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Dark time

DOEPFER

Functions

Functions

Dark time

DOEPFER

10

11

”Jump” within the previously selected range, they will not affect the sequence in any way.  

Please note: in”1-16” mode, no jumps ps between both registers can be performed. 

Confusing, eh? Not really, go ahead, and with a little practice you will see how useful this little feature is:

Using these pretty simple settings, you may create quite interesting and ever-changing complex musical 

patterns. You may completely ”reprogram” the sequence by just the flick of a switch or two. Give it a try and 

you will get an idea why analog sequencers enjoy great popularity, especially within live electronic music 

contexts. Once you have got the hang of it, you will get great results and endless hours of sequencing  

excitement. 

 

Oops – here‘s a hidden function: Setting both 

step status switches 

of steps 

1

 and 

9

 on ”

Jump

” resp. 

Skip

” will entirely disable their corresponding row. 

•  LED

  The status LED will light up when the corresponding step has been reached and   

 

 

show the current 

position

 of the sequence. 

•  Step-knob

 

 

– This control determines the pitch of the respective step. The behavior of this pot  

 

       (and all other step controls) depends on the settings of the ”

Range

” and  

 

        ”

Quantize

” switches. More about this in chapter 3.1.3.,  ”Sequence Control” on   

 

        page 11.

 

 

– Depending on the operation mode, the lower eight step controls determine several  

 

 

   parameters for the corresponding upper eight steps. This can be gate lenght,    

 

 

   velocity, a MIDI-controller or pitch bend. You will find a description in  

 

 

   chapter 3.2. on page 15.

3.1.2. CV/Gate output sockets

Each step set to ”on” will generate several signals at a time when active. These can be tapped from the 

sockets on the rear interface panel of Dark Time. They can be used to control other sound sources  

connected.

• 

Gate 1 / 2 Out

 

 

– Gate 1 Out delivers gate signals of steps 1 – 8 (+5V / +12V).

 

 

– Gate 2 Out delivers gate signals of steps 9 – 16 (+5V / +12V). 

 

 

(An internal jumper-setting determines a gate signal voltage of +5V or +12V.  

 

 

Please refer to page 21, section 3.4.) Polarity is inverted by a sub-function (page 22).

 

 

• 

CV 1 Out / CV 2 Out

 

 

– CV 1 Out delivers control voltage of steps 1 – 8.

 

 

– CV 2 Out delivers control voltage of steps 9 – 16.

3.1.3. Sequence Control

The sequence control functions allow control over the previously programmed sequence. They determine 

or alter pitch and / or the playback order of the step registers.

• 

Transpose

 

With these switches you can transpose both registers of the sequence up or down by one octave.  

 

The switch on the left addresses steps 1 – 8, the switch on the right addresses steps 9 – 16.

• 

Range

 

This switch determines the control voltage range and thus the pitch range that is covered by one  

 

entire turn of a step control. You may select between 1 Volt, 2 Volts and 5 Volts. If the synthesizer  

 

connected works with a control scaling of 1V/octave, these voltages are equivalent to a range of  

 

one, two, or five octaves.

• 

Quantize

 

When this switch is set to 

”Off”

, the step controls will be almost continuously variable within the   

 

range determined by the ”Range” switch. We use the term ’almost’ since it is still stepped digitally,  

 

but into 1024 very small increments which are – in effect – continuous and barely noticeable.

 

Set to 

”On”

, the control voltage range gets scaled. That means, it is sliced into discrete steps that  

 

are equivalents of musical semitones. The number of chromatic steps, i. e. semitones that are    

 

covered by one entire turn of a step control is again determined by the setting of the ”Range” switch.  

 

When set to ”1V”, the step controls are quantized into 13 discrete semitones (one octave, or – to be  

 

more precise – a ”ninth” interval; e.g. ”c” to ”C”). ”2V” means 25 semitones (two octaves) and ”5V”  

 

means 61 semitones (five octaves). 

 

”Scale”

 allows the programming of any desired scaling. In other words: So the sequencer is forced  

 

to play only selected notes that fit into a certain musical scale. This is how to program these  

 

”selected notes” – we will need a ”sub menu“ to do this:: 

 

 

• First, please set the Quantize switch to position ”Scale”. This enables the Scale function. 

 

 

• Hold down the Function key at least 5 sec until it starts flashing. The key-LEDs ”Start/Stop”,  

 

  ”Reset” and ”Step” will light up.  

 

 

• Press ”Reset” to enter the Scale programming function. The Reset-LED lights up, the  

 

  Function-LED still flashes.  

 

 

• The first 12 Step switches ”

On/Off/Skip

” will now switch on/off the 12 semitones of an octave.  

 

  Please refer to the chart on the following page.  

 

  Depending on the selected notes, you may create certain musical scales. The chart shows the 

 

  settings for C-majer and C-minor as examples. 

 

Shuffle

Divide

Off

Jump

Jump

Jump

Jump

Jump

Jump

Jump

Jump

Off

Off

Off

Off

Off

Off

Off

Off

Jump

Jump

Jump

Jump

Jump

Jump

Jump

Jump

Off

Off

Off

0

0

2V

Scale

Random

Random

1-16

Off

Off

Off

Off

Stop

Stop

Stop

Stop

Stop

Stop

Stop

Stop

Stop

Stop

Stop

Stop

+1

6

1

-

9

6

1

-

9

Stop

Stop

Stop

Stop

Skip

Skip

Skip

Skip

Skip

Skip

Skip

Skip

Skip

Skip

Skip

Skip

1V

OffUp

Up

2x(1-8)

Internal

External

+1

8

-

1

8

-

1

Skip

Skip

Skip

Start/Stop Reset

Step

Function

Skip

On

On

On

On

On

On

On

On

On

On

On

On

5V

On

Down

Down

1-8

Combi

Midi/USB

-1

On

On

On

On

Cont.

Cont.

Cont.

Cont.

Cont.

Cont.

Cont.

Cont.

Cont.

Cont.

Cont.

Cont.

-1

Cont.

Cont.

Cont.

Pulsewidth

Clock

Transpose

Range

Quantize

Direction

Link

Sync

Cont.

DARK TIME

DOEPFER

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

6

6

6

6

6

6

6

6

5

6

6

6

6

6

6

6

6

6

6

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

2

2

2

2

2

2

2

2

2

2

8

8

8

8

8

8

8

8

8

8

8

8

8

8

8

8

8

8

2

2

2

2

2

2

2

2

0

1

0

1

0

1

0

1

0

1

0

1

0

1

10

10

10

0

1

0

1

0

1

0

1

0

1

0

1

0

1

0

1

9

9

9

9

9

9

9

9

9

9

9

9

9

9

9

9

9

9

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

The sequence is running from step 2 to step 6 (first and last steps on ”Jump”-position). Step 5 will 

not generate a trigger-signal (”Skip"). Step 4 (also on ”Jump”-position) does not affect the sequence.

1

2

3

4

5

6

7

8

Note:

Operation Steps:

Functions:

Sub-Functions for Steps 1-11

Step 1: MIDI-Contr. Box (sends/receives MIDI-Contr.-data)

Step 2: Gate-Out Polarity

Step 3: CV-Out Value hold on/off

Step 4: Gate-Lenght normal/legato

Step 5: Merge MIDI-In and internal MIDI data

Step 6: Send MIDI-Realtime-data (DIN socket)

Step 7: Send MIDI-Realtime-data (USB-Port)

Step 8: MIDI-Transpose/Loop function

Step 9: Auto Save function

Step 10: Step-switch position ”Stop” disabled

Step 11: Input clock-divider disabled for MIDI-Clock

Scale-Function

Step-Schalter 1-13 enable/disable Noten ”C” bis ”C1” (ON/OFF)

Step-Switches ON/OFF

hold down (> 5 Sec.)

=> LED flashes

Shuffle

Divide

Start/Stop Reset

Step

Function

Pulsewidth

Clock

0

0

4

4

6

5

6

1

1

3

3

2

2

8

8

10

10

9

9

7

7

press

hold down (> 5 Sec.)

