background image

 

DJANGO : GYPSY JAZZ GUITAR 

INTRODUCTION 

 
The Selmer­Maccaferri acoustic guitar, best known as the favored instrument of legendary 
jazz guitar virtuoso Django Reinhardt, is a particular guitar design. Named after its inventor 
(Mario Maccaferri) and manufacturing company (Selmer), it is a rare item. Only about a 
thousand were produced from 1932 to 1952. But since the recent revival of Gypsy Jazz, an 
increasing number of luthiers have been working on the original designs and now they have 
become a popular build. Visually, they are characterized by a large body with a movable 
bridge and mandolin­like tailpiece. Sonically, they are known for their loud volume. Before 
the advent of amplification, this attribute allowed them to be heard over other instruments in 
a band. They are the definitive sound of Gypsy Jazz (also known as Hot Club, Jazz 
Manouche, or Gypsy Swing.) 
 
There are two main Selmer builds, the earlier “D­hole” (or "grande bouche") and the post­ 
Maccaferri “oval­hole” (or "petite bouche"). The guitar that we sampled is a beautiful D­hole, 
built by luthier Adonis Goulielmos and the vintage Stimer­type pickup we used is a 
single­coil Kleio 51 model, made by Gabojo. The instrument was played by its owner, the 
distinguished guitarist and instructor Vasilis Kotsias. 
 
For our 

Django: Gypsy Jazz Guitar

 library, we created three virtual instruments: two lead 

(acoustic/miked and electric/DI) and one rhythm. The lead instruments are designed to 
deliver solo parts in the characteristic expression and speed of Gypsy Jazz style ­ but not 
only; the degree of sampling depth makes them suitable for use in other contexts as well, 
e.g. modern jazz, swing, or even pop, and can provide an alternative sound for lead steel or 
nylon acoustic guitar parts that are played with a pick. The rhythm library is straightforward 
Gypsy Jazz style and delivers the well­known upbeat swing rhythm, aka “la pompe”, in any 
key and a wide range of chords. 
 
These virtual instruments were developed by the same team behind Impact Soundworks’ 
Plectra Series Bouzouki and Oud libraries and were designed with the same goals and 
sampling philosophy. We aimed to create a virtual instrument that sounds real. To this end, 
we developed sampling and scripting techniques that not only implement intelligent 
response to MIDI input (e.g. smart positioning, 6­voice polyphony, hammer­on, pull­off, 
bends, slides, release noises and so on) but also incorporate the playing inconsistencies 
which provide the dynamics, flow and expressiveness of real acoustic performances and 
often get disregarded as “bad” takes in other sampling projects. We hope you will enjoy the 
result!  
 
Thank you for purchasing DJANGO: GYPSY JAZZ GUITAR. 

 

 

 
 

Page 3 

Содержание Gypsy Jazz

Страница 1: ...An Impact Soundworks Sample Library Produced by Dimitris Plagiannis User Manual v1 0...

Страница 2: ...NECK POSITION 8 PICKING 8 STRING PRIORITY 9 PREFERENCES 9 EFFECTS 11 LEVEL MIXER 11 FILTER 12 PARAMETRIC EQUALIZER 12 TRANSIENT DESIGNER 12 COMPRESSOR 13 LIMITER 13 DI EFFECTS 14 AMP CAB SIM 15 TIPS...

Страница 3: ...tructor Vasilis Kotsias For our Django Gypsy Jazz Guitar library we created three virtual instruments two lead acoustic miked and electric DI and one rhythm The lead instruments are designed to delive...

Страница 4: ...justable pre stroke sample offset up to 40 msec for ultimate realism Realistic playing noises layered at adjustable levels Automatic or manual control of string articulation and stroke direction Intel...

Страница 5: ...played in multiple string fret combinations but the sound timbre is different for each of those Implementing this function is crucial for realistic performances and we wanted the user to be able to m...

Страница 6: ...notes and noise trigger keys triggering noise effects are mapped to the keyboard in the way displayed on the Kontakt interface keyboard Hovering the mouse cursor over a key shows a description of the...

Страница 7: ...inger between two notes Requires upward 4 legato note one or two semitones above Bend The technique of pushing a string across the fingerboard with a fretting hand finger so that the string gets tight...

Страница 8: ...the alternatives This offers coarse control For finer control the user may use the String Priority switches or keyswitches Neck position knob has the following settings Auto This setting picks the cl...

Страница 9: ...ner of the GUI opens the Preferences panel This panel contains the controls that tune the sampling engine and do not require frequent adjustments There controls are persistent meaning you don t have t...

Страница 10: ...We call these notes dirty and we welcome them because they are necessary to produce realistic performances We have sampled them and this control adjusts the probability of dirty notes occurring rando...

Страница 11: ...ars only when Picking Sync is set to 8 or 16 note EFFECTS The Effects graphical interface will help you shape the sound through an essential set of sound processing tools It is made of six lunchbox st...

Страница 12: ...the shape of the low frequency band If turned off the band becomes a shelf If turned off it becomes a bell Low Mid Gain Adjusts the amount of boost or cut at the LMF Frequency Low Mid Freq Adjusts th...

Страница 13: ...plitude above the threshold the output will increase by only 1 decibel Attack Adjusts the time the Compressor will take to reach the full Ratio value after an input signal exceeds the Threshold level...

Страница 14: ...chain DI EFFECTS The Lead DI instrument is operated in the same way as the acoustic one we just described There is only one difference between the two The DI instrument has a Amplifier Speaker cabine...

Страница 15: ...ed on each string Modwheel during held notes switches between sustained and vibrato notes To reset a GUI control to its default value CTRL click on it The Filter effect can add a nasal character to th...

Страница 16: ...kt s info pane We ll get back to the key functions later on Now let s move on to the GUI and introduce its controls RR Root Note Chord Single Strums Strum Patterns STRUM RR AND PATTERN KEYS Chords are...

Страница 17: ...special occasions such as breaks or endings 6 9 chord end strums cover major keys while m6 end strums are intended for minor keys RR keyswitches force the use of specific RR samples For most strums t...

Страница 18: ...R sample order so that they never sound exactly the same Default value OFF 2 TRACK PAN This knob controls how hard is the panning for the two guitars while in double tracking mode At 100 the two guita...

Страница 19: ...om of each step Swing amount can be adjusted as well with the Swing knob Finally the Latch button allows patterns to keep playing without having to keep a pattern key pressed down While in latch mode...

Страница 20: ...This is normal It happens because patterns are synced to the host app tempo all the time even if playback is currently paused stopped and the first chord is waiting to catch the next downbeat CREDITS...

Страница 21: ...urchasing as the primary user of the product OR are purchasing on the behalf of another primary user i e as a gift The licensee primary user MAY install the product on as many computer systems as he o...

Страница 22: ...T sell individual sounds from a product in any context For clarity The licensee MAY use sounds from the product to create individual sound effects SFX for use in film TV advertising and video games Ho...

Отзывы: