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11. INPUT JACKS

The upper jack is the hi-gain input. The lower

jack is the lo-gain input. Use only high-qaulity,

shielded instrument cables.

10. BASS

This controls the amount of low end frequency

content.

9. CONTOUR

This controls the mid-frequency slope. Rotating

the knob clockwise will shift the slope toward low

frequencies. Rotating the knob anti-clockwise will

shift the slope toward high frequencies.

8. TREBLE

This controls the amount of high-end frequency

content.

7. VOLUME

6. TRI-PENT

stage. In the fully anti-clockwise position, the screen

is strapped to the plate (triode mode). In the fully

clockwise position, the screen is fully bypassed and

the EF86 operates as a pentode. In between these 

extremes, screen compression is variable as is gain.

5. NFB

In the up position, negative feedback is applied

to the output section. This lowers gain by 6 dB

frequency response.

4. MASTER

The Master volume  controls the overall output 

level of the amp. It is after the phase inverter.

3. STANDBY

The Standby switch allows the tubes to warm up 

before they are hit with high voltage. Make sure 

this switch is in the down position before turning 

on the Power switch. After 30 seconds, switch from 

Standby to Play.

2. PILOT LIGHT

The pilot indicates that the amp is powered on.

Use #47 replacement bulbs.

1. POWER

This turns on the amplifer. Place the Standby 

switch in the lower position before turning on 

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MADE IN USA

1. BOOST

In the up position, the Boost switch doubles the

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2. MIX-PHASE / SEND

The Mix / Phase control is a multi-function pot. In 

the 12 o'clock position, the dry signal is muted 

allowing serial loop operation. Adjust the knob

to either side parallels the dry/wet signals. Any 

phase issue can be corrected by rotating the 

knob past 12 o'clock in the other direction. When 

acts as a gain pot.

The Send control sets the signal level sent to the

3. RETURN / SEND JACK

jack. The return jack can also be used as an input 

for another low voltage souce, such as the preamp 

out of another amplifer.  Set the Mix / Phase pot

to serial operation to mute the internal preamp.

the Send jack. It can also be used as preamp out to

connect to another power amp. Use serial mode

to mute the 15P Studio’s power amp.

4. REVERB / FT SW

The Reverb control mixes the return signal from

the reverb pan and the amp’s dry signal. To add

the effect, rotate the knob anti-clockwise.

6. XLR OUT

Use the XLR out to connect another piece of gear

the requires a balanced input. See 

1/4” / XLR

 note.

7. LEVEL / LINEOUT

levels. Output for the Lineout is -10 dBV (1Vrms).

Output for the XLR out is +4 dBu (1.23Vrms). Levels

may vary depending on operating environment

and control settings. See 

1/4” / XLR

 note.

The Lineout jack provides an unbalanced output.

Either output 

can

 be used without a speaker load.

DE LISLE 15P STUDIO REAR PANEL

DE LISLE 15P STUDIO FRONT PANEL

BOOST

MIX / PHASE

SEND

REVERB

FT SW

GND LIFT

XLR

LEVEL

LINEOUT

8 OHM

16 OHM

HP OUT

1/4” / XLR

250mA          2A

5. GND LIFT

This switch is connected to the XLR output. Should

any noise issues arise when  the 15P Studio is 

connected to another piece gear via the XLR out,

8. 1/4” - XLR / HP OUT

The XLR output requires a larger signal to give us the 

required output level, so we have incorporated the 

1/4" / XLR toggle switch to bump up the source 

voltage. Select the voltage level that corresponds to

the output connection that is in use.

The HP Out jack allows for silent practicing through

headphones when the speaker is unplugged. This

jack also doubles as an attenuated output when a 

speaker is connected to it.

9. 8 Ohm / 16 Ohm

Connect an 8 ohm speaker cabinet to the 8 ohm jack,

or connect a 16 ohm speaker cabinet to the 16 ohm

jack. 

Do not use both connections at the same time.

10. FUSES

The 15P Studio has two fuses, one for the HT supply

(250mA) and one for the Mains (2A). Both are 3AG. 

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