming signal is passed through At fully counterclockwise position the filter is clos...

Страница 15: ...setting When the filter is self oscillating high resonance and the VCO is disabled waveform switch in center po sition and PW knob in fully clockwise or counterclockwise position the filter runs as a...

Страница 16: ...amics can be achieved in settings around the center position The reason for this effect is The maximum amplification of the VCA is factor 1 The AM knob value is added to the amplitude knob value If th...

Страница 17: ...hen it falls down to 0 Volt within the adjusted Release time The envelope generator provides the following controls Knobs for Attack Decay Sustain and Release Please note that Attack Decay and Release...

Страница 18: ...ncy as well as AM effects VCA Use this feature to create interesting and noisy soundeffects Dual coloured LED yellow red show positive and negative waveform halfs Abo ve frequencies of approx 30 Hz th...

Страница 19: ...e sequencer Simply connect the MIDI output of your MIDI device to Dark Energy s MIDI port Please do not use USB and DIN connections in parallel MIDI channel selection Learn button In order to enable D...

Страница 20: ...her not MIDIfied analogue synthe sizer that fits to the specifications of Dark Energy Depending on the incomming MIDI data note on off notenumber pitchbend MIDI controller velocity the interface gener...

Страница 21: ...Reference note Program Change 17 16 6 Stack note Program Change 18 17 6 Arp Mode On Off Program Change 19 18 7 Arpeggiator Arp Mode Hold Program Change 20 19 7 Arpeggiator Arp Mode Overwrite Program C...

Страница 22: ...oard while the key of the former note is still pressed The factory default setting is retrigger off Additionally the MIDI controllers legato controller 68 and sustain controller 64 affect the gate out...

Страница 23: ...Dark Energy s arpeggiator generates it s own clock signal The tempo can be controlled via MIDI Modwheel data Since a modwheel can be found on almost every MIDI keyboard it is a useful controller to s...

Страница 24: ...nge the settings of Dark Energy with such MIDI messages All parameter changes made while beeing in the learn mode are stored non volatile in Dark Energy parameter memory When Dark Energy is turned on...

Страница 25: ...ur Dark Energy without having read and fully under stood this additional technical documentation Otherwise you may damage your instrument loose your warranty risk your health etc 3 5 Modifications Dar...

Страница 26: ...imbre is determined by the so called overtone content of the sound In general bright sounds contain more overtones dull sounds lesser As we see the raw material of a sound is defined by the three para...

Страница 27: ...nd synthesis with a VCF see below only al lows to cut out or amplify overtones that exist Therefore the sine and triangle wave only play a minor part here Under the condition that a VCF works as sine...

Страница 28: ...inverse function of the bandpass An allpass passes all frequencies but it performs a phaseshift dependant on the frequency For musi cal purposes the lowpass is by far the most efficient filtertype thu...

Страница 29: ...of the VCO Intensity is set by the LM knob This feature is very useful for FM sounds with the filter working as a sinewave oscillator self oscillating that keep their harmonic content while the sound...

Страница 30: ...pitch filter timbre and amplifier loudness Next to these modules you see the modulating or controlling elements envelope generator LFO which provide the necessary control voltages to control the param...

Страница 31: ...t the CV4 socket in the backside with the VCF F input you may additionally controll the filter cutoff with the modwheel of your MIDI keyboard CV4 Tune Res ADSR Range Shape Shape Shape Range Range LFO1...

Страница 32: ...off and resonance and crank up the LFM knob linear FM slowly to maximum The sound becomes sharper Experiment with the filter settings and the range switch of the oscillator Tune Res ADSR Range Shape S...

Страница 33: ...the filter cutoff with the modwheel of your MIDI keyboard Tune Res ADSR Range Shape Shape Shape Range Range LFO1 LFO2 LFO1 LFO2 up half low high high high low low ADSR ADSR ADSR ADSR down full medium...

Страница 34: ...e sound tonally playable at least over a range of two octaves The modwheel CV4 to VCO F or VCF F provides wild noise effects Tune Res ADSR Range Shape Shape Shape Range Range LFO1 LFO2 LFO1 LFO2 up ha...

Страница 35: ...R is not in use Connect the LFO1 output to the VCF F input and listen how the sound changes Play with the filter parameters Tune Res ADSR Range Shape Shape Shape Range Range LFO1 LFO2 LFO1 LFO2 up hal...

Страница 36: ...t in the backside with the VCF F input you may additionally controll the filter cutoff with the modwheel of your MIDI keyboard Tune Res ADSR Range Shape Shape Shape Range Range LFO1 LFO2 LFO1 LFO2 up...

Страница 37: ...tionally controll the filter cutoff with the modwheel of your MIDI keyboard Tune Res ADSR Range Shape Shape Shape Range Range LFO1 LFO2 LFO1 LFO2 up half low high high high low low ADSR ADSR ADSR ADSR...

Страница 38: ...ical synthie percussion sounds Tune Res ADSR Range Shape Shape Shape Range Range LFO1 LFO2 LFO1 LFO2 up half low high high high low low ADSR ADSR ADSR ADSR down full medium Attack Decay Sustain Releas...

Страница 39: ...cket Tune Res ADSR Range Shape Shape Shape Range Range LFO1 LFO2 LFO1 LFO2 up half low high high high low low ADSR ADSR ADSR ADSR down full medium Attack Decay Sustain Release medium medium Frequ Freq...

Страница 40: ...d a bit phatter Again use the modwheel via CV4 socket Tune Res ADSR Range Shape Shape Shape Range Range LFO1 LFO2 LFO1 LFO2 up half low high high high low low ADSR ADSR ADSR ADSR down full medium Atta...

Страница 41: ...rewaves provide interesting gate effects however perfect syncing the effect to the tempo of the external source is not possible So this works well for non rhythmical sounds Of course you may use an ex...

Страница 42: ...knobs and switches as well as the patchcords Tune Res ADSR Range Shape Shape Shape Range Range LFO1 LFO2 LFO1 LFO2 up half low high high high low low ADSR ADSR ADSR ADSR down full medium Attack Decay...

Страница 43: ...to our website terms of business Disposal This device complies to the EU guidelines and is manufactured RoHS conform without the use of led mercury cadmium and chrome Nevertheless this device is speci...

Страница 44: ...Dark Energy doepfer Musikelektronik gmbh...

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