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Pro Tools Reference Guide 142
Track grouping also affects mute and solo be-
havior. Muting or soloing a track that is a mem-
ber of an active Mix Group will mute or solo all
other tracks that are a member of that active
Mix Group as well.
Solo Button
The Solo button normally mutes other tracks so
that the selected track can be auditioned inde-
pendently.
With Pro Tools HD, this behavior is selected as a
Solo mode, called “Solo In Place.” Additional
Solo modes are provided to change how the Solo
button works. See
“Solo Modes” on page 142 .
To solo tracks:
1
Click the Solo button on a track. The button is
highlighted and all other tracks are muted.
2
Click the Solo button on another track. The
buttons for both tracks are highlighted and all
other tracks are muted.
To un-solo tracks:
■
Click the Solo button on soloed tracks.
Solo Modes
(Pro Tools HD Only)
With Pro Tools HD, the Solo button can be used
to:
• Mute other tracks so that the chosen track
can be auditioned alone.
– or –
• Route a chosen track to a separate output.
Solo button behavior is defined by the Solo
mode, as follows:
SIP (Solo In Place) The Solo button mutes other
tracks. When this mode is enabled, tracks can be
solo safed (see “Solo Safe Mode” on page 144).
AFL (After Fader Listen) The Solo button routes
the track’s post-fader/post-pan signal to the
AFL/PFL Path output. The AFL/PFL Path is con-
figured in the Output page of the I/O Setup dia-
log (see “AFL/PFL Path” on page 60).
With AFL, the level you hear is dependent on
the fader level for that track. Additionally, there
is a separate master level setting for AFL that af-
fects the output of any or all tracks you solo in
AFL mode (see “AFL/PFL Path” on page 60). This
level setting is independent of the PFL level set-
ting.
PFL (Pre Fader Listen)
The Solo button routes
the track’s pre-fader/pre-pan signal to the
AFL/PFL Path output. The AFL/PFL Path is con-
figured in the Output page of the I/O Setup dia-
log (see “AFL/PFL Path” on page 60).
With PFL, the fader level and pan are ignored,
and the level you hear is dependent on the sig-
nal’s recorded level. Additionally, there is a sep-
arate master level setting for PFL that affects the
output of any or all tracks you solo in PFL mode
(see “AFL/PFL Path” on page 60). This level set-
ting is independent of the AFL level setting.
For information on creating and modifying
groups for track soloing and muting, see
“Grouping Tracks” on page 149.
AFL and PFL Solo modes require the Sur-
round Mixer plug-in (see the Pro Tools|HD
Getting Started Guide).
AFL and PFL Solo modes require the Sur-
round Mixer plug-in.
If Mutes Frees Assigned Voice is enabled,
muted tracks will not be audible in PFL
mode.