=> LED flashes

press

Shuffle

Divide

Start/Stop Reset

Step

Function

Pulsewidth

Clock

0

0

4

4

6

5

6

1

1

3

3

2

2

8

8

10

10

9

9

7

7

enable

Scale-Ftcn

Quantize

Scale

6.

6.

Off

Jump

Jump

Jump

Off

Off

Off

Stop

Stop

Stop

Skip

Skip

Skip

Skip

On

On

On

On

Cont.

Cont.

Cont.

Off

Jump

Jump

Jump

Off

Off

Off

Stop

Stop

Stop

Skip

Skip

Skip

Skip

On

On

On

On

Cont.

Cont.

Cont.

1

2

3

4

5

6

7

Off

Jump

Stop

Stop

Stop

On

On

On

On

Cont.

Cont.

Cont.

8

Skip

Skip

Skip

Skip

1.

2.

1.

2.

Off

Jump

Jump

Jump

Off

Off

Off

Stop

Stop

Stop

Skip

Skip

Skip

Skip

On

On

On

On

Cont.

Cont.

Cont.

9

10

11

Содержание ark time

Страница 1: ...Dark Time Owners Manual V1 2 DOEPFER MUSIKELEKTRONIK GmbH ...

Страница 2: ... Make sure that during transport and in use the instrument is supported properly and cannot drop slip or fall over because people might get injured Never use the instrument in the immediate proximity of electronic devices e g monitors power supplies computers as these interferences could cause malfunctions within Dark Time and corrupt memory data The instrument is to be shipped in the original pac...

Страница 3: ...p Dark Time to your setup After that you will find a brief overview of its functions Sequencer experts may use this as a quickstart guide You should not skip the complete description of the entire Functions section in the next chapter though Dark Time hides some interesting features under its hood If sequencer technology especially the secrets of analog sequencing are totally new to you please ref...

Страница 4: ...r envelopes which in turn normally control the VCF and output VCA CV1 determines the pitch of the VCO s The Clk In Out jacks make synchronization with vintage drum machines or sequencers possible that have not been MIDIed Using additional connections Dark Time will become capable of controlling two analog synthesizers or their parameters in parallel Also some of Dark Time s functions can be remote...

Страница 5: ... On On On On On On On On On On 5V On Down Down 1 8 Combi Midi USB 1 On On On On Cont Cont Cont Cont Cont Cont Cont Cont Cont Cont Cont Cont 1 Cont Cont Cont Pulsewidth Clock Transpose Range Quantize Direction Link Sync Cont DARK TIME DOEPFER 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 6 6 6 6 6 6 6 6 5 6 6 6 6 6 6 6 6 6 6 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 3 3 3 3 3 3 ...

Страница 6: ...ge switch When set to 1V the step controls are quantized into 13 discrete semitones one octave or to be more precise a ninth interval e g c to C 2V means 25 semitones two octaves and 5V means 61 semitones five octaves Scale allows the programming of any desired scaling In other words So the sequencer is forced to play only selected notes that fit into a certain musical scale This is how to program...

Страница 7: ...atio keep the Function key pressed and turn the Clock control You will notice the Step status LEDs 1 to 14 light up one by one The highest number lit up corresponds to the clock divider ratio listed in the chart on the following page Please bear in mind that the clock divider is only available when the Sync switch is in Internal or Midi USB position Step Note Setting for C Major Setting for C Mino...

Страница 8: ...e step 1 and 9 2x 1 8 mode or any step in jump position which determines the current starting point of the sequence Step key The first hit will activate the Step key function Each new hit on this key will make the register skip one step forward to the next step available This way you can step through the sequence manually Hitting the Stop key will quit this function Shuffle Divide Off Jump Jump Ju...

Страница 9: ...sation via MIDI Note Events 3 3 Synchronization and remote control of Dark Time Dark Time offers a bunch of useful interfacing options to communicate with external gear You are not only restricted to playing MIDI and or CV gate based synthesizers connected to Dark Time you may also synchronize it to other external instruments and even remote control some of its functions This will be achieved thro...

