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Chapter 10: Moogerfooger Plug-ins 37
Tips and Tricks
More Harmonics = More Fun
The richer the harmonic content of the sound,
the more there is to filter and sweep. Try adding
distortion using the SansAmp PSA-1 before the
phaser–it’s a cool variation on the common sig-
nal path used when putting a phaser in front of
a guitar amp.
Aggressive. Extreme.
Dr. Moog apparently took these mantras of early
21st Century recording science to heart when he
designed the Rate knob on his phaser. Flick the
Rate switch to Hi and let the party begin. Try
muting a track and mixing in bits of extremely
phase-swept material.
It’s an Effect—Play with It
All the controls on the Moogerfooger 12-Stage
Phaser are fully independent of one another.
This means you can set them in any combina-
tion that you wish. There is no such thing as a
“wrong” combination of settings, so you can ex-
periment all you like to find new, exciting ef-
fects for your music.
Moogerfooger Low-Pass Filter
(TDM, RTAS, and AudioSuite)
The Moogerfooger Lowpass Filter features a 2-
pole/4-pole variable resonance filter with enve-
lope follower. Use it to achieve classic 60s and
70s sounds on bass and electric guitar, or just
dial in some warm, fat analog resonance when
you need it.
How the Moogerfooger Lowpass
Filter Works
With the invention of the MOOG® synthesizer
in the 1960s, Bob Moog started the electronic
music revolution. A direct descendent of the
original MOOG Modular synthesizers, the
Moogerfooger Lowpass Filter provides two clas-
sic MOOG modules: a Lowpass Filter and an En-
velope Follower.
Moogerfooger Low-Pass Filter