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A-191

MCV 16

System A - 100

doepfer

2. MCV16 - Overview

Controls and indicators

LEDs

Indicators for triangle and/or sawtooth
waveform frequency

Freq. +

Button to increase LFO frequency

Freq. –

Button to decrease LFO frequency

Mode

Shepard function switch

LEDs

Shepard function indicators

Mode

Switch to select either Shepard Gene-
rator or MIDI interface

LED

Indicator to show which out of the
Shepard Generator or MIDI interface
is selected

Reset/Store

: Button for saving set-ups or resetting

Shepard Function Generator

In- / Outputs

sockets

CV outputs from the Shepard Genera-
tor and MIDI-CV interface (see text)

MIDI In

MIDI input socket

MCV16

MIDI

S0 /LFO

MIDI-CV / SHEPARD

➀

➁

Freq. +

➂

➃

➄
➅

➇

T0 /LFO

S90 /LFO

T90 /AT

S180 /Pit

T180 /C1

S270 /C2

T270 /C4

S45 /C5

T45 /C6

S135 /C7

T135 / C8

S225 / C10

T225 / C11

S315 /C12

T315 /C16

Freq. –

Control

Mode

MCV

Shepard

Fast

Slow

–

Learn

Reset/
Store

➈

➆

Содержание A-191

Страница 1: ...from a particular MIDI controller such as Mod Wheel Volume Pitch Wheel Aftertouch etc Controller messages on your chosen MIDI channel are converted into voltages in a range from 0 to 5 V The other th...

Страница 2: ...ator or MIDI interface 8 LED Indicator to show which out of the Shepard Generator or MIDI interface is selected 9 Reset Store Button for saving set ups or resetting Shepard Function Generator In Outpu...

Страница 3: ...191 receives MIDI clock LED 8 flashes see chapter 4 2 MIDI In 4 MIDI CV interface 4 1 Basics In its MIDI CV mode the A 191 provides a MIDI CV converter and a MIDI synchronized LFO Whenever the A 191 r...

Страница 4: ...ng the clock rate You set the divisor either with MIDI controller 92 Tremolo Depth or manually with buttons 2 and or 3 The note length N of a full cycle of the waveform generated by the LFO follows th...

Страница 5: ...nstance those of the A 145 LFO The waveforms on the A 191 LFO are digital stepped If you use it to control eg a VCO the result is less of a smooth continuous pitch sweep and much more akin to a glissa...

Страница 6: ...simultaneously hold down buttons 2 and 3 learning mode is activated This is signalled by LEDs 5 6 and 8 all flashing at once You can now set the MIDI channel you want the MCV16 to respond to To do th...

Страница 7: ...see chapter 4 1 Basics AT C16 These 13 sockets output the control voltages conver ted from their respective MIDI controllers see table 1 Their voltage range is from 0 V to 5 V MIDI In This MIDI input...

Страница 8: ...age source the A 118 s random output The intensity of this modulation is controlled by the modulation wheel output C1 on the A 191 Amplitude modulation The intensity of the amplitude modulation create...

Страница 9: ...ynthesizer patch with multiple modula tion possibilities VCO 1 A 132 VCO 2 A 138a CV 1 MIDI In MIDI Out A 190 CV 2 A 122 A 130 ADSR 1 A 131 ADSR 2 A 118 A 132 Gate MIDI Thru A 191 LFO MIDI In A 132 QC...

Страница 10: ...s of the sequence the filter is opening and in the last four 1 8th notes it s closing Another example of MIDI synchronised use of the internal LFO is shown in Fig 5 Two A 125 phasers set to opposite p...

Страница 11: ...epfer System A 100 MCV 16 A 191 11 Fig 4 MIDI synchronised stereo phasing CV 1 MIDI In MIDI Out A 190 Gate MIDI Thru MIDI Sequencer A 191 MIDI In LFO A 175 Out L Out R VCP 1 CV VCP 2 CV VCF VCA ADSR V...

Страница 12: ...ic sound stage panning see chapter 5 3 User examples The triangle wave signal is sent via outputs T 0 to T 315 and the sawtooth wave signal is sent via out puts S 0 to S 315 where the numbers refer to...

Страница 13: ...or see table 3 The mode cho sen is indicated by LEDs 5 and 6 These settings are only temporary if you want to save them press button 9 see below 5 LED 6 LED LEDs 5 and 6 show the Shepard mode selected...

Страница 14: ...ard generator s sawtooth waveform controls the pitch of eight VCOs all with identical settings while the tri angle outputs control 8 VCAs one for each VCO To hear the effect properly the outputs from...

Страница 15: ...armonics re starting at the bottom once they ve reached the highest frequency The result is to our ears a tone which is rising all the time but never gets any higher The same applies in the down mode...

Страница 16: ...ou use two tri angle wave outputs which are 180 out of phase with each other With four triangle waves which are 90 out of phase with each other and four VCAs whose outputs are fed to a quadraphonic so...

Страница 17: ...doepfer System A 100 MCV 16 A 191 17 Fig 9 Patch for quadraphonic spatial effects Quad Space VCA 1 T 0 VCA 2 T 90 VCA 4 T 270 A 191 VCA 3 T 180 Audio In...

Страница 18: ...ltiple copies of your composite diagram and use them for remembering good patches and set ups P Draw in patchleads with colored pens MCV16 MIDI In S0 LFO MIDI CV SHEPARD Freq T0 LFO S90 LFO T90 AT S18...

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DOEPFER A-191, Руководство пользователя

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