Страница 10: ... Input clock divider disabled for MIDI Clock Scale Function Step Schalter 1 13 enable disable Noten C bis C1 ON OFF Step Switches ON OFF hold down 5 Sec LED flashes Shuffle Divide Start Stop Reset Step Function Pulsewidth Clock 0 0 4 4 6 5 6 1 1 3 3 2 2 8 8 10 10 9 9 7 7 press hold down 5 Sec LED flashes press Shuffle Divide Start Stop Reset Step Function Pulsewidth Clock 0 0 4 4 6 5 6 1 1 3 3 2 2...

Страница 11: ...tude you name it The sockets labeled Gate 1 Out and Gate 2 Out send out you have already guessed it a gate signal again for each register individually Active sequencer positions put out a signal of 5V 12V or inverted at these sockets The duration of a gate signal depends on the setting of the Pulsewidth control s page 13 positive gate off on off inverted gate on off on The gate signal triggers the...

Страница 12: ...in e g Dark Time and a non MIDIed vintage drum machine a clock signal is needed A clock signal is a pulse wave its frequency pulses per time determi nes the tempo of the synchronized device When active Dark Time will generate such a clock signal and make it available at the Clk Out socket Changing the gate output voltage from 5V default to 12V by changing an internal jumper see page 21 will genera...

Страница 13: ...e g another Dark Time The clock signal described above will ensure the same rate for all units connected the start stop reset triggers will make sure that both units will perform these actions at exactly the same time Running two Dark Times the way we have just mentioned suggests that the slave device can be started stopped and resetted by means of external signals You have guessed it again this e...

Страница 14: ...top Reset Step Function Pulsewidth Clock 0 0 4 4 6 5 6 1 1 3 3 2 2 8 8 10 10 9 9 7 7 hold down LED lights up Clock Divider intern Shuffle Divide Start Stop Reset Step Function Pulsewidth Clock 0 0 4 4 6 5 6 1 1 3 3 2 2 8 8 10 10 9 9 7 7 and External Dark Time as slave device Sync switch in position MIDI USB Dark Times tempo is now controlled by an external clock source which sends a constant strea...

Страница 15: ...p 2 Gate Out Polarity Step 3 CV Out Value hold on off Step 4 Gate Lenght normal legato Step 5 Merge MIDI In and internal MIDI data Step 6 Send MIDI Realtime data DIN socket Step 7 Send MIDI Realtime data USB Port Step 8 MIDI Transpose Loop function Step 9 Auto Save function Step 10 Step switch position Stop disabled Step 11 Input clock divider disabled for MIDI Clock Scale Function Step Schalter 1...

Страница 16: ...As you allready know Dark Time puts out gate clock start stop and reset voltages via it s analogue inter face By default these voltage have 5V level Some vintage synthesizers may require higher voltages In order to match with these machines the levels of these signals can be changed from their default setting 5V to 12V by changing the position of an internal jumper on one of Dark Times boards Firs...

Страница 17: ...usic is still characterized by the minimalist trademark rhythm of step sequences with just a limited number of stages Think of the Cosmic Couriers of the early 1970s the repetitive robot sound of the proto techno era the acid tracks of the 1990s or the minimal techno productions of today The re petitive rhythm of a step sequencer is still an absolutely essential and important stylistic element of ...

Страница 18: ...rol voltages by one volt would result in pitch changing by one octave This ratio named scaling became a standard very soon and it still is today Exceptions from the rule were some vintage Japanese units e g by Korg and Yamaha that used an alternative method of scaling and interfacing When setting Dark Time s Range switch to another posi tion like 2V or 5V a full turn of a step control will yield a...

Страница 19: ...siness Disposal This device complies to the EU guidelines and is manufactured RoHS conform without the use of led mercury cadmium and chrome Still this device is special waste and disposal in household waste is not permitted For disposal please contact your dealer or Doepfer Musikelektronik GmbH Geigerstr 13 D 82166 Gräfelfing Deutschland IMPRINT Owners Manual by Matthias Fuchs VISOPHON Berlin Ger...

Страница 20: ...38 39 ...

Страница 21: ...Dark Time DOEPFER MUSIKELEKTRONIK GmbH ...

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